Movies

In response to sex trafficking accusations leveled against Sean “Diddy” Combs, Ty Stiklorius – a longtime manager of John Legend – has penned an op-ed for The New York Times, providing an extensive account of how the music industry has been characterized by a culture that is predatory in nature and has actively nurtured sexual misconduct, using the aspirations of those trying to break into the business as a means to exploit their lives and bodies.

When presenting a film concept to Ridley Scott, it’s crucial to be concise due to his busy schedule at this stage of his career.

Blending terror with humor is a tricky act that many filmmakers either master or fail spectacularly. Fortunately, the resurgence of horror satire in the 2010s has provided viewers with ample doses of fear and laughter, as seen in movies like Nope, Vampires vs. The Bronx, and Zombieland. However, films such as The Blackening have raised the bar for humorous critique by not shying away from poking fun at both the genre and society itself.

For quite some time, comic book-based entertainment has ruled the roost, witnessing several interconnected universes vying for box office supremacy. However, certain franchises have managed to carve out their own space, such as Matt Reeves’ The Batman, which exists independently from the old DCEU or new DCU. Despite not being a fan of The Batman myself, I find myself intrigued about Matt Reeves’ sequel, and here’s why the character of The Penguin piques my interest.

Henry Cavill has been quite forthcoming about his past auditions for James Bond throughout the years, and he continues to maintain a tactful stance on potentially playing 007 as Bond 26 approaches. Despite suggestions that he might be too old for the role now, he clearly hasn’t lost his edge when it comes to action or portraying spies. I don’t think he should dismiss the idea so easily, given the evidence from the recent film The Ministry of Ungentlemanly Warfare.