‘The Love That Remains’ Review: Hlynur Pálmason Follows ‘Godland’ With a Snapshot of Marital Dissolution More Elemental Than Affecting
In this drama about a broken marriage, Palmason personally handles both directing and cinematography using 35mm film in Academy aspect ratio, showcasing his expansive eye for composition that continues to impress. His unrestrained creativity produces visuals that can symbolize emotions or remain enigmatic. However, as the movie transitions into a complex mosaic of surreal and ordinary scenes, our emotional bond with the characters gradually weakens.