As a gamer, I might admit that I lean towards playing the more secure and seemingly “vanilla” Pokémon ROM hacks found online. Similar to the modifications mentioned earlier, these hacks are essentially revamped versions of the original games, but with distinct twists. From the upgraded GBA sprites to the inclusion of Pokémon not originally in the game, there’s always something enticing about these titles that makes them worth exploring.
Interestingly enough, it’s those who work with dubbing, often referred to as synchronization artists, whose voices are making the most noise in Europe’s debate about the application of artificial intelligence technology in movie and TV production.
On May 11th, KL Rahul posted a black-and-white photo on his Instagram stories from the celebration following his wedding to Athiya Shetty. In the picture, Athiya is seen joyously posing with her mom, Mana Shetty, and her mother-in-law.
There’s a peculiar kind of skill involved in making a movie that’s delightfully awful, and often the best examples are completely unplanned. This seems to be true for what could potentially rival “The Room.” Released by Chinese director Bi Zhifei in 2017, and again in 2018 without any apparent reason, “Pure Hearts: Into Chinese Cinema” is a cinematic disaster, no doubt about it. While its unintentional humor might not be as familiar to Western audiences as “The Room,” there’s no disputing that this filmmaking effort is a catastrophe in every aspect.
On May 11th, Natasa Stankovic posted a charming video on her Instagram account accompanied by this message: “It seems my heart has made the right move to receive such a blessing as you. I am eternally grateful for the gift of motherhood and for you, my precious son.