As a gamer with an eye for fashion and a deep appreciation for films that push boundaries, I find Felicity Jones‘ method dressing approach at the Los Angeles premiere of “The Brutalist” to be nothing short of inspiring. Her black Proenza Schouler dress, reminiscent of brutalist architecture, not only complemented the film’s theme but also showcased her unique sense of style.
The fashion trend in dressing has taken a striking turn lately, with stars like Ariana Grande and Cynthia Erivo sporting eye-catching pink and green outfits that have become viral sensations on Instagram and TikTok at every public appearance. It’s no wonder that Felicity Jones’ recent appearance at the Los Angeles premiere of “The Brutalist” might have gone unnoticed, as it represents the latest example of this red carpet trend.
Jones described the style of her black Proenza Schouler gown from the Spring 2025 collection to The Hollywood Reporter as drawing influence from brutalist architecture. The dress showcases a unique cut-out pattern at the top and a skirt resembling a car wash at the bottom, adorned with grommet details. The design concept behind the dress was to create rigid rectangular shapes and sharp cuts, giving it a stern and fitting appearance for the movie.
Under the guidance of director Brady Corbet, the film “The Brutalist,” produced by A24, features Adrien Brody portraying Lászlo Tóth, a Jewish Hungarian architect seeking to reconstruct his existence in America following the Holocaust. Jones takes on the role of Lászlo’s wife, Erzsébet Tóth, while Alessandro Nivola plays Lászlo’s cousin Attila, Guy Pearce portrays wealthy Harrison Lee Van Buren Sr., Joe Alwyn embodies Harry Lee, and Isaach De Bankolé completes the ensemble as an unanticipated friend to Lászlo.
Regarding the current fashion trend in attire, the recent Golden Globe nominee shared an original perspective. “Tonight, it’s quite understated in our case, but overall, I think it’s wonderful,” remarked Jones, who collaborates with stylist Nicky Yates. “With films garnering more and more attention from the media, I believe we should embrace the spectacle of it all. After all, I enjoy when the red carpet offers a glimpse into the film’s characters.
Jones is equally passionate about the character she portrays in “The Brutalist”, which deviates from the usual stereotypical wife role. As she put it, “I found joy in Erzsébet’s intensity. I appreciated how she exerted control over László. She’s intricate and challenging, and I immersed myself in her complexities. In many aspects, I enjoyed the challenge she presented.” This character is an unrestrainable force.
She immediately felt drawn to the project after reading the script written by Corbet along with his long-term creative and romantic partner Mona Fastvold. She thought it was exceptionally well-written and had numerous technical elements. The script featured intervals, title cards, and archive photos. She concluded that this was unconventional, something she hadn’t seen before. It seemed like it could be an exciting journey. Moreover, knowing Brady’s past films such as “Vox Lux” and “The Childhood of a Leader”, she knew he wasn’t just a skilled storyteller but also capable of bringing this unique, contemporary piece to life in an engaging way.
Jones often praised Brody, her regular co-star, to no end. Without giving too much away, let me assure you they have some of the most emotionally intense scenes in our production that will tug at your heartstrings. Here’s what she said about Adrien: “He is incredibly meticulous. Sometimes acting can feel artificial, but with Adrien, he ensures it never feels fake. He helps us to consistently hit the right beats. He simply brings an unmatched sincerity to every performance.
The Brutalist hits theaters on Dec. 20.
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2024-12-19 00:25