Why the Fiery But Not So Peaceful ‘Ballerina’ Rocks

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It takes a good, long while before “Ballerina” realizes it’s part of the “John Wick” franchise.

Indeed, the spin-off maintains the quirky elements of the storyline, including the mysterious ancient switches and hotels acting as real sanctuaries. However, it seems to miss the bold, over-the-top energy that turns the ultra-violent show into an irresistible indulgence.

It’s just another action vehicle … until it isn’t.

The third act could wake the dead. And, yes, there will be fire.

As a passionate cinephile, I’d put it this way: “Ballerina” is primarily an origin tale that introduces us to young Eve Macarro, a girl whose world is shattered when she witnesses her father’s death at the hands of The Chancellor, the film’s menacing antagonist, played by Gabriel Byrne.

Currently, she’s living as an orphan, eventually finding herself under the guidance of a mysterious group, run by the firm Director (played by Anjelica Huston with enthusiasm despite her stepping out of her usual roles). As Eve matures, she bears a striking resemblance to the ex-Bond girl Ana de Armas. In the Ruska Roma custom, she swiftly learns the art of acting first and asking questions later.

Assassination 101 comes naturally to her.

Despite the passage of time, she remains unable to erase the memory of her father’s murder. When a task exposes a ruffian who bears the identical tattoo as her father’s assailant, she decides to act outside the law.

She’ll have her vengeance or die trying.

A ballerina differs significantly from John Wick in one key aspect: while John’s frenzied actions were prompted by the death of his pet dog, Eve seeks revenge for the loss of her revered father.

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The story unfolds during the time gap between the third and fourth “John Wick” movies, helping viewers place events correctly within the series timeline. This interval also offers a chance for the immortal John Wick, played by Keanu Reeves, to be part of Eve’s character development.

That matters, and “Ballerina” isn’t shy about the Wick connection. We’ll say no more.

The Ballerina” is ready for continuous excitement, and there’s no delay before the next confrontation ensues.

Despite numerous chances, the movie’s emotional moments often fail to resonate strongly, and this isn’t due to a scarcity of potential situations. The family history of the character Eve could have added depth amidst the action sequences, but a significant plot point disappointingly fails to deliver.

In an unexpected twist, as I encounter a child endangered by the Chancellor, I find myself drawn to her, much like my connection with Newt in “Aliens.” Could this girl be a ballet dancer, offering me an opportunity to nurture my inner protective parent, similar to my experience with Newt?

Nah.

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In the narrative, I found myself unexpectedly sharing the screen with the talented Norman Reedus. However, the spinoff “Ballerina” seemed a bit unsure of how to make the most of his presence. This uncertainty mirrors the production process itself, as the film underwent reshoots and had a leisurely journey to the big screen.

Occasionally, it shows.

Additionally, it’s both joyful and sad to watch Lance Reddick one final time on screen. Although he tragically passed away in March of 2023, his talent and presence continue to enrich the “John Wick” universe, as well as any movie he was part of.

In Len Wiseman’s direction, the combat scenes in “Ballerina” are skillfully orchestrated, yet they fail to capture the inventive flair seen in the most memorable moments from the “Wick” series. However, once the hour mark is surpassed, things start to change for the better.

The killings grow progressively brutal and inventive, and the action significantly speeds up. Indeed, that’s exactly what we were hoping for when we purchased our tickets.

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In simpler terms, this implies that the story’s weak foundation starts to crumble. Viewers are suggested to stick to the straightforward pattern of revenge and overlook any intricate details or complexities.

There’s simply no other method to take in the frenzied, all-or-nothing third act. Just relax and allow it to sweep you away, knowing that de Armas fits the action hero role perfectly. She’s always convincing, which is quite remarkable given that she’s acting alongside Reeves.

That makes this de Armas-led spinoff worth it for hardcore Wickians.

HiT or Miss: “Ballerina” is second-tier “John Wick” until its glorious, nonsensical finale.

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2025-06-05 04:03