‘The Substance’ Director Coralie Fargeat Pulls Film From Camerimage After “Highly Misogynistic and Offensive” Comments From Fest CEO

‘The Substance’ Director Coralie Fargeat Pulls Film From Camerimage After “Highly Misogynistic and Offensive” Comments From Fest CEO

As a passionate film enthusiast with a keen eye for cinematography and a deep respect for the industry, I find myself deeply moved by this recent turn of events at the Camerimage Film Festival. The comments made by Marek Zydowicz, though seemingly intended to spark debate, have instead revealed a disturbing lack of understanding and sensitivity towards the ongoing struggle for gender equality in the film industry.


Director Coralie Fargeat withdrew her movie featuring Demi Moore and Margaret Qualley from the 2024 Camerimage Film Festival, following Marek Zydowicz’s allegedly disrespectful and misogynistic remarks as she deemed them inappropriate.

Fargeat made the announcement in a statement on X, confirming that cinematographer Benjamin Kracun of The Substance has chosen to skip this year’s Camerimage festival, which begins on Saturday in Poland.

Fargeat and Kracun stated, ‘The Substance’ addresses the effects of such behaviors on our environment. We believe it’s time for intolerance towards them. We express our solidarity with everyone associated with the festival, and we hope this decision will bring about the necessary change.’

Festival founder and CEO Marek Zydowicz stirred up debate with his editorial comments last week on the scarcity of female cinematographers in the festival’s past selections. In his article, Zydowicz appeared to suggest that increasing female representation might lead to a less distinguished selection of films artistically.

In an article for Cinematography World, Żydowicz noted that the movie industry is experiencing fast-paced transformations, impacting visuals, themes, and artistic style. One of the major shifts is the increasing appreciation for women cinematographers and directors. This transformation is essential as it corrects the glaring inequality in societal progress. However, this change brings about a question: Can the quest for improvement disregard excellence? Is it acceptable to discard masterpieces and talented artists to accommodate average filmmaking just to promote diversity in production?

Several prominent film cinematography groups swiftly criticized the comments, and Steven McQueen, initially slated to debut his newest production Blitz on opening night, decided not to attend the festival.

The main competition jury at Camerimage, led by Cate Blanchett and consisting of Anna Higgs, Sandy Powell, Anthony Dod Mantle, Rodrigo Prieto, Lukasz Zal, and Jolanta Dylewska, expressed their thoughts in response to Zydowicz’s comments regarding the festival.

The group expressed openness to discussing gender representation. During our primary focus on appreciating the cinematographers’ work at the festival, we eagerly anticipate participating in significant talks with fellow professionals about broadening inclusivity and acknowledging talent across all spectrums within our field. We fully endorse the move towards genuine inclusivity, and festivals serve as valuable platforms for fostering these discussions and promoting positive transformation.

More to come.

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2024-11-16 00:24