Through the Lens: Chris Skylark

Chris Skylark’s photographic adventure kicked off as a young internet user hailing from Atlanta. Much like many others during the peak of Tumblr, he purchased a camera to capture his unique style and fresh acquisitions, seeking visual thrills and sharing them with buddies. Immersed in Atlanta’s vibrant music scene, friends transformed into subjects, and subjects morphed into celebrities, with Playboi Carti and Lil Yachty passing through Skylark’s lens before they became widely recognized figures. As their rise propelled him forward, the artist felt himself drawn towards something more avant-garde and authentic—something beyond mere moment documentation.

The pandemic signified a significant shift in Skylark’s artistic path. During that period, he was cohabiting and collaborating with Metro Boomin, frequently stepping out to gather inspirations for his restless quest to create pieces for his first solo exhibition titled, “Swallow the Lake“. This showcase was displayed in an abandoned office building in Times Square, illuminated by the soft glow of city lights. A series of intimate black and white portraits emerged, capturing raw and unguarded moments.

The shining talent is characterized by a persistent evolution. Originally focusing on photography, this development has expanded into a thoughtful methodology for picture-taking in general, incorporating painting, screen printing, and film – whatever tools aid him in realizing his creative goals. Though his artistic arsenal has broadened, his intuition remains consistent: an unwavering commitment to the process and a resistance to confine himself within a single genre. For our latest issue of Through the Lens, we spoke with Skylark about his artistic odyssey and constructing a world through personal craftsmanship. Dive into the complete interview below.

In order to create pieces with lasting value and add a touch of vulnerability, I decided to focus on more tangible works. This is the path we have taken.

Could you tell us about your upbringing in Atlanta and how it’s influenced your art practice?

From an early age, music ignited my creative passion, with musicians being a constant presence in my life. As a teenager, I encountered individuals who had distinct visions for life and dared to take bold steps and risks. Remarkably, they showed a courage in vulnerability that I hadn’t considered expressing myself.

Some of my friends skyrocketed to fame, and by maintaining connections with them and witnessing their rise as global superstars, I expanded my network within the music and art industry. During the COVID period, I grew tired of merely photographing musicians and sought to create tangible works that would endure over time, offering a more intimate perspective rather than just portraits. This sense of accomplishment in my work was lacking – and that’s how we arrived at this point.

Where are you currently based?

My preferred location is Atlanta. It feels like the ideal spot for me as an artist, and I can’t imagine being anywhere else. I aspire to venture out globally, attract my own followers, and eventually bring them back here – essentially establishing a platform for other talented individuals to express themselves. Therefore, it seems wise for me to remain close to home as much as feasible.

Can you share any memorable experiences related to your journey as a photographer?

One day, I encountered Kenneth at the Marc Jacobs Heaven boutique on Fairfax Avenue. He was wearing eccentric trousers with unique screen-printed patterns and a buttoned shirt. We struck up a conversation, and he extended an invitation for me to create my initial pieces using silkscreening at his place. To be truthful, the results were far from perfect, but I was eager to experiment with something novel, and it turned out to be a fantastic experience. It seemed as though I was truly progressing towards a higher level of artistic prowess; it felt like I was evolving right then and there in my friend’s backyard.

A significant instance occurred when I began collaborating with Daniel Caesar. We’d chat for hours on end until the dawn broke, and he introduced me to his favorite philosophers. This sparked a deeper dive into my work, as I strived to create more authentic connections and discover fresh ways to advance in my artistic journey. Daniel broadened my perspective because, as artists, our role is to present existing ideas from novel or unique viewpoints.

What’s your go-to gear right now?

Since I primarily work with photography, I require equipment such as high-quality cameras, video recorders, or film and tape for my personal use. Ideally, I’d like to establish a portable photo lab setup at home, complete with a DIY darkroom, and the largest silkscreen available. This setup would enable me to develop my own photos, which is not only enjoyable but also allows for a greater degree of error that results in unique, one-of-a-kind images.

There’s still quite a distance to cover, but I believe we’re moving in the correct direction. Definitely worth delving deeper into this subject more extensively.

Can you tell us about your solo debut experience and what reception has been like?

For days leading up to the show, one mishap after another occurred. Just hours before it was set to begin, I received a promising offer to utilize the space, but when I attempted to make the payment, someone intercepted the email between me and the building owners with an intention to swindle the money. The show almost didn’t take place due to this attempt to steal funds.

Through an overwhelming series of small challenges, I perceived this experience as a trial of my ability to persevere. Life and work were both filled with unexpected setbacks that left me thinking, “This is the one task I absolutely must complete. I need to push through to the end.” The reward, let’s be honest, was everything I hoped for. I wasn’t sure if it would connect with everyone – it was more about personal fulfillment for me.

Genevra, the curator, gathered a wonderful assortment of genuine art enthusiasts and critics, who genuinely appreciated the work – you know, true connoisseurs. They offered many positive comments about my work, leading me to believe I might be on the right track. There’s still much more to learn, but I feel we’re heading in the right direction. We definitely need to delve deeper into this subject matter for further exploration.

Was there a reason behind the individual price of $250 for the collection of artworks you were offering, and could you elaborate on how accessibility factors into your artistic process?

In a desire to treat everyone equally and provide an engaging experience, I chose to develop and share content tailored to my peers and audience that is more user-friendly. Since these individuals are primarily tech-savvy youngsters eager for fresh insights into their favorite artist’s life, this new venture represents uncharted territory for both me and them. As someone who once shared their curiosity, I felt it essential to make a gesture – however small – to unlock opportunities for those unfamiliar with such possibilities.

Initially, I wondered how my audience would fit with the art community. It turned out to be quite amusing as some of Genevra’s prominent guests were unable to attend. Despite having a large number of children present, I couldn’t eject those individuals and deprive them of that unique experience I had offered. Those who missed the event returned throughout the month to catch a glimpse of things, but the overall scene was quite chaotic yet fascinating, with an undercurrent of peacefulness. It was an unforgettable moment, undoubtedly the most significant thing I’ve accomplished in my life.

As a gamer, I strive to ensure every move I make within my creations carries significance and sends a message. I want these messages to reflect my journey in life and career, serving as a mirror of the times we live in. When future explorers delve into my work long after I’m gone, I hope they can piece together the narrative of this era by tracing connections hidden within it.

Has trying out silkscreen techniques for making your own prints influenced how you go about capturing your photographs?

For the upcoming group exhibition, I planned to generate fresh pieces as I had recently completed “Swallow the Lake”. This seemed like a chance to delve into novel concepts. However, as I pondered over my creative direction, I found myself reflecting on my purpose as an artist: Everything I produce should hold significance and convey a message – serving as a commentary on my personal journey and professional growth. In this way, when viewers examine my work posthumously, they can discern the context of the era in which it was created.

What does 2025 have in store for Chris Skylark?

Currently, I’m busy producing Tana’s album. As the executive producer, I’m not only handling the album cover design but also a variety of other tasks. This project is one of the most thrilling experiences I’ve had this year as it offers a chance to venture into uncharted territory. Although I’ve collaborated extensively with artists in the past, this is my first time at such a high level, making it incredibly fresh and exciting. Since Tana is so young and energetic, it keeps me motivated and alert.

This year, I aim to deepen my involvement in filmmaking by producing several short films, potentially dabbling in animation as well. Additionally, collaborating on a project with my closest friend somewhere across the globe is my top priority for the year.

All photos courtesy of Chris Skylark for Hypeart.

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