Caution: This article may reveal spoilers for the recently released movie Warfare. Proceed with caution if you haven’t watched it yet.
In the film “Warfare”, it’s clear that directors Ray Mendoza and Alex Garland aim to portray the title theme without conventional dramatic elements, yet this doesn’t stop it from having impactful and unforgettable cinematic instances. A striking example is the scene where the evacuation vehicle gets struck by an IED, a moment so intense it might cause a slight dizzy spell as you sit back in the plush movie theater seat. Scenes like Joseph Quinn‘s character Sam discovering the extent of his injuries and Will Poulter’s Erik accepting he must relinquish command are emotionally charged, leaving a lasting impact on viewers.
Reflecting on the completed project, certain moments stand out, but, as Joseph Quinn mentioned during the LA press day for ‘Warfare’ last month, recalling specific production memories isn’t straightforward. This is due to the film’s focus on realism and its narrow scope, which made the experience feel like a blur for him. In his words, “The production was a blur.
Each day seemed to blend into the next during our filming process. To put it frankly, since the movie took place primarily within a single building, each working day felt quite similar. We spent the three weeks leading up to shooting in a kind of boot camp setting, rehearsing extensively for the role. In essence, we were rehearsing like actors in a play, so by the time shooting started, we had already gone through much of what was required.
The conversation pertaining to Sam unfolds following an intense IED explosion that occurred while the Navy SEAL unit was deployed in Ramadi during the Iraq War in 2006. Grievously wounded by shrapnel, he lies immobilized and writhing in pain, his mind reeling as he comprehends the magnitude of his injuries once his comrades manage to extract him from the street and back into the house they had been using for surveillance operations.
During the course of the narrative in “Warfare”, things pick up pace significantly, and it becomes a non-stop rollercoaster ride. Although Joseph Quinn’s character, Sam, gets a lot of attention, the overall intense nature of the production leaves a lasting impression on him when reflecting back on the experience.
It appears you highlighted an intense scene in the movie, one that left a lasting impact on its atmosphere. To ensure the film’s continuity, we felt it was crucial for everyone involved to preserve that intensity and offer off-camera support whenever possible. If we hadn’t done so, the film might not have flowed as intended. So, we aimed to sustain an air of shock, confusion, and resilience among these young characters, as they navigated a difficult situation and sought escape.
While Joseph Quinn didn’t say it, that sounds utterly exhausting.

Will Poulter Explains How Warfare Achieves A Different Kind Of Realism Than Most War Movies
As a devoted cinema enthusiast, I must say that the scene featuring Will Poulter’s character, Erik, carries an unusual intensity that sets it apart. It’s not about the usual bloodshed, agony, or blasts. Instead, it’s a poignant moment where Erik pauses to grapple with the overwhelming situation at hand. He realizes he’s not in the right frame of mind to take charge and makes a decisive move by passing command to Charles Melton’s character, Jake.
During my chat at the Warfare press event, I shared with TopMob’s Jeff McCobb that a particular scene in the film truly encapsulates the masterpiece Ray Mendoza and Alex Garland have crafted together. This scene, in my opinion, is a testament to their visionary storytelling.
As a movie enthusiast, I appreciate how that particular scene effectively reflects the film’s intention to steer clear of glorifying or romanticizing trauma associated with war. Unlike some war movies that might portray conflict in an entertaining light, this one powerfully conveys the brutal realities and detrimental outcomes of war. Moreover, while certain films may attempt to depict warfare as cool or appealing, this film doesn’t flinch from showcasing its negative consequences, including mistakes.
In the scene portrayed in “Warfare”, Erik finds himself in a position of responsibility, yet he experiences a human moment where he realizes his incapacity. This isn’t the conventional display of courage often seen in war films, but rather an innovative approach taken by the movie. Poulter finds the passing of duty and Erik’s acknowledgment of his own limitations to be significant aspects worth noting.
In a way that might seem paradoxical, I acknowledge the wise move of the individual I represented as an exemplary display of leadership. A key aspect of leadership, I believe, involves recognizing when one is not optimally suited to lead and having the ability to delegate and relinquish control. Indeed, I was confident in transferring this task to Charles and the person he represents, as it seemed like the most prudent choice.
Joining the already-mentioned actors Joseph Quinn, Will Poulter, Charles Melton, and others are D’Pharaoh Woon-A-Tai, Cosmo Jarvis, Michael Gandolfini, Henry Zaga, and Kit Connor in the highly anticipated film, Warfare. After creating a stir with its developing buzz and critical acclaim over several weeks, the movie made its debut at the box office this past weekend. Although the cast may not recall every detail of its creation, Warfare is poised to be one of the most intense films of 2025 in cinema history.
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2025-04-15 02:37