‘Sovereign’ Review: Nick Offerman’s Fierce Turn as an Anti-Government Extremist Boosts a Timely Drama

Recently, it’s been a joy to witness Nick Offerman’s acting career flourishing. Known for his side-splittingly deadpan portrayal of Ron Swanson in the popular show “Parks and Recreation”, Offerman has consistently stayed busy in the industry. However, his talent has truly shone recently, particularly with his poignant, Emmy-winning guest role in HBO’s “The Last of Us”.

Currently, Christian Swegal’s first feature film, titled “Sovereign“, is set to have its world premiere at the Tribeca Film Festival prior to its theatrical release this month. This opportunity marks his most substantial role yet in a movie, and he seizes it with vigor.

He’s taking on a role that he has some background in. On “Parks and Recreation,” his character was an anti-government libertarian. However, the humor from that portrayal is starkly contrasted with the grim reality of this drama based on true events. The movie, which unfolds in Arkansas during 2010, follows Jerry Kane, a self-proclaimed “sovereign citizen” who used right-wing radio shows and Midwest seminars to spread his views against laws and governmental power, advocating for property rights and tax evasion. Essentially, you could say that Ron Swanson’s character took an extreme turn in this film.

Jerry, a single father and unemployed roofer, is often threatened with eviction and takes on the task of home-schooling his teenage son Joe (Jacob Tremblay from “Room”). He’s a caring yet firm parent, regularly insisting that his son recite prayers each evening and encouraging him to remember their faith by saying, “Never forget J.C.” Like many others in similar circumstances, Jerry strongly advocates for gun rights and illegally possesses an AR-15, which lands them in trouble during a routine traffic stop.

He’s quickly taken into custody, and Joe is briefly housed in a juvenile facility, where he experiences a sense of respite from his father’s unyielding pressure. The local police chief, John (played by Dennis Quaid with subtle seriousness), subtly suggests to Joe, “It seems to me that your dad doesn’t hold the government in high regard. He has some rather peculiar beliefs.” A few days later, Jerry is released on bail by his intermittent girlfriend Lesley Anne (Martha Plimpton, portraying a warm and compassionate character), but he becomes even more radicalized, vowing to sue the officer who apprehended him, denying the legitimacy of the court system, and storming out of the courtroom during his trial.

Movie director and scriptwriter Swegal weaves together Jerry’s story with his son, and the tale of the police chief and his adult son Adam (Thomas Mann), who is preparing to join the police force. Their bond is strong yet fraught, as John frequently scolds Adam for actions like picking up a newborn baby whenever it cries. It takes some time to comprehend why the story unfolds in such disparate paths, but the two narratives eventually become intricately linked in the heart-wrenching finale of the film.

As a fan, I found “Sovereign” strikingly relevant in its portrayal of society’s marginalized, rising against government power. However, I felt it could have delved deeper into Jerry’s journey towards non-conformity, providing more context. Regardless, it stands strong on its own merits, particularly in its nuanced exploration of the intricate bonds between fathers and their offspring.

Offerman delivers an outstanding performance that skillfully showcases Jerry’s captivating charm, enabling us to grasp his influence over susceptible individuals while also revealing the human qualities that account for his son and girlfriend’s unwavering loyalty. His character’s tough-love demeanor is convincingly portrayed in a scene that deviates but packs a powerful punch, as he gently yet firmly pushes Lesley Anne to face her paralyzing fear of horses. Tremblay, with an intense and captivating screen presence, matches Offerman’s performance as the son who tragically emulates his troubled father’s choices.

Moreover, the series Sovereign also boasts the presence of Nancy Travis, who is often undervalued yet always appreciated. Its compassionate and respectful handling of sensitive topics significantly enhances the show’s appeal. While it may be unsettling to watch, its relevance makes it essential viewing.

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2025-06-09 05:24