Movies

In 1960s Jackson, Mississippi, the story The Help delves into the lives of African-American housekeepers who work for affluent white families. The narrative primarily revolves around Aibileen Clark and Minny Jackson, two Black women who endure mistreatment from their employers. This hardship is brought to light by Eugenia “Skeeter” Phelan, a young, aspiring white writer. As the story unfolds, Minny, Aibileen, and other maids in their community encounter numerous instances of racism and hostility from their employers: Minny gets fired for using an indoor “whites only” bathroom during a perilous tornado, while another maid is brutally arrested. Skeeter later publishes this injustice in a book that gains immense popularity, allowing her to distribute the profits among the women whose stories she documented. Yet, at the end of the film, Aibileen loses her job partly due to Skeeter’s book and decides to embark on a writing career herself.

In his 90-minute podcast episode called “Robservations“, and in a later interview with The Hollywood Reporter, Liefeld openly discussed several instances during the premiere of “Deadpool & Wolverine” that he found disrespectful. He mentioned that unlike the releases of the first two movies under 20th Century Fox, neither he nor his family were invited to the film’s afterparty this time around. Additionally, Liefeld expressed feelings of being overlooked by higher-ups at Disney and Marvel Studios chief Kevin Feige. According to Liefeld, despite standing near each other during the premiere, Feige never spoke to him, which he perceived as a deliberate attempt to embarrass, undermine, or defeat him.

If you’re not a fan of intense, darkly atmospheric violence reminiscent of classic Looney Tunes, and if it is crafted by the promising director Osgood Perkins (known for ‘Longlegs’), then this might not be your cup of tea. However, if you decide to give it a pass, you’ll miss out on quite a lot.

In a statement, Wales Bonner expressed that Howard University evoked a powerful sense of an influential intellectual legacy which had always captivated her from a distance. She likened the university to a sanctuary, radiating like a beacon of black culture. This tribute to the legacy embodies the everyday expressions we see on campus – the determined gaze of students looking towards the future, the wise guidance of teachers returning, and the subtle traces of style serving as her gateway into a unique history.

In 2021, Sun acquired “Le Nez” at Sotheby’s, but now he alleges that his art consultant acted dishonestly, masterminding the subsequent sale to Geffen using a complex web of falsified papers and counterfeit signatures.