As a film enthusiast with over two decades of experience under my belt, I must say that some movie scenes leave me scratching my head and muttering “What were they thinking?” These final moments often seem to have been penned by a different writer or directed by an entirely separate director.
For instance, the ending of Crazy, Stupid, Love left me utterly bewildered. A romantic comedy is supposed to leave us with warm fuzzies, not questioning whether Child Protective Services should be called. The pictures at the end were a jarring conclusion that felt like a slap in the face after enjoying a delightful rom-com.
And let’s not forget about Unbreakable – M. Night Shyamalan’s attempt to explain it all was more confusing than enlightening. I felt like I had just watched a movie with subtitles in an unknown language, only to find out the subtitles were written by a six-year-old with a box of crayons.
As for Indiana Jones and the Kingdom of the Crystal Skull, it’s safe to say that nuking the fridge is a classic example of when a movie should have ended, but didn’t. It was like watching a train wreck in slow motion – fascinatingly terrible!
So, my fellow film lovers, remember these lessons from Hollywood: sometimes less is more, and an ending can make or break a movie. As for me, I’ll be over here, shaking my head and laughing at the absurdity of it all… or maybe weeping into my popcorn bucket. After all, life is too short to watch bad endings!
Every outstanding film contains certain segments that momentarily disrupt your immersion and potentially detract from the overall viewing experience for the audience. Iconic films such as Saving Private Ryan, The Departed, and even The Godfather incorporate instances that, while not entirely destroying their status as masterpieces, do raise some eyebrows regarding their inclusion in the final cut. To put it mildly, these scenes may prompt a slight questioning of their necessity within the film’s narrative flow.
The Baby In American Sniper
As a devoted film enthusiast who has spent countless hours dissecting and analyzing various films, I must say that “American Sniper” stands out as one of the most tension-filled masterpieces I’ve ever seen, with Bradley Cooper delivering an exceptional performance as Navy SEAL Chris Kyle. The movie excels on virtually every level, but there is one scene that left me rather bewildered: when Kyle is holding his newborn baby. To someone like me who has a keen eye for detail and appreciation for cinematic authenticity, it was painfully apparent that the baby in question was nothing more than a prop. It’s simply unbelievable to me that the filmmakers allowed such an oversight to slip through their fingers.
The Rat In The Departed
Without doubt, the message in “The Departed” seemed quite obvious, but Martin Scorsese leaves no room for ambiguity by using CGI to make a rat traverse the balcony railing in the final scene of the film. It remains puzzling why such an accomplished director would resort to such a blatant method to emphasize his point.
The Bad Audio Sync In The Big Lebowski
Supporters of “The Big Lebowski” will recognize this scene. When Walter, played by John Goodman, can’t make Larry Sellers talk, he takes matters into his own hands and damages a car he believes belongs to Larry. However, it turns out the vehicle is actually that of the neighbor. In an unexpected twist, the dialogue between Walter and the neighbor seems out of sync, creating a bizarre scene reminiscent of low-budget action films from 1970s Hong Kong. This moment might be the only imperfection in an otherwise flawless film.
Superman Turning Back Time In Superman
To this day, the Christopher Reeve portrayal of Superman remains cherished, and rightfully so, as it ranks among the finest superhero films ever produced. However, let’s face it, the film’s ending leaves much to be desired. The sequence following Lois Lane’s death in a car accident and Superman’s desperate attempt to reverse time by flying around the world is, quite frankly, poorly executed. It’s just so contrived and there were countless more intelligent ways the story could have been resolved.
The Laptop In Skyfall
As a tech-savvy individual with decades of experience in cybersecurity, I can’t help but cringe at the portrayal of Q in Skyfall. While I appreciate the movie as a thrilling addition to the Craig era James Bond franchise, the scene where Q carelessly plugs a recovered laptop into MI-5’s computer system is simply unrealistic and takes me out of the experience. It’s as if they wrote this character with no understanding of how security protocols work in real-world intelligence agencies. As someone who has spent my life working to protect sensitive data, I know that no one in Q’s position would make such a grave mistake. It’s not just pedantic; it’s unreasonable and undermines the credibility of the film.
Questionable Fight Blocking In The Godfather
In a masterpiece such as “The Godfather,” there exists an instance that momentarily disrupts the viewing experience. For instance, when Sonny (James Caan) confronts Carlo, it’s undeniably one of the most gripping scenes in the film. Regrettably, the fight choreography in this scene is far from satisfactory and appears quite poor. Perfection doesn’t always come without its imperfections.
The Off-Color Joke At The End Of Kingsman: The Secret Service
Kingsman: The Secret Service offers an enjoyable film experience, featuring moments that verge on the absurd yet manage to keep things engaging, such as Samuel L. Jackson consuming McDonalds. However, one over-the-top scene that falls flat is the inappropriate joke towards the end of the movie by the female character in distress; it simply doesn’t hit the mark at all.
Greedo Shooting First In The Re-Edited Star Wars
There were numerous criticisms regarding George Lucas’s alterations to the original Star Wars during the ’90s, with many feeling that he tampered with perfection. While most of the changes could be tolerated, rearranging the scene in the cantina to depict Greedo shooting at Han Solo first significantly alters both the character and the film’s narrative flow. This modification was unnecessary and not well-received by fans.
Tell Me I’m A Good Man In Saving Private Ryan
In my opinion, Saving Private Ryan ranks among the greatest war movies ever created. While I can appreciate director Steven Spielberg’s intention behind the final scene at the Normandy cemetery, I believe that the shot of the elderly Ryan walking with his family provides enough insight into his character. The sentimental line seems out of place and detracts from the overall impact of the scene.
Mom’s Named Martha In Batman Vs. Superman: Dawn Of Justice
People may spend an entire day debating whether or not the movie “Batman Vs. Superman: Dawn Of Justice” is well-made. Regardless of what critics say, it’s evidently superior in many ways. However, there remains that awkward and cringe-worthy scene where the two main superheroes almost connect over the identical names of their mothers’ – a moment that feels more like something from a cheesy soap opera rather than a superhero film.
Darth Vadar’s “NOOOOO” In Star Wars: Episode III — Revenge of the Sith
As a lifelong Star Wars fan who grew up watching the original trilogy over and over again, I can confidently say that Star Wars: Episode III – Revenge of the Sith is my favorite of the prequels. Despite some cringe-worthy moments like Anakin’s melodramatic “NOOOOOO,” it still stands out as a solid addition to the saga. Compared to the other prequels, Revenge of the Sith feels more cohesive and less convoluted, with compelling character development for both Anakin Skywalker and Emperor Palpatine. The epic battle scenes, particularly the final confrontation between Obi-Wan Kenobi and Anakin, are some of the best in the entire series. Overall, I believe that Revenge of the Sith is a worthy addition to the Star Wars canon and a fitting end to the prequel trilogy.
Deadpool In X-Men Origins: Wolverine
As a longtime fan of the X-Men series, I have to admit that my feelings about “X-Men Origins: Wolverine” are rather mixed. On one hand, it’s always a thrill to see my favorite mutant characters come to life on the big screen. But on the other, this movie left me feeling a bit disappointed.
One character in particular that stood out as particularly underwhelming was Deadpool. Now, I’ve seen my fair share of superhero movies, and let me tell you, Deadpool is usually a highlight. However, in “X-Men Origins: Wolverine,” he just didn’t live up to expectations.
But if you thought Deadpool was terrible in that movie, hold onto your hats because it turns out he was even worse than we initially realized. As we learn in the post-credits scene of “Deadpool 2,” Deadpool himself acknowledges that his performance in “X-Men Origins: Wolverine” was less than stellar. So there you have it, folks. Even Deadpool knows that he wasn’t up to snuff in that movie.
The CGI Of Old Characters In Rogue One: A Star Wars Story
Rogue One: A Star Wars Story is generally considered as exceptional as Return of the Jedi among Star Wars films. The movie beautifully materializes a beloved Star Wars legend, yet the digitally recreated characters of Princess Leia and Grand Moff Tarkin feel unnatural, almost pulling viewers out of the film experience. Despite an otherwise impressive movie, these CGI versions are so jarring that they’re difficult to ignore.
Flying Through Space In The Martian
In The Martian, despite meticulously delving into the scientific aspects of Mars survival throughout, it feels rather unexpected when the final act involving Matt Damon’s character attempting to reunite with his crew by flying through space seems out of place and somewhat humorously implausible, detracting from an otherwise fantastic film.
John Michael Higgins’ Questionable Accent In Licorice Pizza
In the film “Licorice Pizza,” it’s unclear whether John Michael Higgins’ questionable Japanese accent, used to mock his character’s wife, was intended for humor or not. Regardless of its purpose, the scene falls flat and could have been omitted from the movie, making it a rare instance in a Paul Thomas Anderson film that didn’t benefit from being included.
Singing Elton John In Almost Famous
As a cinema enthusiast, I find myself utterly intrigued by the unusual camaraderie displayed by a fictional ’70s rock group, vaguely reminiscent of Led Zeppelin, humming along to an Elton John tune. Frankly, it’s hard for me to imagine that the legends themselves or any band in their league would ever engage in such an unlikely act. It feels somewhat out of sync with the rest of the brilliant film, adding a touch of surrealism to the otherwise flawless narrative.
Midi-chlorians – The Entire Star Wars Franchise
As a devoted cinephile, I can’t help but ponder over the enigma that surrounds the creation of Midi-chlorians in the Star Wars universe. I find myself utterly puzzled by the choice to introduce these seemingly nonsensical entities. To be honest, they have become so disfavored among fans that they appear to have been erased from the entire galaxy, a development for which we are all thankful.
The Makeover In The Breakfast Club
As someone who grew up in the ’80s and spent countless hours watching classic films, I must admit that revisiting “The Breakfast Club” now leaves a bit of a sour taste. Though it was once considered a groundbreaking teen movie of its time, upon reevaluation, some scenes seem problematic. For instance, the makeover scene featuring Claire (Molly Ringwald) transforming Allison (Ally Sheedy) into a “pretty” girl to capture Andrew’s (Emilio Estevez) attention feels particularly outdated and uncomfortable. It’s disappointing to see such an influential film of my youth perpetuating harmful stereotypes about beauty standards and the objectification of women.
The Plane Chase In Argo
As a cinephile, I can’t help but rave about the masterpiece that is Argo – a film inspired by an extraordinary true tale. However, it’s essential to clarify one aspect of the movie that deviates from reality: unlike what’s portrayed in the final scenes, there was no high-speed chase by Iranian police as our embassy workers made their daring escape aboard a plane. In my opinion, this dramatic addition to the ending is entirely superfluous – it’s already an incredible story that doesn’t require more action or Hollywood flair! Instead, let’s marvel at the remarkable events that unfolded in real life.
Miranda Tate’s Death In The Dark Knight Rises
Many people criticize Miranda Tate’s death scene in “The Dark Knight Rises” as being unsatisfying for her character. Indeed, it feels underwhelming, almost anticlimactic, since she simply… passes away.
Every Scene With Mickey Rooney In Breakfast At Tiffany’s
The classic romantic comedy “Breakfast at Tiffany’s” remains a standout in its genre; however, contemporary viewers often find themselves cringing during scenes featuring Mickey Rooney’s highly stereotypical and racially insensitive portrayal of an Asian character. Even back in 1961, such a performance should have been criticized and omitted from the film. His depiction isn’t merely poor accent work; it’s deeply offensive and unacceptable.
Surfing The Tidal Wave In Die Another Day
In the James Bond series, there are quite a few moments that seem far-fetched or absurd. Many of these instances can be forgiven, particularly in the movies featuring Roger Moore. However, one scene that stands out as unconvincing is when Pierce Brosnan’s Bond parachute-surfs on a massive ocean wave. The special effects (CGI) used in this scene are particularly jarring, even if we can momentarily let go of our sense of reality for the experience.
The Hookup In Big
In a more casual and straightforward manner, one could rephrase the sentence as follows: At times, the film “Big” starring Tom Hanks seems like an unusual romantic comedy. However, it becomes unsettling when you consider the significant age gap between the characters in the story.
Quentin’s Cameo In Pulp Fiction
Quentin Tarantino is recognized as one of the greatest filmmakers of his time, with “Pulp Fiction” being his crowning achievement. However, a scene where he repeatedly uses a racially offensive term while sipping coffee feels overly irritating and unnecessary. The part about his wife and the coffee is brilliant, but the subsequent dialogue should have been omitted entirely.
Regina George’s Death In Mean Girls
The ending of “Mean Girls” with the exclamation point seems strange and unnecessary, especially since Regina George has been disgraced and rejected due to her unkind behavior. It’s questionable whether she deserves to die as a result, detracting from an otherwise enjoyable movie.
The God Of War In Wonder Woman
It’s clear that the DCEU struggled to cohesively form a solid franchise, and one instance that encapsulates many of its flaws is the inclusion of extra scenes like Wonder Woman’s fight with the God of War at the end of her first movie. Truth be told, such a scene was unnecessary. The film could have concluded earlier and been nearly flawless as a superhero movie, but it overstepped just slightly and almost fell short due to this additional sequence.
The Rocket Launcher In Falling Down
As a passionate film enthusiast, I must say that Michael Douglas’ acting in “Falling Down” is simply outstanding. The movie, for the most part, keeps me gripped and intrigued. However, it’s unfortunate that what initially presents as a chilling portrayal of one man’s mental deterioration veers into the realm of the fantastical when his character unexpectedly feels the need to employ a rocket launcher to drive home his message. It’s like watching a realistic movie transform into a cartoon in a matter of moments.
The Pictures At The End Of Crazy, Stupid, Love
In the final scenes of the film “Crazy, Stupid, Love“, what initially seemed like an entertaining and light-hearted story takes an unexpected turn into something unsettling. This happens when Jessica, portrayed by Lio Tipton, provides Cal with suggestive photos of herself. The twist is alarming because Jessica holds the role of Cal’s babysitter, making one wonder who thought it was a suitable conclusion for the movie.
The Explanation At The End Of Unbreakable
At times, M. Night Shyamalan leaves audiences in awe, but there are instances where his explanations for how everything fits together fall short. The resolution of Unbreakable, in particular, left many viewers feeling perplexed and wishing he hadn’t overexplained the final meaning.
9/11 In Remember Me
Among the most unexpected conclusions to a film, undeniably, is the finale of “Remember Me“. The romantic developments throughout the movie are abruptly negated when it’s disclosed that Tyler (Robert Pattinson) perishes in the 9/11 terrorist attack on the World Trade Center. One might ponder, why such an ending was chosen? It indeed seems peculiar.
Nuking The Fridge In Indiana Jones And The Kingdom Of The Crystal Skull
Sure thing, let’s put it this way: You’re spot on that Indiana Jones and the Kingdom of the Crystal Skull isn’t a standout film. However, we felt compelled to mention the infamous “Nuke the Fridge” scene because it takes an already subpar movie and pushes it into new realms of questionable storytelling. Even though the choice of an alien ending was peculiar, the “Nuke the Fridge” moment came at a time when the movie still seemed somewhat promising.
Explaining Love In Interstellar
In simpler terms, “Interstellar” poses nearly as many questions as it solves. It’s puzzling, though, why director and screenwriter Christopher Nolan chose to insert a rather simplistic scene clarifying the essence of love. The mystery behind his creative decision remains unsolved.
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2025-01-02 19:38