On a recent Instagram post, the music legend announced that she’ll be embarking on a tour this year, in celebration of her Grammy-nominated album titled Cowboy Carter. Naturally, her tour has been christened as “The Cowboy Carter Tour”.
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Over the weekend, the music legend shared on Instagram that she’s planning a tour this year to back her Grammy-nominated album, Cowboy Carter. It makes sense then, that her tour will be called The Cowboy Carter Tour.
In a new phase of their partnership, Futura Laboratories has reimagined the Crocs All-Terrain Clog, drawing inspiration from their graffiti-style art. Previously collaborating on the Pollex Clog and Classic Clog, this time they’ve incorporated their signature style onto the clog, giving it a FLanyards look. The Sport Mode strap now boasts alternating lanyard ribbons, paying homage to Dos Mil’s unique artistic flair. The upper design includes vibrant, multicolored lettering and tags, while custom Jibbitz accessories are included as a tribute to Futura’s distinctive artistic approach.
In addition to speculation about Stevens’ character making an appearance, the upcoming “Godzilla vs. Kong” sequel has also recruited Kaitlyn Dever for the movie, although her exact part is still unclear. Progress appears to be happening swiftly on this sequel, as Grant Sputore (“I Am Mother”) has come aboard to direct and Dave Callaham has penned a script. The original film delved into the concept of the Hollow Earth, with Kong now reigning after “A New Empire” events, while Godzilla took a supporting role in the narrative.
The teaser features Tyler, the Creator within a football huddle, embodying his iconic St. Chroma character, which gained fame during this campaign. His character appears to be gearing up for a boxing match, socializing with Jasper and Taco. The video intermittently switches to him leading a marching band, concluding with a vibrant image of Tyler lounging on the bonnet of a car. The final scene was the only one in color, standing out against the usual sepia tone.
Victor, through his role as writer, director, and actress portraying Agnes, constructs a movie that is raw emotionally and structurally unique. The narrative unfolds in a sequence of episodes titled “The Year with the Baby,” “The Year with the Bad Incident,” and “The Year with the Good Sandwich,” among others. In Sorry, Baby, trauma is depicted as non-chronological, advancing sporadically and then retreating. Agnes isn’t simply dealing with an assault; she is figuring out how to cope, experimenting with ways to progress while the world carries on around her, unaware.