Jane Schoenbrun Talks ‘I Saw the TV Glow’: “To Make This Kind of Movie You Need to Dance With the Devil”

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As a die-hard fan of groundbreaking films that mirror my own experiences and struggles, Jane Schoenbrun has captured my heart (and mind) with her masterpiece, “I Saw the TV Glow.” Her raw, candid storytelling resonates deeply with me as a queer individual who has also found solace in the glowing screens of our beloved television sets.

Jane Schoenbrun spoke about navigating challenging situations with high-ranking executives in Hollywood’s movie business, during the production of her successful film titled “I Saw the TV Glow“.

Trans filmmaker Schoenbrun openly discussed their experience during a San Sebastian Film Festival event on Wednesday afternoon, after the screening of the movie. They took the opportunity to commend Emma Stone, whose joint production company Fruit Tree (established with her spouse, Dave McCary) provided the funding for the project.

‘I want to use my influence to assist people such as yourself in creating films.’ And I responded, ‘That sounds fantastic! I’ll gladly accept your influence!’ She was wonderful and incredibly helpful. Having Emma Stone backing you up during virtual meetings certainly makes one appear more professional and less peculiar.

In the narrative of “I Saw the TV Glow,” we follow the tale of a boy named Owen (portrayed by Justice Smith), who resides in the suburbs during the 90s. He forms an unusual connection with a girl, Maddy (Brigette Lundy-Paine), over their mutual obsession with a popular teen TV series titled “The Pink Opaque“. However, what they perceive on the screen starts to feel more tangible than the reality they once believed in. While Maddy embraces this revelation, Owen chooses to suppress what appears to be the message from the show. This movie serves as a metaphor for young LGBTQ+ individuals, particularly transgender people, who may conceal their true identities due to feelings of shame, often finding solace in the world of television.

The Pink Opaque” is an extraordinary creation in world-building by Schoenbrun, centered around two young characters who communicate solely through a psychic link. They are given the challenging mission to overcome the sinister antagonist known as “Mr Melancholy,” who aims to seize their hearts. In a recent reveal, Schoenbrun admitted that much of the series draws inspiration from shows like “Buffy the Vampire Slayer” (1997) and “Twin Peaks” (1990).

As a child of the ’90s, I found myself drawing inspiration from timeless classics like Buffy and Are You Afraid of the Dark. The process was simply exhilarating for me. When quoting directors who left an indelible mark on my filmmaking approach, David Lynch, David Cronenberg, Gus Van Sant during his teenage death trilogy era, and even ’90s television were at the top of my list. I was eager to blend the aesthetics that resonated deeply within me, having grown up immersed in shows like Buffy, Nickelodeon, or Goosebumps. I aimed to capture a unique blend of the schlocky yet vibrantly colorful essence these works embodied.

Yet, Schoenbrun was likewise questioned regarding venturing beyond the limits of what they labeled as “the left edge of what’s permissible in a commercial infrastructure funded by billionaires who don’t align with my values.” This reference was made towards the LGBTQ+ narratives they wish to continue exploring in their films. “In fact, it’s not just black and white; there are many kind individuals who support this cause within the industry…” The writer-director emphasized, “But be aware, it’s akin to top-tier malevolence.” Continuing, Schoenbrun suggested that the only way to alleviate the burden on one’s conscience was to “develop indifference.” (Paraphrased)

They mentioned that creating such a movie can be like dancing with the devil. It involves producing something that may not align with the values I aspire for my films to uphold, especially within a commercial industry. However, it’s entertaining. I’ve found myself in the wildest situations, particularly when you consider the high stakes.

David Lynch satirizes this concept in his art, making it evident that he’s contemplating the absurdity when you reach Mulholland Drive. These mysterious characters are real because they are connected to money and it’s entertaining to manipulate them… I enjoy causing trouble.

The movie “I Saw the TV Glow” premiered in U.S. cinemas in May and can now be streamed on Max. The San Sebastian International Film Festival takes place from September 20th to the 28th.

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2024-09-25 20:55