Roger Ebert Was on the Right Side of ‘Henry: Portrait of a Serial Killer’
During the 1980s, slasher movies held sway over movie theaters and video store shelves, offering viewers an escape from reality. Creatures like Jason Voorhees and Freddy Krueger satisfied audiences’ cravings for gore and inventive murders, while also dishing out generous helpings of sexuality. This served to reinforce traditional American beliefs that drug use and pre-marital sex often led to characters meeting their untimely ends. In contrast, a different kind of film emerged in 1986, delving into violence in a nearly unfiltered realism. Titled “Henry: Portrait of a Serial Killer“, James McNoughton’s work offered a peek into the realm of serial killers.