Warning: Contains SPOILERS for the Chicago Fire season 13 finale.
In the season finale of Chicago Fire (season 13), which aired on May 21st on NBC, several ongoing plotlines were wrapped up. Despite Pascal being under investigation in the episode, it was uncovered that Vale had attempted to harm Franklin due to his fixation on Monica. However, there was still uncertainty about who would take over as captain at Firehouse 51 until the very end. At this juncture, it seems premature to dismiss Pascal from his position.
In an unexpected turn of events, Herrmann hands over his bugles to Mouch, making him the new lieutenant. This heartwarming exchange between friends is a touching moment, adding another layer to the series finale. Meanwhile, Carver and Violet share a romantic kiss and confess their feelings for each other. Unfortunately, Jake Lockett (and Daniel Kyri) won’t be back as regulars in season 14. As the final episode unfolds, Kidd tells Severide that she’s expecting, and the couple rejoices over the exciting news.
In our chat with showrunner Andrea Newman, I delved into several intriguing aspects of the Chicago Fire season 13 finale. We discussed Vale’s audacious attempt to take down Franklin, Herrmann’s selfless decision to relinquish his post for Mouch, the budding romance between Violet and Carver, and the poignant conclusion shared by Severide and Kidd. It was an enlightening conversation that shed light on these captivating storylines.
Newman Wanted Chicago Fire’s Vale Reveal To Feel Believable
“If you really thought about it, who else would be as obsessed as Pascal about who did this to Monica?”
As a cinephile, I’ve been pondering about the character Vale and his role in trying to take down Franklin. Was it always planned that he would be the suspect, or were there other potential suspects that you and the writing team had in store?
Andrea Newman: We experimented with various aspects, but in the end, the writer’s room focuses on, “What will have the greatest emotional impact here?” Despite our curiosity about Bishop and the events in Miami that kept resurfacing, we often found ourselves asking, “What transpired in Miami?” [Laughs]
We kept emphasizing that we were deeply invested in uncovering this mystery, and aimed to make the viewers feel like they could solve it too. If you truly pondered upon it, who else but Pascal could be as fixated as he was about what happened to Monica? Thus, it didn’t seem unexpected or out of place. It felt like something that had been subtly hinted at all along. We began dropping subtle clues around halfway through the season suggesting his obsession.
Later on, he showed up at Pascal’s place, disheveled and clearly under the influence, to express his sympathies. His unkempt appearance and drunken state were a stark contrast to the tragedy that had occurred. If you noticed or reflected upon it, it was evident that he was deeply affected by the situation. In retrospect, this behavior could make one think, “Ah, that’s him.” He seemed to be dealing with the loss much worse than Pascal did, as Pascal had his large family for support, whereas Vale didn’t have anyone like that.
In simpler terms, who did Herrmann pass his trumpets on to (or hand over the responsibility of) Mouch, and what factors led to this change in command, and what can we expect from their future relationship?
Andrea Newman: That was a fascinating scenario from the get-go, as Dermot immediately impressed us when he took the stage. Our initial thoughts were, “What will this turn into? Will viewers rally for Pascal to stay?” Throughout the season, we aimed to develop this dynamic, and we certainly did so, reaching its peak at the funeral where Mouch expressed, “We’re your family, that’s why you’re here. We’re here.
From then on, it seemed clear that Pascal was fully committed, and the question became not whether we would ask him to leave, but rather, “Are you ready to step up, Pascal? Are you willing to take on this role? Pascal is pushing you to see if you can handle it, but ultimately, what do you want? Do you aspire to lead?” For Herrmann, the experience has been about determining whether you are capable and willing to assume leadership.
In the finale, he ponders the question and makes a decision, partly influenced by the auditor’s words. He reflects, “You might be leaving any moment. Time is of the essence. I’ve got an opportunity to become a lieutenant at the house, and I want you to have it because you’re my closest friend.” It’s truly a heartwarming action.
For Herrmann, it feels appropriate. It places a considerable burden on Mouch to excel as a top lieutenant, which he intends to achieve. And it’s a heavy responsibility for Herrmann, who has taken a pay reduction, to ensure all his children are well-fed at home. There are numerous possibilities we can explore in the upcoming season, and it remains to be seen how Pascal will juggle all these tasks.
What Does Jake Lockett’s Exit Mean For Carver’s Romance With Violet?
“We have to figure that out. They have to figure that out. Is it worth the risk to stay?”
Additionally, there was a particularly heartwarming instance shared by Violet and Carver. Since it has been mentioned that you’re still developing season 14, I wonder how their romantic storyline might unfold given that Carver is no longer a main character. Could it be possible for him to make an appearance in the premiere episode?
Andrea Newman: For Violet and Carver, reaching that moment felt like a simmering tension that had been building for some time, with many things left unsaid throughout the recent episodes, and indeed much of this season. It’s moving and satisfying to see them finally express themselves, but it’s also risky because it implies Carver admitting, “I’m not sure I can heal. I’m not certain that I can embark on a path toward recovery in the very place where my downfall began.
Despite this joyful occasion, it raises more uncertainties than solutions. They must grapple with these questions. Should they take the risk and stay put? Is Violet willing for him to pursue a location he believes offers the highest chances of healing now? Even though she adores him deeply, doesn’t she wish for him to go where he can find recovery?
It seems this situation is more intricate and far from straightforward compared to the Brett-Casey model, which was quite simple – only involving location. Essentially, we’re wondering if it’s even feasible or if it’s too risky. Are we venturing too near the fire, metaphorically speaking? So yes, we need to carefully consider this.
Are Kidd and Severide expecting a child? Can you provide any insights on what might happen next in their journey?
As an admirer, I can tell you that Andrea Newman often emphasizes the gravity of situations when working alongside firefighters. Yet, she underscores that the true measure of high stakes comes when there’s a little one at home. Now, imagine being in a blaze with your partner or witnessing their peril – it amplifies the tension a thousand fold.
Instead of simply saying, “That’s my significant other,” Kidd now finds herself in a more complex position: “That’s the mother of my child.” The weight of this reality looms large, as the potential for harm or loss could leave an innocent child orphaned, much like what happened in her own life. Losing both parents is a deep-rooted fear for Kidd, and it significantly impacts her professional relationships and dynamics within Firehouse 51. With the added complexity of their relationship, any changes in their behavior or unexpected issues could potentially require the entire team to step in and help, as this situation is fraught with tension and uncertainty.
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About Chicago Fire Season 13
From Renowned Emmy Award-Winning Executive Producer Dick Wolf
As a die-hard cinema enthusiast, I can’t help but draw parallels between my passion for films and the gripping drama that unfolds in the fire station of Firehouse 51. Led by Lt. Kelly Severide (Taylor Kinney), our Rescue Squad 3 is an unstoppable force, working hand-in-glove with Lt. Christopher Herrmann (David Eigenberg) from Engine 51 and Lt. Stella Kidd (Miranda Rae Mayo) of Truck 81. Our relentless, never-say-die spirit not only binds us professionally but also forges a bond that goes far beyond the call of duty. The valiant men and women of Firehouse 51 are more than mere colleagues – they’re family.
The firehouse has a new boss in Chief Dom Pascal (Dermot Mulroney), taking over from Wallace Boden who was promoted to Deputy Commissioner. Previously, Chief Pascal served for ten years in Miami and now brings a distinct leadership approach which might not be well-received by some. However, it’s evident that he is skilled at maintaining composure during emergencies, and his aim is to ensure the firehouse operates smoothly and that its firefighters are prepared for any challenges ahead.
Check out our other One Chicago interviews:
- Showrunner Gwen Sigan (Chicago P.D.)
- Eamonn Walker (Chicago Fire)
- Joe Miñoso (Chicago Fire)
- Luke Mitchell (Chicago Med)
- Shawn Hatosy (Chicago P.D.)
- Steven Weber (Chicago Med)
Chicago Fire season 13 is available to stream on Peacock.
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2025-05-22 09:05