The entertainment world can be quite competitive, frequently causing friction between individuals or businesses. For instance, there’s the Marvel vs DC battle, and among smaller studios, tensions may arise between Neon and A24. However, contrary to popular belief, Neon’s CEO, Tom Quinn, has refuted the notion of a rivalry with A24, instead revealing their main point of contention lies with Netflix.
At the 2025 Oscars, Neon’s film “Anora” garnered numerous accolades, including Best Picture and Best Actress for Mikey Madison. During an interview with Variety following this win, Quinn discussed the notion that Neon is rivalrous with A24. He candidly revealed which studio is causing him distress, stating:
Instead of: “Quinn spoke about how Neon competes with A24, but admitted it’s actually another studio that gives him a headache.”
“Quinn talked about the idea that Neon and A24 are competitive, but he confessed that it’s actually another studio that causes him trouble.
Contrary to popular belief, our sector doesn’t have a competitive rivalry with A24. It simply makes for catchy headlines. Initially, I assumed they would be our toughest competitors. However, it appears that our main competition has actually been Netflix all along.
Lo and behold! It seems that Netflix subscribers have been enjoying a variety of fresh, exciting films lately. Interestingly enough, it appears that quite a few of these movies were actually the outcome of a heated bidding competition with Neon. Thus, it might be more accurate to say that A24 wasn’t the main factor in this situation after all.
It’s intriguing to watch the process behind creating something like a sausage, and surprisingly, the most troublesome part of Neon’s sign is Netflix. This streaming service churns out new content at an astounding rate, as evidenced by its 2025 movie and TV lineup. In the same interview, Tom Quinn provided instances where Neon and Netflix have competed for similar titles, stating:
In our attempts to secure the rights for I, Tonya, Portrait of a Lady on Fire, and several other films, we found ourselves outbid by another studio on Hit Man, May December, and Fair Play. Essentially, in many cases, we were the runner-up bidders for these movies, with Netflix securing them instead.
As a movie enthusiast, I can’t help but feel proud that films like “I, Tonya” and “Portrait of a Lady on Fire” were met with such acclaim when they first hit the screens. It’s not hard to see why Neon would be thrilled about their successes – Margot Robbie’s biopic even earned multiple nominations for the 2018 Academy Awards, and Allison Janney’s performance in the same film was recognized with a win for Best Supporting Actress. It’s moments like these that make being a movie buff truly rewarding!
However, it should be noted that despite Neon’s best efforts, there have been a few films that managed to elude their grasp and instead streamed on Netflix. One such film is the highly popular “May December,” starring Natalie Portman and Julianne Moore, which garnered significant attention upon its release.
One might assume that Neon and A24 are rivals due to their large scale and penchant for creating thought-provoking, engaging content. However, even Quinn, who initially thought so, was surprised when the competition with Netflix emerged. As for what this means for future collaborations, it’s yet to be seen. Nevertheless, both studios have intriguing films lined up for the 2025 movie release schedule.
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2025-03-06 19:18