Saif Ali Khan Attack: Shahid Kapoor is happy to see Rangoon co-star ‘doing well’; says, ‘I am not going to…’

In a recent chat with Screen, Shahid Kapoor expressed that an unfortunate event like this could’ve happened to anyone. He described Mumbai as a very ‘safe’ city, but everyone was taken aback by the attack. The actor from Deva added that such incidents occur in numerous cities. He went on to say, “However, it can happen to anyone. I wouldn’t say celebrities are an easy target.

Deva actor Shahid Kapoor recalls struggling days in Lokhandwala, reveals entering Bollywood after 250 auditions: ‘Some people struggle in BMW’

In an open chat with Raj Shamani, Shahid Kapoor, who hails from renowned actors Pankaj Kapur and Neelima Azeem, spoke about his humble beginnings. He divulged that his father was known for playing character roles, while his mother started her career as a Kathak dancer at the tender age of 15. Living in rented homes and navigating numerous auditions, he never experienced the feeling of being privileged.

Deva’s Shahid Kapoor reveals he was once made to feel ‘lesser’: ‘Mujhe aise situation me dala gaya ki…’

In a recent chat with Raj Shamani, I was asked about an instance in my life where I felt deeply down or belittled. Reflecting on my past, I recalled a time before taking on the role of Kabir Singh, when I experienced feelings of inferiority. To put it simply, there was a period when I felt as though I wasn’t enough, but I won’t delve into specifics about the situation. It’s essential to note that these feelings were self-perceived and not something that was imposed upon me by others.

‘The Things You Kill’ Review: A Slow-Burn Turkish Drama That Gets Weirder, and Deadlier, as the Plot Thickens

In “The Things You Kill,” I found myself immersed in a story that initially seemed like a heavy, introspective drama about a college professor grappling with life-changing events on two fronts – his personal and professional lives. However, as the narrative unfolded, it took a bizarre turn into a realm of excessive violence, reminding me of films by Buñuel or De Palma. Characters’ identities became interchangeable, bodies started dropping left and right, and the whole situation felt surreal and disjointed. It wasn’t until Khatami attempted to wrap things up with little explanation that I was left scratching my head.