As a dedicated fan of Carrie Preston and her enchanting character Elsbeth Tascioni, I eagerly awaited the Season 2 premiere after the nail-biting cliffhanger that left us hanging at the end of Season 1. The return of Nathan Lane as the “Subscription to Murder” killer was a delightful surprise, but it was the final scene that truly had me on the edge of my seat!
Spoilers ahead for the Season 2 premiere of Elsbeth, called “Subscription to Murder.”
After a long, heart-wrenching hiatus, my favorite series, Elsbeth, finally graced our screens again on October 17, marking the start of Season 2. This time around, Nathan Lane took on the role of a week’s killer, driven to murder by a single act of terrible theater decorum. The twist at the end was a doozy though! With the case wrapped up, Elsbeth was approached by a car in the final moments. The face inside remained hidden, but he called out “Get in, Miss Tascioni,” leaving her visibly shocked. I had the opportunity to chat with showrunner Jonathan Tolins and star Carrie Preston about that nerve-wracking cliffhanger.
It appeared plausible that this enigmatic conclusion didn’t connect to the Season 1 narrative (streamable via a Paramount+ subscription), as Elsbeth and her associates had effectively brought about Noonan’s demise. Following showrunner Jonathan Tolins’ revelation on why Nathan Lane was selected to portray the “Subscription to Murder” killer, he disclosed:
The narrative unfolds freshly, yet it harks back to her time in Chicago. A careful observation during the opening sequence might help viewers identify the mysterious speaker at the story’s conclusion.
The tale about the man in a car is unfamiliar to Elsbeth, yet hints from Tolins regarding Chicago suggest it’s connected to the character’s past on “The Good Wife” and “The Good Fight”. Given that “Elsbeth” can be appreciated without watching these two series, it appears reasonable to assume not everyone who watched the second season premiere after “Matlock” would instantly recognize the character. Even fans of the original shows might need to rewatch for a clear indication in the opening credits.
Since Christian Borle, known for his roles as Carter Schmidt in both “The Good Fight” and “The Good Wife,” appears in the credits, it’s not surprising that he’s taking on a new role called Elsbeth, unlike Nathan Lane who debuted in a different character. Carrie Preston also spoke about the Season 2 premiere’s cliffhanger.
It’s uncertain exactly why Elsbeth departed from Chicago or what transpired that led to her leaving. However, someone in the car might shed light on her past events, giving us a clearer picture of what she may have been trying to escape.
It’s worth noting that the storyline involving Elsbeth isn’t going to be wrapped up immediately. The synopsis for Episode 2, provided by CBS, hints at a reunion between Elsbeth and an old colleague from Chicago next week. Furthermore, during our interview, Carrie Preston mentioned that there would be ongoing elements in Season 2, in addition to the weekly cases.
Absolutely, absolutely! Some aspects of our backstories will surface, and certain characters might make recurring appearances, causing turmoil within Elsbeth’s universe.
It appears that Christian Borle will be featured in at least two episodes this season, if we count his voice role at the end of “Subscription to Murder.” As for how the team behind Elsbeth is handling serialization for Season 2 compared to the first 10-episode season, Jonathan Tolins explained their approach.
Because the season is extended to double its length, it means we’ll be able to present multiple serialized stories.
In Season 1, Elsbeth needed to strike a suitable blend of serialized plotlines and standalone cases, as there were often more comedic antics involved in her weekly investigations compared to the main story arc. This discrepancy reportedly left Wagner feeling deceived by her actions. I posed this question to the showrunner, who is an opera aficionado and penned the Season 2 opener: he admitted that blending these two elements adds an enjoyable dimension for him.
We find ourselves in quite a predicament, as there’s limited time – just 43 minutes – and juggling various aspects is tough. Yet, we’re relishing the struggle, introducing beloved characters anew and injecting fresh complexities. I must say, things are shaping up splendidly, and I couldn’t be more pleased with the episodes thus far.
As for the showrunner, Season 2 seems to be progressing smoothly, but is Elsbeth truly thriving following the suspenseful finale? Tune in to discover more! Catch the latest episodes of Elsbeth every Thursday at 10 p.m. ET on CBS, right after Kathy Bates’ Matlock Season 1. Don’t forget to revisit the entire first season of Elsbeth, along with The Good Wife and The Good Fight, on Paramount+ for a refresher.
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2024-10-18 06:37