Taylor Sheridan and ‘The Accountant’ Director Unite for Explosive CIA Thriller ‘F.A.S.T.’

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The sequel to “The Accountant” titled “The Accountant 2” is set to grace theaters on April 25th, and action enthusiasts are eagerly awaiting its release. Interestingly, this group seems to have a significant overlap with fans of writer Taylor Sheridan‘s diverse range of TV series, such as “Tulsa King,” “Special Ops: Lioness,” “Yellowstone,” and “1923” (which has concluded its second season recently). The intersection between these two groups is about to grow larger, as the director of “The Accountant,” Gavin O’Connor, collaborates with Taylor Sheridan on an action-packed thriller centered around the CIA, DEA, Baltimore, and the Middle East. This sounds like a lot to handle, but given Taylor Sheridan’s track record, we have faith that he won’t be overwhelmed in the upcoming Warner Bros. production, “F.A.S.T.“.

Initially unveiled in 2018, the project has recently resurfaced in news headlines following reports that Chris Pratt decided to step down from it (with Brandon Sklenar rumored as his replacement). Previously slated for production, F.A.S.T. was delayed due to Taylor Sheridan’s involvement with Angelina Jolie’s 2021 film “Those Who Wish Me Dead” and his busy schedule managing a dozen TV series at the time. Now that Yellowstone has wrapped up and 1923 Season 2 has concluded, it seems like an ideal moment to finally bring F.A.S.T. to life.

In 2019, there was a reported leak of the script that eventually found its way to Script Shadow for review. Interestingly, they accurately forecasted that Pratt would no longer be part of the project at that time. Although the screenplay has undoubtedly evolved since then, Script Shadow offers a valuable glimpse into the original concept and framework. They commence their analysis by characterizing the script as follows:

Kyle, a previous Delta Force operator in the Middle East, finds it difficult to sustain a livable life since returning to Baltimore. His wife and children are weary of living in a rundown neighborhood. If circumstances don’t improve swiftly, he fears he may struggle to hold things together. On his way home from school one day, Kyle sees two known neighbors, who happen to be skinheads, carrying his TV and furniture away. He leaves his kids at home before approaching them to retrieve his belongings. As is common with skinheads, the situation escalates quickly, and in a matter of seconds, Kyle ends up killing both of them.

Kyle contacts his former superior, Sheel, who’s currently employed by the Drug Enforcement Administration (DEA). Sheel arrives to lend a hand as Kyle tidies up. During their efforts, they uncover that the local skinheads were involved in drug trafficking. Indirectly, their actions have contributed positively to the community.

As a movie-loving individual, let me share an intriguing concept that popped into my mind. You see, navigating through the DEA can be quite a challenge, with endless politics and bureaucracy making progress difficult. What if we could bypass all that? That’s where I was led to think about something like the CIA’s “F.A.S.T.” program in the Middle East – an operation untouched by legal restrictions. If one wanted to eliminate the bad elements, you simply visited their residence and carried out the task.

Now, I find myself envisioning a similar approach, but instead of targeting individuals, we aim at dismantling drug networks. And who better to spearhead this operation than Kyle? The perks are enticing – he gets to keep any funds discovered during raids. It’s an exciting proposition that could bring about significant change in our fight against drugs.

While there are certain guidelines, it’s important to note that no one is to be harmed. The objective is to confiscate both drugs and money, then depart swiftly. This task calls for a highly competent team, as Kyle points out. In response, Sheel offers flexibility in personnel selection. Gathering some of his most capable associates, Kyle meticulously organizes their strategy before initiating the mission.

Taylor Sheridan Has Grown a Lot Since 2018

In 2019, when Taylor Sheridan penned the script for F.A.S.T., he was already an accomplished screenwriter with credits like Sicario, Hell or High Water, and Wind River to his name. However, he hadn’t yet reached the level of industry dominator that he is today. F.A.S.T. was written around the same time Yellowstone was premiering, and since then, Sheridan has grown an extensive TV empire with Yellowstone at its core (including 1883, 1923, The Madison, The Mayor of Kingstown, Tulsa King, Lawmen: Bass Reeves, Lioness, and Landman).

Since 2019, the television producer has been behind six successful series and boasts a half-decade of experience in the industry. This background suggests that the script for the upcoming project F.A.S.T. might undergo significant changes, particularly if the main cast undergoes substantial alterations. However, as long as the project is associated with Sheridan, it’s certain to draw an audience. Moreover, if The Accountant 2 resonates strongly with audiences like its predecessor, director Gavin O’Connor could secure a larger budget for F.A.S.T.}, potentially making it an epic film unlike anything in Sheridan’s previous works. As we move forward, the anticipation builds for seeing how the writer from Yellowstone tackles the CIA and DEA in this high-profile production. Meanwhile, catch other shows by Sheridan such as 1923, Yellowstone, Landman, and more on Paramount+.

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2025-04-15 02:33