‘Opus’ Review: Ayo Edebiri and John Malkovich Can’t Rescue This Celebrity Cult Horror Misfire
A series of moderately funny black comedies have paved the way for Opus. Movies like Triangle of Sadness, The Menu, and most recently, Blink Twice have tackled themes such as the wealthy elite, the absurdities of high-end dining culture, and the protection of powerful men, respectively. However, these films often fall short in their execution, coming across as more self-righteous than insightful, and failing to effectively convey their messages. The debut film by Green, a social satire about journalism and celebrity culture, has left me with the impression that this genre is doomed. Despite strong performances from Edebiri and Malkovich, Opus struggles to take flight. It mostly drifts along, relying on heavy-handed expository dialogues to drive the story, and seldom lives up to the terror it promises in its setting.