Star Wars

by

Following the acclaim of his debut feature film “Thief“, Michael Mann embarked on an ambitious project – a high-idea supernatural horror period piece titled “The Keep“. At this point, Mann was showcasing his exceptional skillset, although he hadn’t yet tackled a large budget and the challenges, hurdles, and anticipations associated with it. Simultaneously, David White, who would later become an accomplished make-up effects artist, was also new to the scene and observed the turbulent production firsthand. White described the production environment as “very British”, which Mann was trying to counteract. There was a hint of the George Lucas / “Star Wars” atmosphere present there.

Currently recognized for his meticulous work, Mann shares a similar dedication to detail as Robert Eggers did during their collaboration on the film “Nosferatu.” However, it’s important to note that at that time, Mann was less seasoned: “He was a bit anxious back then,” as mentioned by White, who recently earned his third Oscar nomination for his work on “Nosferatu.” The movie “The Keep” might have been an ideal project for Eggers if he were to remake it. It’s a blend of historical and supernatural horror, which may not have resonated with 1983 audiences but would appeal to modern fans of the genre.

The film “The Keep” stands out as an instance of attempting too much, given its intricate plotline that proved difficult for viewers to connect with initially, eventually transforming into a cult favorite. As Mann was on the verge of establishing himself as the multitalented figure we recognize today, he encountered obstacles during production. However, White emphasized the quality of the team, saying, “Mann had an exceptional crew. He had John Box as the production designer, excellent lighting and camera personnel, and good people surrounding him.” White further praised Mann’s team.

The film was unusually peculiar, carrying an overwhelmingly dark atmosphere. To my surprise, this movie – Nosferatu – possesses a unique charm and a sense of trendiness that is captivating and uplifting. In essence, it presents a stark contrast to the usual gloomy mood.

The Devil Is in the Details

As a devoted cinephile, I can confidently say that “Nosferatu” is a movie masterfully crafted by Robert Eggers, who meticulously researches every detail with his dedicated team. Just like Mann, he prefers to keep things under control and minimizes any room for randomness. As White puts it, “Robert Eggers is a visionary, there’s no arguing about that.” His deep understanding of history – delving into the folklore and traditions of the era – truly sets him apart. Not only does White find himself inspired by Eggers’ methods, but he believes that the director’s unique approach significantly contributes to both the film’s progression and our collective success in achieving the desired outcome.

His enthusiasm and perspective are contagious, leaving one inspired and eager to perform at their peak no matter the circumstances. He possesses an extraordinary ability to captivate others, which is truly marvelous.

You can stream or purchase “Nosferatu” digitally from services like Google Play, FandangoNow, and Apple TV. Starting February 18, it will also be available in 4K UHD, Blu-ray, and DVD formats. If you opt for buying through Apple TV, not only do you get the extended cut, but also a range of special features such as: [the list of special features]

  • Breathing Life Into a Dream – Filmmaker Robert Eggers’ lifelong dream becomes a startling cinematic nightmare as the actors collaborate on transformative performances to make his Gothic vision an astonishing reality.
  • Becoming Count Orlok – Practical makeup FX seamlessly meld with Bill Skarsgård’s bold interpretation of Count Orlok to resurrect a villain whose unsettling appearance is both creepy and captivating.
  • Capturing the Mood – From sunlight, snowfall, and shadows to candlelight and complicated camera moves, see how each visually rich detail contributes to NOSFERATU’s incredibly eerie atmosphere.
  • Recreating 1838 – Open a virtual time capsule with production designer Craig Lathrop, whose intricately detailed sets immerse viewers in an entirely authentic world.
  • Dressing the Part – Whether accenting Count Orlok’s otherworldliness or telling background tales through clothing, watch costume designer Linda Muir fashion distinct looks that extend each character’s story.
  • The End Is Just the Beginning – Visual effects supervisor Angela Barson and composer Robin Carolan enhance Nosferatu’s nightmarish fantasy using stunning CGI and a breathtaking score.

Read More

2025-01-28 23:34