As a long-time television enthusiast and industry observer with a deep appreciation for the artistry and innovation that goes into creating compelling and groundbreaking content, I have to say that this year’s Emmy nominations have left me both excited and perplexed in equal measure.
And we’re back.
Approximately half a year has passed since the Emmy Awards, which were delayed by the strike and underwhelming in their climax, were broadcasted on Fox. Now, ABC is making preparations for the upcoming 76th Emmy Awards.
Today, the Emmy Award nominees for 2024 were announced by the TV Academy. These nominees will come together on September 15 at the Peacock Theater in Downtown Los Angeles for the live telecast. The ceremony, which will be broadcast on both coasts, will honor exceptional programming and performances aired between June 1, 2023, and May 31, 2024. As we eagerly anticipate the results, let’s discuss our favorite contenders and make our predictions.
During this interim, let’s analyze the recent events: the slightings, the shockers, and their implications for the upcoming spectacle.
ABC has announced that Jesse Collins Entertainment will produce the Emmy Awards for a second year in a row, but they have not yet named a host. In the past, when ABC has aired the Emmys, their late-night host, Jimmy Kimmel, has also hosted the show. Kimmel has been a gracious and versatile choice; he’s hosted the Oscars multiple times, consistently draws large audiences during upfront week, and continues to sign new contracts for his late-night show. However, despite the potential attention from Trump, Kimmel has declined the offer this time around. Some other possibilities include John Mulaney, who has been successful as the host of the Governors Awards, or Quinta Brunson, the creator, star, and all-around funny woman from ABC’s shows. Another less exciting option could also be considered. (Note: I was joking about Jo Koy being a possibility.)
As a long-time television critic with a deep appreciation for the art of storytelling and a knack for dissecting complex narratives, I find myself both intrigued and perplexed by the Emmy Awards nominations for “The Bear.” I’ve been following this FX series since its inception, and while I acknowledge that it’s not your typical comedy with laugh-out-loud moments, it’s a profound exploration of human emotions, relationships, and the culinary world.
Regarding FX’s impressive performance at the Emmys, one could say that the brand put forth an outstanding display, albeit not quite surpassing Netflix. Considering Netflix’s vast resources and the presence or absence of shows like “Survival of the Thickest,” such a feat would have been implausible. Notably, FX earned 93 nominations, with significant contributions from “The Bear” and the strategic shift to categorize “Shogun” as a drama. Additionally, there was well-deserved recognition for “Reservation Dogs,” which had previously been overlooked for its initial two seasons. Creator Sterlin Harjo once expressed disappointment about these snubbings, attributing it to existing prejudice in the industry. If you encounter John, Nick, or Gina from FX in the cafeteria, be sure to offer your congratulations. As for Amazon’s Jen Salke, she might not be in the best of moods, as investing heavily in a Nicole Kidman miniseries and its subsequent awards campaign does not typically result in being overlooked.
As a fan, I found the talk series category intriguing with new contenders entering the scene. First, I was thrilled to see “Hot Ones” recognized for its unique format, where stars are interviewed while eating progressively spicy wings. However, it was disappointing when the show was ultimately excluded from the category. Another promising addition was “John Mulaney Presents: Everybody’s in L.A.” which aired six hilarious episodes and showed potential to challenge late-night talk shows like Jimmy Kimmel Live, Late Night with Seth Meyers, and The Late Show with Stephen Colbert. Had it been nominated, there would have been debates about fairness, but now we’re left with the familiar trio of Jon Stewart, Jimmy Kimmel, Seth Meyers, and Stephen Colbert competing against each other once again.
I can’t believe it! As a huge fan, I’m disappointed to see that “The Idol,” with its Weeknd-led chaos, managed to snag a choreography nomination, while “The Curse” and the brilliant Emma Stone were left out in the cold. It wasn’t a great day for previous Oscar winners, as Nicole Kidman and Kate Winslet from “The Regime” also missed out on recognition. And let’s not forget about the snubbing of thought-provoking comedy specials from Alex Edelman, Ramy Youssef, and Jacqueline Novak. Instead, they only received writing nods.
That’s enough. Happy voting. See you in September.
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2024-07-18 00:56