Movies

In terms of Bond portrayals, George Lazenby’s solitary appearance in the title role was once deemed cheesy, excessively dramatic, and lacking authentic emotional depth. This perception wasn’t improved by his acting in just one James Bond film, preventing viewers from witnessing a broader spectrum of his talent. Nevertheless, On Her Majesty’s Secret Service boasts several truly impressive scenes, and given its snow-covered landscapes, polar bears, and Christmas decorations, as well as its debut in December 1969, it can be viewed as a unique James Bond holiday special, making it an ideal choice for seasonal viewing.

In the increasingly vast Jurassic universe, we’re encountering odd professional connections that typically occur in a series lasting 31 years and boasting a succession of top-tier talent. Interestingly, the ensemble of the hit musical Wicked, currently dominating box offices worldwide, includes none other than Jeff Goldblum, a Jurassic Park legend, and Jonathan Bailey, slated for next year’s Jurassic World Rebirth. One might assume they share many stories about their shared franchise, but to my surprise, when I broached the subject, they bypassed Jurassic entirely and instead discussed Scarlett Johansson at length.

20 years after its initial cinema debut, actor Bobby Cannavale reflects on the journey that culminated in the making of the highly praised film “The Station Agent”. In a recent conversation with Vanity Fair, Cannavale discloses that the production of “The Station Agent” took approximately four years, largely because of the casting of Peter Dinklage.

After conquering numerous tough and lethal adversaries on screen, the Rocky and Expendables actor has shared a remarkable triumph in his personal life: he is now cancer-free. What’s truly astonishing is that this 67-year-old action star was told he had only two to three years left to live in 2020.

As a cinephile, I must admit that one of the most peculiar collaborations between filmmaker and project has been my own with “Dominion: Prequel to the Exorcist.” To this very day, I still question the decision to take on this task, given the legendary status of the original “Exorcist” – a horror masterpiece that left an indelible mark on cinema during the revolutionary 1970s. It was enticing to bring aboard a screenwriter and director who made waves during that epoch, like myself, with my contributions to films such as “Taxi Driver,” “The Yakuza,” and “Rolling Thunder.