Movies

In recent times, an unusual number of movies filmed in one continuous shot, often referred to as “one-shot films” or “oners,” have gained popularity in mainstream cinema. Examples include “One Shot,” “Boiling Point,” “1917,” and “Birdman.” The use of such cinematic techniques has now become common practice. However, is there a movie that consists of only one frame? That’s where the challenge lies. Robert Zemeckis, an Academy Award winner for “Forrest Gump,” has reunited with his team from that Tom Hanks and Robin Wright film for “Here,” a daring new endeavor in filmmaking format that is as mainstream as it gets. Despite its unique premise, the movie seems to miss the mark on both originality and execution. It’s an unusual, bold attempt that ultimately falls short.

Fans of the franchise can rejoice as they’ve received positive news: The fourth film in the action-comedy saga, spearheaded by the revival, is set to hit theaters in 2026. After successfully rebooting the franchise in 2017, which was over two decades since Robin Williams’ original became a classic, the swift release of Jumanji: The Next Level in 2019 hinted at a quick follow-up. However, due to a pandemic, strikes, and the busy schedule of its main actor, there will be a seven-year gap between releases.

In a remarkable twist, the inventor of a chattering swine and rhythmic penguin performers is also the mastermind behind one of the most influential film series ever. The visionary director, George Miller, unveiled “Mad Max” to the world, leaving many in awe. Quentin Tarantino praised Miller’s cinematography, Steven Soderbergh admitted he’d rather end his life than attempt to emulate it, and video game pioneer Hideo Kojima once declared, “He is my deity, and the story he tells is my holy book.” However, among the series’ chapters, which one stands out as the best?

Within the Gothic chapel at MACBA’s Capella, artist Wu Tsang revisualizes the tale of Carmen with luminous movement. Drawing distinct thematic ideas from Georges Bizet’s initial work, “The big lie of death (La gran mentira de la muerte)” delves into and challenges the piece’s underlying themes. It blends the performance of death rituals with the eerie customs of cinema.

Approachingly arrives Singham Again, the latest addition to Rohit Shetty’s Police Universe. The teaser, previously unveiled, was rich with allusions to the epic Ramayana, sparking much curiosity among viewers. In this analysis, let’s unravel the connections between Ramayana and Ajay Devgn’s film, and consider how these references might influence the Diwali premiere.