Among all historical periods that could be immersed in through dramatic portrayals, there’s an appealing raw and rugged charm about the centuries nestled between the structured Roman republic and the opulence and grandeur – along with the lavish wardrobes – of the Renaissance era. History’s “Vikings” offers a wealth of sword-fighting, sea voyages, and sweaty Viking action, serving up an abundance of gripping medieval entertainment.
In a time when Ragnar Lothbrok, his Norse comrades, and their tales of ancient deities and Viking soothsayers depart, they embark on an adventurous conquest for English territories and a secret passage to Paris. The journey spans from the North Sea to treacherous depths. Fortunately, once this epic saga concludes, there are numerous captivating series to replace it, catering to various genres. Ranging from the dramatic portrayal of power struggles in “The Hollow Crown” to the humorous and less traditional depiction of Viking life found in “Norsemen”, the most exhilarating historical dramas brim with peril, darkness, and at times, cunning deceit.
The Last Kingdom
In the past, before Britain earned its reputation as the land where the sun never stops shining on the British Empire, it was a tapestry of numerous small kingdoms that often found themselves at odds with each other – a complex relationship we could call a collection of seven kingdoms, or the Heptarchy. Much like any tumultuous relationship, this one was filled with its fair share of chaos and strife. It’s within this dynamic and intricate period in history that “The Last Kingdom” unfolds.
Set during the years 866 to 878, overlapping with the timeline of Ragnar’s saga, “The Last Kingdom” is a captivating historical drama inspired by Bernard Cornwell’s “The Saxon Stories.” This period coincides with The Great Heathen Army’s invasion across the North Sea and through England. Remarkably, several characters from real-life history, who were also featured in the tales of Ragnar and his offspring, make appearances in this series.
The narrative unfolds around the epic tale of fictional character Uhtred of Bebbanburg (Alexander Dreymon), a Saxon noble who was left an orphan and subsequently raised by Danes. As he matures, he strives to reclaim his birthright amidst a tumultuous and war-torn England. The unique blend of his Danish and Saxon ancestry gives Uhtred a captivating and intricate personality. Upon completing the entire five-season series, don’t forget to catch the sequel film, “The Last Kingdom: Seven Kings Must Die.
Vikings: Valhalla
If you’re among those “Vikings” enthusiasts who felt the show was more captivating with Ragnar and were secretly hoping for his unexpected return, don’t let his absence deter you from enjoying this impressive spin-off series. Just as “Vikings” delved into the legendary tales depicted in Norse Sagas and Gesta Danorum, “Vikings: Valhalla” explores another set of legendary characters, but from a slightly later era – Freydís Eiríksdóttir (portrayed by Alicia Agneson) and Leif Erikson (Sam Corlett), who were actual Norsemen believed to have voyaged across North America.
100 years post Ragnar’s feats, “Vikings: Valhalla” delves into the tales of Icelandic siblings who depart their island for Kattegat. In a transformed world, they encounter King Æthelred II, who has betrayed the Danes of England and is aggressively suppressing the ancient Viking faith through conversion or violence. The narrative intertwines the escapades of Freydis and Leif, with Freydis pursuing her mission to be the final Viking ruler defending age-old customs, while Leif traverses Europe, the Mediterranean, and eventually braves the icy seas to reach America.
Norsemen
The Norwegian series titled “Vikingane,” or “Norsemen” in English, is similar to “Z Nation” compared to “The Walking Dead.” It offers a more humorous perspective, yet still manages to hold its own with dramatic elements that make it worth watching independently. Stunning costumes, skillfully choreographed fight sequences, intelligent scriptwriting, and exceptional performances give the show a unique edge. The Guardian’s Julia Raeside describes it as “Monty Python meets Game of Thrones,” while one Google reviewer compares it to an “arranged marriage between Monty Python and Vikings.” One notable aspect is that during production, it was filmed twice: once in Norwegian and once in English, allowing viewers to choose between reading subtitles or watching a dubbed version.
The half-hour historical comedy-drama is set in a fictional Norwegian village, Norheim, during the 8th century. This series chronicles the lives of Vikings, chieftains, and villagers, as they grapple with everyday problems and global issues that may resonate disconcertingly with contemporary audiences. It caters to viewers who appreciate humorous historical interpretations, similar to “Our Flag Means Death,” while still preserving the engaging aspects of “Vikings.” Instead of graphic violence, it offers a more exaggerated form of violence for comedy, and playfully, if sometimes anachronistically, satirizes Viking legends and myths.
Barbarians
In the heyday of Rome’s imperial rule during the 1st century A.D., I find myself immersed in the world depicted in “Barbarians”. This intriguing tale takes us to the Germanic territories of the Roman Empire, a realm where the Romans maintained a firm grip over the native tribes, whom they referred to as ‘barbarians’. The life under this Roman rule was challenging and oppressive, yet the warring Germanic tribes were too divided to mount a united rebellion. However, their prayers for a hero were answered in the form of Arminius (Laurence Rupp).
In a narrative reminiscent of “The Last Kingdom,” Arminius, initially a member of the Germanic Cherusci tribe, found himself living among the Romans due to an agreement for peace between the two parties that required him and his brother Flavus (Daniel Donskoy) as hostages. As he was brought up in Roman culture, Arminius transformed into a Roman soldier. However, upon his return to Germania with the Roman army, he reconnected with his roots among the Cherusci and claimed his position as chieftain. Eventually, he led the tribes against Rome in the Varian Disaster, a historical event that inflicted significant damage on the Romans.
As a gamer, I can tell you that this game offers a unique take on historical events, with many of its characters being inspired by real-life figures. Compared to other shows in its category, this German series is remarkably accurate historically. Instead of the usual Roman perspective, it provides us with a fresh Germanic viewpoint on an era that’s often portrayed differently.
Britannia
Britannia,” like “Barbarians,” explores the Roman conquest of Britain, but from the perspective of the indigenous tribes. Unlike “Barbarians,” it focuses more on the spirit and life under Roman occupation rather than historical accuracy. It’s set in 43 A.D., a century after Julius Caesar’s failed invasion. The series follows the Cantii and Regni tribes as they grapple with the Roman invasion, much like “Vikings” tells the story of Norsemen. However, “Britannia” incorporates elements of fantasy, such as Druids’ visions and a demonic presence, which significantly impact the narrative, making it more like “Vikings,” but where the drama is driven by the Seers rather than historical events.
As a devoted fan, I’d like to share my excitement about the captivating series “Britannia.” This show brings to life the legendary David Morrissey, famously known for his role as The Governor in “The Walking Dead,” embodying Aulus Plautius, the historical figure who spearheaded the Roman conquest of Britain.
The narrative is primarily focused on a group of brave women, offering a fresh perspective to the story. Among these strong characters are princess Kerra, skillfully portrayed by Kelly Reilly, and young Cait, played by Eleanor Worthington Cox. Together, they navigate between prophecies and destiny in an attempt to shape the future of their tribe, the Cantii.
The Bastard Executioner
Approach “The Bastard Executioner” with the expectation that it’s a gripping FX drama, and you’re in for a thrilling one-season journey through this medieval bloodbath set in 14th century Wales. The story primarily revolves around its titular executioner, Wilkin Brattle (played by Lee Jones), who was once a peaceful Welsh farmer but finds himself entangled in a life of treachery and unimaginable loss. This unfortunate turn of events leads to him adopting the pseudonym Gawain Maddox, a name borrowed from a traveling executioner, which effectively becomes his own prison.
The brief television show boasts a recognizable ensemble with Matthew Rhys from “Perry Mason” and “The Americans,” Stephen Moyer from “True Blood,” and Katey Sagal, famed for her roles in “Sons of Anarchy,” “Futurama,” and “Married… With Children.” Notably, Ed Sheeran is also featured.
Although entirely fictional, this series incorporates actual historical incidents from a 13th-century Welsh uprising. To put it simply, it provides an enjoyable escape for those fond of immersing themselves in the thrilling world of brutal medieval combat.
The Winter King
The Warlord Chronicles’ novel series, derived from Barnard Cornwell’s work, presents “The Winter King.” This captivating series reimagines Arthurian legends as real historical events, much like how “Vikings” portrays Ragnar Lothbrok’s legendary deeds. Set in the Dark Ages following Rome’s withdrawal from its northern territories, “The Winter King” narrates the journey of Arthur Pendragon (played by Iain De Caestecker), Uther’s banished son, as he transforms into the warrior king destined for his people.
The show effectively portrays the turmoil and ambiguity of Britain during an era when various factions fought for control, and its inhabitants were caught between age-old beliefs and a powerful religion. The characters are fascinating, and the narrative, immersed in fantasy and Dark Ages escapism, offers enjoyment that outweighs its historical authenticity. With just one season to stream before the show was discontinued, you won’t have to wait long to see Arthur as anything other than a hero.
Knightfall
The notion that the Knights Templar, a group of knights in the Middle Ages responsible for safeguarding travelers to the Holy Land, were fixated on guarding the Holy Grail is a partially modern myth with fictional roots, often portrayed in various pop culture interpretations such as “Indiana Jones and the Last Crusade” and “The Da Vinci Code.” Given that this theme serves as a significant plot element in the historical series “Knightfall,” one might question how accurately it represents the Templars’ rise and fall. However, we are not gathered for a history lecture but rather for the swords, armor, political machinations, intrigue, and of course, the charm that Mark Hamill brings to the table.
In the era of the Holy Wars, the series “Knightfall” chronicles the journey of Templar knight Landry de Lauzon (Tom Cullen), who embarks on a quest to discover the Holy Grail as the influence of the Knights begins to wane following the Crusades. The show also includes intricate political maneuverings and a hint of passionate, illicit romance, offering a tantalizing glimpse into the steamy, scandalous side of the Middle Ages.
The Pillars of the Earth
A mini-series spanning eight episodes, airing on Starz, is based upon Ken Follett’s historical novel “The Pillars of the Earth.” This captivating tale unfolds during the Anarchy, a 15-year stretch of English civil conflict in the mid-12th century. The narrative offers a unique vantage point from within a community engaged in the construction of an extraordinary Gothic cathedral. Not just any cathedral, mind you – this architectural marvel took medieval craftsmen a century or more to complete.
The Pillars of the Earth” unfolds in the imaginary town of Kingsbridge, focusing on the key figures driving the monumental construction effort. These include Bishop Waleran Bigod (played by Ian McShane), Master Builder Tom Builder (Rufus Sewell), Prior Philip (Matthew Macfadyen), and Third Builder Jack Jackson (Eddie Redmayne). With a star-studded cast, the series delves into the intricate power struggles that permeate the lives of the residents and the hurdles faced by the architects as they undertake an enormous task: building a cathedral amidst the chaos of civil war.
World Without End
150 years following “The Pillars of the Earth,” “World Without End” returns to the town of Kingsbridge in the 14th century, where descendants of the cathedral builders are grappling with various medieval calamities such as the Black Plague, the Hundred Years’ War, and a tragic bridge collapse resulting in numerous casualties. The narrative is rich with illicit affairs, political intrigue, accusations of witchcraft, and a healthcare crisis that adds to the story’s complexity.
In a slightly different phrasing: Although the cast may not boast the same level of star power as the initial series, it still showcases some familiar faces such as Cynthia Nixon and Tatiana Maslany portraying a nun who develops feelings for another woman. Similar to “The Pillars of the Earth,” “World Without End” delves into the lives of its extensive cast, with a particular focus on Caris (Charlotte Riley), a healer who implements new sanitation measures during a plague outbreak and eventually rises to become the village’s Prioress. The series effectively portrays the intricate power dynamics faced by women in these times as they strive to make a significant impact within their communities without inviting danger upon themselves.
Cadfael
In a collection of historical series, “Cadfael” stands out as one suitable for all ages, providing an engaging blend of medieval adventure and detective work wrapped within the cloak of a monkish mystery. This 1990s British production is set in medieval England, where Brother Cadfael (played by Derek Jacobi) resides at Shrewsbury’s Benedictine Abbey. Unlike other monks who take their vows early on, Cadfael led a life of travel as a crusader before joining the order in his 40s. His experiences in the Holy Land and beyond have equipped him with a sharp observational skillset and a wealth of knowledge that frequently prove useful in solving the mysteries that often plague his surroundings.
Jacobi’s performance and the intriguing plot twists create an engaging viewing experience in a show that demonstrates how medieval dramas can offer more than simply depicting illicit relationships leading to catastrophe. Interestingly, this series is remarkably accurate historically.
Watching Jacobi act and seeing the complex storyline makes the show enjoyable. It’s great that it shows there’s more to medieval dramas than just love affairs ending badly. Plus, it seems like a lot of research was done to make it as close to real history as possible.
The Hollow Crown
From my perspective as a devoted fan, “The Hollow Crown” is a breathtaking British series that offers full-length film adaptations of the works by the legendary bard, William Shakespeare. Each episode delves into his plays revolving around power and politics. What’s truly captivating is the stellar cast, boasting prestigious actors who bring these timeless tales to life from top to bottom.
This series offers a modern interpretation of what’s known as the Henriad, Shakespeare’s series of history plays chronicling the ascension of English monarchs during the Wars of the Roses – a tumultuous era marked by conflict between the Yorks and Lancasters over the crown. The first installment, “Richard II,” focuses on the 14th-century coup to dethrone King Richard II (Ben Whishaw), alongside performances from Patrick Stewart and David Morrissey. Subsequent films delve into the tales of Henry IV and Henry V, portrayed by Jeremy Irons, Tom Hiddleston, and Paterson Joseph, as they grapple with maintaining their newly-gained power amidst adversity. The final chapter in the series features Benedict Cumberbatch as the controversial King Richard III, famous for his quote “A horse! A horse! My kingdom for a horse!
In “The Hollow Crown”, the intertwined characters from Shakespeare’s historical plays are skillfully assembled into an engrossing, cinematic chronicle that explores themes of Machiavellian politics and the futile pursuit of power. This series stands among the finest screen adaptations of Shakespeare’s works, offering a captivating viewing experience on par with episodes from the popular “Vikings” series.
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2025-04-29 23:31