‘Westhampton’ Review: Finn Wittrock’s Charisma Can’t Quite Save This Thin Character Study About a Filmmaker Reckoning With His Past

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Finn Wittrock’s performance makes “Westhampton,” directed by Christian Nilsson, truly captivating – this film, generally following a common pattern of a person dealing with past errors, stands out primarily due to its compelling portrayal of the main character.

Wittrock has brought life to numerous previous films and television series, receiving an Emmy nomination for his portrayal of one of Andrew Cunanan’s victims in Ryan Murphy’s miniseries “The Assassination of Gianni Versace: American Crime Story,” as well as another nomination for a season of Murphy’s “American Horror Story.” This captivating actor handles the camera with ease, and it’s pleasing to see him return to a prominent screen role, though the film may leave audiences feeling somewhat underwhelmed due to its thin storyline.

In a new film, Wittrock portrays Tom Bell, a movie director who revisits Long Island after decades, screening his latest work inspired by his past, particularly an automobile accident he was involved in that deeply affected his local community. It’s hardly shocking to viewers that Tom’s comeback stirs up sorrow and lingering animosity among several residents of Westhampton, as old wounds are reopened.

The film initiates with a showing of an old black-and-white movie, reminding Tom uncomfortably of his past in this very community. He hastily departs from the viewing, yet lingers in town to gather some personal items and rekindle relationships with former acquaintances, not all of whom are thrilled by his return. The sibling of the girl involved in the accident is now a police officer and advises Tom to exit the town as soon as possible. Conversely, others find amusement in his fame and appear keen on socializing with him.

Among these past friends, R.J. Mitte, famously known for his portrayal of Bryan Cranston’s son in the critically acclaimed series “Breaking Bad”, steps into a distinctly different character this time around. Notably, Jake Weary and Amy Forsyth deliver commendable performances as well. Worth mentioning is Tovah Feldshuh, who delivers an engaging performance in her minor role as one of the town’s adults.

Among the many commendable aspects of the film, apart from Wittrock’s exceptional acting, stands out the breathtaking cinematography by Dave Brick. His skillful camera work beautifully portrays the windswept shores and slightly worn-down neighborhoods, adding depth to the visual storytelling. The technical aspects are also well executed.

Nevertheless, the shallow plotline fails to fully support the efforts of the actors and crew. Some of Tom’s past associates’ grudges seem authentic but don’t delve deeply into their feelings. The unexpected climax revealing the truth behind the accident tormenting Tom lacks the intended explosive impact. Furthermore, an odd, dreamlike finale feels more perplexing and pretentious than thought-provoking. The frequent interruptions of Tom’s black-and-white film, initially suggested to be accurate, eventually become tedious.

The shows could lead to further screenings of the movie at various festivals, yet it appears that the film might not have a prolonged run in cinemas. Here’s hoping we get to watch Wittrock once more in a more fulfilling role soon.

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2025-06-16 23:25