
In the film “Dossier 137”, the police officers are portrayed as fallible individuals who exhibit a clear bias (with only one female officer on the team), yet they are presented as the ‘good guys’. This movie serves as a thought-provoking analysis of police brutality, where the roles have reversed and the police themselves become the perpetrators. The audience is left questioning the very essence of policing in a France grappling with social upheaval and class disparity. The new thriller from Moll, while maintaining the same meticulous craftsmanship as his earlier works, places more emphasis on the intricate processes involved. This leaves viewers in a tense position, torn between law and disorder, righteousness and corruption, protestor and rioter, posing questions without simple solutions.