Godzilla’s 90s Ranked: You Won’t Believe #1!

by

1990s Godzilla films can be divided into two distinct periods: the TriStar Period and the Heisei Period. The TriStar Period represents the studio responsible for producing the first American blockbuster starring the monster, a role it held until the 2010s when Hollywood kaiju films resurfaced. The Heisei Period is named after the Japanese emperor who ruled during this timeframe.

In 1984, Toho Studios started a new phase for the Godzilla series with “The Return of Godzilla.” This movie served as a continuation directly following the original 1954 film, disregarding any previous events. The Heisei series of films unfolded in a continuous storyline – an approach later embraced by Hollywood when they introduced the Monsterverse in the 2010s.

As a cinephile captivated by the roar of Godzilla, let me share my insights about the ’90s cinematic offerings featuring this legendary monster. A total of 7 films were released during that decade, but they don’t all shine equally brightly. Here’s my personal ranking, from least to most impressive:

1. The Godzilla movies of the ’90s aren’t all created equal, and for me, the one that falls short is the 1998 film. Despite some interesting visual effects, the storyline didn’t quite live up to my expectations.
2. In the second spot, we have the 1995 film “Godzilla vs. Destroyer.” It was a thrilling battle, but I felt that the pacing could have been better managed, and some plot elements seemed a bit convoluted.
3. The 1994 film “Godzilla vs. Mechagodzilla II” takes the third position in my ranking. This movie had some exciting action sequences, but it lacked the emotional depth I crave in my monster movies.
4. In fourth place is the 1993 film “Godzilla vs. Mothra.” This was a fun and visually stunning film, with an engaging storyline that kept me hooked throughout.
5. The fifth position goes to the 1992 film “Godzilla vs. King Ghidorah.” This movie was a rollercoaster ride of emotions, with an intricate plot and well-developed characters that made it stand out among its contemporaries.
6. In sixth place, we have the 1991 film “Godzilla vs. Biollante.” I found this film to be a gripping and thought-provoking exploration of the consequences of scientific ambition gone awry.
7. Last but not least is the 1990 film “Godzilla, King of the Monsters.” This movie was a triumphant return for the King of the Monsters, with stunning visual effects that showcased the power and majesty of Godzilla like never before. Despite its age, it still holds up as one of my favorites in the series.

7
‘Godzilla vs. King Ghidorah’ (1991)

In the movie titled Godzilla vs. King Ghidorah, mysterious travelers appear in Japan and foretell that Godzilla will devastate the nation. They propose a solution: revisit the past on World War II-era Lagos Island and extract a dinosaur, which they believe would prevent this disaster. However, their secret objective is to summon the malevolent King Ghidorah instead. Once their deceitful scheme is exposed, Godzilla is revived as a countermeasure.

An Overcrowded Affair

By the 90s, advancements in special effects technology had taken a leap, which is evident in this film with its smooth, flowing style, particularly noticeable in the fight scenes that left audiences spellbound by their seamless rhythmic fluidity. Unfortunately, Godzilla vs. King Ghidorah suffers from an overabundance of characters, many of whom lack well-defined arcs. Additionally, the film delves excessively into fantasy elements to cater to younger audiences, while tackling heavier themes related to the horrors of World War II. As a result, the overall tone seems inconsistent.

6
‘Godzilla’ (1998)

In the movie, New York City inhabitants find themselves in a pickle due to Godzilla’s rampage. A colossal, mutated lizard has risen from the sea and is wreaking havoc. As a result, scientist Nick Tatopoulos (played by Matthew Broderick) is enlisted by the U.S. military for his expertise on this monster, hoping he can halt the devastation. However, a larger issue arises: Godzilla has deposited numerous eggs in Madison Square Garden.

A Big-Budget Mess

This timeless TriStar production might have you breathless and occasionally vocalizing over some humorously questionable attack scenes. There are numerous instances that seem nonsensical, yet they may astonish rather than frustrate you. Regrettably, Godzilla falls short by mimicking Old Hollywood instead of staying true to its roots. It bears a striking resemblance to Eugène Lourié’s 1953 film, “The Beast From 20,000 Fathoms.” The scientific aspects presented in the movie are equally puzzling, leading to unfavorable reviews in both America and Japan.

5
‘Godzilla vs. SpaceGodzilla’ (1994)

In the film “Godzilla vs. SpaceGodzilla,” an extraterrestrial beast, born from cells of the legendary Godzilla, invades Earth. This alien menace causes trouble and even poses a threat to Little Godzilla, Godzilla’s adopted offspring. To combat this problem, the UN employs M.O.G.U.E.R.A., a mechanical warrior constructed by the JSDF as an upgrade to Mechagodzilla. However, SpaceGodzilla proves too formidable for M.O.G.U.E.R.A., and it won’t be long before Godzilla will have to lend a hand to deal with this powerful adversary.

Best-Looking Alien Creature?

SpaceGodzilla effectively delivers on its signature elements such as destructive scenes and monster battles, and its design is nothing short of impressive. However, the film falls short when it comes to developing interesting human characters that draw viewers in, and the dialogue often feels simplistic, similar to conversations among kindergarteners. Despite these flaws, it remains an entertaining watch overall.

4
‘Godzilla 2000’ (1999)

In the movie Godzilla 2000, researchers stumble upon an ancient rock that is approximately 60 million years old. Before they could examine it closely, the mysterious stone started moving towards Godzilla’s position. As Godzilla unleashed his ultra-powerful fire blast on the rock, a UFO mysteriously appeared from within.

Once the rock was blasted, the UFO emerged and temporarily incapacitated Godzilla. After analyzing its DNA, the UFO’s occupants absorbed it into their beings and transferred it to themselves. Gathering enough energy, the UFO’s inhabitants combined to form a powerful entity named Orga, ready to wreak havoc.

They Don’t Come in Peace

At the 27th Saturn Awards, the film Godzilla 2000 was nominated for Best Home Video Release. This movie creatively reimagines the frequently used alien invasion storyline. An intriguing aspect is that the aliens in this story merge into one entity. The climactic battle scene is particularly intense, culminating in the demise of a significant character.

In this version, a few aspects might not sit well with viewers. For instance, Godzilla is noticeably smaller in this film, which makes him seem less intimidating. Additionally, some of the visual effects could use improvement. However, despite these imperfections, the movie is a blast to watch.

3
‘Godzilla vs. Mothra’ (1992)

In the thrilling tale of “Godzilla vs. Mothra“, Japan finds itself in the midst of a fierce three-way monster confrontation. The story unfolds when an incoming meteoroid collides with the Ogasawara Trench, reawakening the slumbering Godzilla. In response to this awakened terror, Mothra and Battra unite against Godzilla, perceiving him as the most formidable menace to our planet. Can the outnumbered Godzilla hold his ground?

Two Against One

As a passionate cinephile, I’m absolutely thrilled by Takao Okawara’s masterful work, where his unique wit and sharp perspective breathe life into this exhilarating monster conflict story. The film is relentlessly engaging, filled with an unending spirit of adventure that keeps you on the edge of your seat. The clever references to the legendary Indiana Jones series are spot-on and enhance the overall experience. Remarkably, even in scenes devoid of monsters, there’s still plenty to enjoy, demonstrating Okawara’s exceptional storytelling abilities.

A memorable storyline revolves around the reunion of a previously separated couple. Impressively, the movie Godzilla and Mothra: The Battle for Earth received several accolades and was the second highest-earning Japanese film of 1993, just behind Jurassic Park.

2
‘Godzilla vs. Mechagodzilla II’ (1993)

Godzilla vs. Mechagodzilla II finds fans in the wake of Mecha-King Ghidorah’s downfall at the hands of Godzilla. Concerned, the United Nations creates the “United Nations Godzilla Countermeasures Center” (UNGCC) to halt Godzilla’s destructive rampages. The military division, G-Force, utilizes the leftovers of Ghidorah to construct Mechagodzilla. Will our beloved monster hold its own against this updated adversary?

It’s Mecha Again

In addition to being a raw and brutal monster movie, “Godzilla vs. Mechagodzilla II” can also be seen as a form of political satire, with some witty comments on the irrational strategies that global governments employ in dealing with threats. The film also boasts dynamic and unusual performances from actors such as Masahiro Takashima and Roko Sano, adding layers of emotional complexity to the storyline. Furthermore, this movie was the first Japanese production to utilize Dolby Digital sound format, ensuring an auditory experience that will delight your ears. Notably, it received a nomination for Best Sound at the Japan Academy Film Prize, which is their equivalent of the Oscars.

1
‘Godzilla vs. Destoroyah’ (1995)

In the movie titled “Godzilla vs. Destoroyah“, a nuclear disaster initiates an overheating process within Godzilla’s body. This potentially catastrophic situation puts the planet at risk, leading to discussions about necessary responses among the authorities. Simultaneously, a new menacing figure, Destoroyah, appears from the Oxygen Destroyer that had been used to kill the original Godzilla back in 1954. This monstrous being then sets its sights on Godzilla and his offspring, Junior.

Okawara’s Masterpiece

In this piece, Director Takao Okawara’s unique portrayal of violence is evident, lending a poignant, nostalgic feel. This work is arguably his finest since 1991’s “Chōshōjo Reiko.” Consistently adhering to his distinctive cinematic approach, he employs a wandering camera and vividly colorful set design, even in the many outdoor settings.

The final creation is a profoundly captivating contemplation on conflict and the perils of nuclear research. Moreover, the storyline is as solid as it gets in any film. To add to this, the audio aspect deserves recognition too; it’s no wonder the movie triumphed in its category at the Japan Film Prize.

Read More

2025-04-27 05:06