Carradine shared with us that he and Alan were thrilled by the news, and they both participated in an on-camera conversation for additional footage. It was quite enjoyable, he added. Moreover, he mentioned his satisfaction knowing that Criterion has taken an interest in their project, giving viewers another opportunity to revisit it.
Titled “Bootsy,” the Fall/Winter 2025 collection of 5000 is centered around the Bay Area colloquialism. Often spelled “Bootsee,” this term can refer to someone or something perceived as un-cool or awkward, a meaning popularized by the E-40 song of the same name, or alternatively, it signifies something bold and eccentric when referring to funk legend Bootsy Collins. Essentially, “bootsy” embodies individuality and raw authenticity; contrasting with “camp’s” subversive and rebellious nature in the show notes, this collection seeks to delve deeper into “bootsy” as not just a slang term but a cultural artifact and social study.
It’s well known that the romantic dynamic between Mawra Hocane and Harshvardhan Rane in Sanam Teri Kasam was highly praised. But here’s an interesting tidbit: The producers held auditions for 215 actresses to find the right fit for the role of Saru, eventually choosing Mawra for the part.
As a devoted fan, I’m thrilled about CBS’s renewed confidence in one of television’s timeless treasures. On February 24th, they will unveil their fresh new daytime soap opera, “Beyond the Gates.” Joining the ranks of long-standing favorites like “The Young and the Restless” and “The Bold and the Beautiful,” this series promises to keep us hooked during the day.
But you might wonder, why now? With broadcast TV seemingly on the losing end against the streaming giants, why invest in a format as traditional as soap operas? Let’s delve into the reasons behind their decline in the late 2000s and early 2010s, and understand why CBS believes it’s the perfect moment to revive this classic genre.
Television can be seen as a collective dream we experience through sound and visuals, affecting generations by shaping our perceptions of life, relationships, work, and friendship. Over time, each new technology subtly alters the way we see the world, which is not necessarily a judgment but a simple truth. The 2011 anthology series “Black Mirror,” a contemporary version of “The Twilight Zone,” primarily delves into this idea, examining the various impacts of technologically-induced mind-alteration on society, economy, psychology, politics, and culture. In essence, it’s a fictional portrayal of what its creator, Charlie Brooker, has been satirizing for years. Coincidentally, in the same year that Black Mirror debuted in the UK, Brooker produced a documentary series (ironically, on television) with similar themes: “How TV Affects Your Life.