Tavares Strachan Challenges Historical Bias in ‘There Is Light Somewhere’

Tavares Strachan Challenges Historical Bias in 'There Is Light Somewhere'

As a gamer who’s spent countless hours navigating virtual worlds and uncovering hidden stories, I can wholeheartedly say that ‘Tavares Strachan: There Is Light Somewhere‘ at Hayward Gallery is an immersive journey not to be missed. This exhibition masterfully weaves together the threads of history, identity, and culture in a way that resonates deeply with my passion for uncovering the overlooked narratives.


In the realm of art, I’ve found myself captivated by ‘Tavares Strachan: There Is Light Somewhere’ at Hayward Gallery. This exhibit is a rich, multidimensional journey into histories often overlooked, shining a light on unsung Black pioneers. Strachan’s artistic realm encompasses immersive installations, sculptures, collages, and neon creations, seamlessly blending playful whimsy with profound themes that resonate deeply.

The exhibition showcases a 14-meter-long model called ‘Black Star Liner’, placed on the roof of the gallery which is filled with water, along with the ‘Intergalactic Palace’ light and sound spectacle, and ‘The Encyclopedia of Invisibility’ – a comprehensive book spanning 2,550 pages, focusing on individuals who have been overlooked in history. Additionally, sculptures of human figures immersed in mineral oil continue the theme of anonymity.

Strachan brings attention to the historical prejudice, as demonstrated in pieces such as ‘Henson’ (2012), portraying African-American explorer Matthew Henson, and contemporary works relating to Robert Henry Lawrence Jr., the first Black astronaut. These creative endeavors prompt discussions about whether artists are reflecting or defying the actions of conventional trailblazers.

In my perspective as an admirer, Strachan’s work is thought-provoking, delving deep into the intricacies of race, self-image, and our historical narrative. His ambitious Bahamas Aerospace and Sea Exploration Center project, complete with a rocket launch, offers a satirical critique of the predominantly white space industry. This exhibition, masterfully curated by Ralph Rugoff in collaboration with Thomas Sutton and Hannah Martin, continues to captivate visitors until its closing on September 1.

Hayward Gallery
Southbank Centre, Belvedere Rd
London SE1 8XX
United Kingdom

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2024-08-19 19:56