‘A Thousand and One,’ ‘The Woman King,’ ‘Barbie’ Top Annenberg Inclusion Initiative, Adobe’s Latest Film List

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Prior to the announcement of this year’s Oscar nominees, the University of Southern California’s Annenberg Inclusion Initiative in collaboration with the Adobe Foundation has rolled out an updated version of their Inclusion List, specifically focusing on films.

Here are the highest-rated films that emphasize gender inclusion on screen and off camera: “A Thousand and One,” “You Hurt My Feelings,” “The Marvels,” “Priscilla,” and “Barbie.” For racial and ethnic diversity, the top-ranked movies are “Joy Ride,” “A Thousand and One,” “The Color Purple,” “House Party,” and “The Blackening.

Previously, we examined 476 movies released theatrically from 2019 to 2023, using both on-screen and behind-the-scenes data to identify the top 150 inclusive films during that timeframe. The updated Inclusion List expands upon this ranking by adding new films from 2023.

As a gaming enthusiast sharing this news, I’m excited to talk about the Inclusion List! This fantastic tool highlights individuals and productions that embody and promote diversity in all its forms. In its second year, the updated version of the Inclusion List shines a spotlight on movies, directors, and distributors who make it clear that inclusion is a vital component of outstanding entertainment, as stated by Dr. Stacy L. Smith, the brilliant mind behind the Anneberg Inclusion List.

Among films that explore LGBTQ+ themes, the highest-rated ones include “All of Us Strangers,” “Theater Camp,” “Bottoms,” “Knock at the Cabin,” and “Saltburn.” Interestingly, in terms of representation and inclusivity, a different set of movies were praised. These included “What Happens Later,” “John Wick: Chapter 4,” “Moving On,” “Golda,” and “The Holdovers” for their exceptional performance in this regard, also taking disability into account.

In other film categories, the movies with the highest scores for portraying individuals aged 65 and above on screen are “Book Club: The Next Chapter,” “Moving On,” “Marlowe,” “The Miracle Club,” and “Golda.” Meanwhile, the directors with the most women and people of color working behind the camera received top marks. These include Catherine Hardwicke (for “Mafia Mamma”), Olivia Wilde (known for “Booksmart” and “Don’t Worry Darling”), Destin Daniel Cretton (“Shang-Chi”), Reinaldo Marcus Green (“King Richard”) and Kasi Lemmons (“Harriet”).

The most frequently recognized editors for their work on films that promote diversity are Annette Davey, Terilyn A. Shropshire, Hilda Rasula, Catrin Hedstrom, Blair McClendon, Harry Yoon, Anne McCabe, and Mary Jo Markey. Their respective projects include “Together, Together,” “The Woman King,” “American Fiction,” “The Marvels,” “Aftersun,” “Minari,” “Dear Evan Hansen,” and “The Eyes of Tammy Faye.”

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Annette Davey, Terilyn A. Shropshire, Hilda Rasula, Catrin Hedstrom, Blair McClendon, Harry Yoon, Anne McCabe, and Mary Jo Markey are often recognized for their editing work on movies that promote inclusivity. These films include “Together, Together,” “The Woman King,” “American Fiction,” “The Marvels,” “Aftersun,” “Minari,” “Dear Evan Hansen,” and “The Eyes of Tammy Faye.”

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The following editors have been frequently commended for their work on movies that promote inclusivity: Annette Davey, Terilyn A. Shropshire, Hilda Rasula, Catrin Hedstrom, Blair McClendon, Harry Yoon, Anne McCabe, and Mary Jo Markey. Their notable projects include “Together, Together,” “The Woman King,” “American Fiction,” “The Marvels,” “Aftersun,” “Minari,” “Dear Evan Hansen,” and “The Eyes of Tammy Faye.”

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In the realm of movies promoting inclusivity, these editors have received frequent praise: Annette Davey, Terilyn A. Shropshire, Hilda Rasula, Catrin Hedstrom, Blair McClendon, Harry Yoon, Anne McCabe, and Mary Jo Markey. Their impressive works include “Together, Together,” “The Woman King,” “American Fiction,” “The Marvels,” “Aftersun,” “Minari,” “Dear Evan Hansen,” and “The Eyes of Tammy Faye.”

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These are the editors who have been frequently acclaimed for their work on inclusive movies: Annette Davey, Terilyn A. Shropshire, Hilda Rasula, Catrin Hedstrom, Blair McClendon, Harry Yoon, Anne McCabe, and Mary Jo Markey. Their respective projects include “Together, Together,” “The Woman King,” “American Fiction,” “The Marvels,” “Aftersun,” “Minari,” “Dear Evan Hansen,” and “The Eyes of Tammy Faye.

Dr. Smith noted that by honoring these artists, we aimed to highlight the storytellers whose work offers diverse narratives to viewers,” he said.

The Inclusion List aims to leverage real-world data and film industry insights to foster a more diverse and equitable environment within Hollywood. At the top of the rankings for inclusive films, we find “The Women King” leading the way, with “A Thousand and One” close behind in second place, and “Harriet” trailing in third position.

1. Universal Pictures leads the distribution rankings, providing a variety of films to movie enthusiasts, with Sony coming in second and Warner Bros. trailing behind.

2. When it comes to distributing movies for film lovers, Universal Pictures takes the lead, followed closely by Sony, while Warner Bros. follows in third place.

3. In terms of studio distribution that brings films to movie fans, Universal Pictures is number one, Sony comes in second, and Warner Bros. rounds out the top three.

4. For distributing films to film lovers, Universal Pictures ranks first, Sony is a close second, and Warner Bros. takes the third spot.

5. In the studio distribution hierarchy for movie fans, Universal Pictures claims the top position, with Sony coming in at number two, and Warner Bros. taking third place.

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2025-01-22 19:25