Yellowjackets Season 3 Promises Shocking Deaths That Left Cast in Tears

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Actress Courtney Eaton, who plays a role in the TV show Yellowjackets, is getting closer and closer to solving the mysterious enigma surrounding her character, Charlotte “Lottie” Matthews.

With the third season of Ashley Lyle and Bart Nickerson’s popular survival drama now wrapped up, Eaton is more certain about the various questions surrounding Lottie. Does she possess psychic abilities? Is there a special connection between her and the enigmatic power in the wilderness? Or is it simply a combination of her untreated mental illness and the immense hardships experienced by her Yellowjackets team after their plane crash deep within the isolated Canadian wilderness?

As a gamer, I’ve always been hesitant when it comes to talking to the press about my favorite Australian game character. The reason is twofold – firstly, I didn’t have all the answers myself, and secondly, I didn’t want my interpretation to overshadow the theories that fans have been developing. However, with the arrival of season three, my intuition about this character has grown stronger than ever before.

Deep within, I’ve long suspected Lottie’s inclinations; I prefer to keep it a secret. However, this year has made it clearer, moving more in line with my own beliefs,” Eaton confides to The Hollywood Reporter. “I often irritate people when I can’t respond to such questions directly.

As a dedicated fan, I can’t help but marvel at how Yellowjackets consistently delivers poignant character deaths that turn the narrative on its head. From Ella Purnell’s Jackie in season one to Juliette Lewis’ Adult Natalie in season two, these departures have left an indelible impact. Behind the scenes, the cast and crew honor each fallen character with “funeral parties,” a unique tradition that seems to be a staple for this gripping series. Already, creator Ashley Lyle (Eaton) hints at even more heart-wrenching moments in store for us in season three.

This season’s most challenging for me. I won’t name names, but Sophie Nélisse and I have both shed many tears. They’re always tough,” Eaton confides. “We try to lighten the mood with party and funeral-themed decorations, and by encouraging everyone to dress in black. However, each time someone departs from Yellowjackets, it’s palpable. So, I won’t say who has affected me most, but this year has had some particularly difficult goodbyes.

In a recent chat with THR, Eaton discusses Lottie’s upcoming role in season three, now that she’s no longer leading the pack following the season two finale. She also reminisces about her character’s roles in George Miller’s Mad Max: Fury Road and Brittany Snow’s 2023 indie film, Parachute.

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Back in 2019, you filmed the pilot for Yellowjackets. After the series was picked up, production on season one was delayed due to COVID-19 for an additional 18 months. Then, the filming of season three was postponed because of the strikes in 2023. As a result, it’s been quite some time since the cast first came together. Do you notice how much each of you has grown and changed over that period?

It’s amusing because we’ve evolved more in our personalities than we have in our physical forms. Over the past five years, we’ve come to know each other inside out, understanding everyone’s strengths, weaknesses, and interpersonal dynamics. We’re like a well-oiled machine, functioning harmoniously. Some of us are now married with children, demonstrating how much we’ve all grown together.

It seems that Mad Max: Fury Road offered you a glimpse into working with a primarily female cast. However, Sophie Thatcher shared with me that such an environment can be quite tumultuous. Is this dynamic still present in your current production?

Absolutely, it seems quite accurate. The roles we play seem to seep into our personalities. We’ve been chosen for a purpose, and this becomes clear when we’re on the filming set. It adds an authenticity, making it more enjoyable. In other words, it makes the experience juicy and fun.

Overall, how much did season three compare to the experience on the first two seasons? 

Season three could be my preferred season to work on yet. With the amount of time we’ve invested in our characters by now, and having some fresh, thrilling directors on board, made the whole experience even more enjoyable. Notably, our show’s co-creator, Bart [Nickerson], had a chance to direct this year, which brought an extra dash of excitement. During the second season, there was a significant pressure to match the success of the first one. However, in this current season, there seemed to be a collective sentiment of “Let’s just do what we enjoy most. We know how it works.” As a result, everything ran smoothly, and it felt great.

Was everybody glad to have the cabin in the rear-view? 

Absolutely! Steven Krueger, Sophie Nélisse, and I created a deck of cards with the phrase “Farewell to the Cabin” inscribed on them, which we presented to the crew as a farewell gift. The crew had grown quite tired of that cabin, and it was a relief to watch it burn down. However, I must admit, I did miss it a bit during season three.

Currently, what percentage of the exteriors are shot on stage versus on location?

I’d put it this way: We mainly filmed the second season at the same spots as the first, and that’s where some enchantment happens. It was either a paintball field or forest, and filming there at midnight just feels magical and eerie. The howling of animals and whispering wind made it all so captivating this year. Filming the second season on set had its own set of difficulties, especially with snow and having to portray being cold as well as being stuck in a cabin for an extended period. However, I must admit that I really enjoyed shooting on location during this season. Bring on the icy lake anytime! (Laughs)

Initially, you chose to appear as a recurring character instead of a series regular in the first season because of some reservations about a long-term commitment. Since there was no guarantee of a second season back then, were you concerned that your position on this now highly successful show might have been jeopardized due to this decision?

Indeed, the challenges arose since I had a premonition of Lottie’s transformation during season one, which intensified as we moved into season two. At times, it crossed my mind that they might consider recasting me. However, I have always cherished my relationship with Ashley, Bart, and Drew, and I cannot express enough gratitude towards them. For an actor, committing to a series for multiple years can be quite daunting, as you never know where your character will lead or if it will still feel meaningful after several seasons. Fortunately, Lottie is a role that excites me, and I look forward to exploring her depths more each year. This enthusiasm stems from our writers and creators’ eagerness to delve deeper into her story as well. However, there was a point when I was genuinely worried about not returning, but that fear was self-induced.

Throughout the initial two seasons, there’s been much speculation about Lottie: Is she actually gifted? Does she genuinely possess this wilderness power, or is it merely a result of her trauma, hunger, and schizophrenia? As we progress through the story, did you find your understanding of her become clearer?

Absolutely, deep within me, I’ve long suspected Lottie’s inclinations; I prefer to keep that a secret. What makes Lottie intriguing is her ability to straddle the fence, and while others may seek her truth, I believe they are more interested in understanding their interpretation of Lottie rather than mine. However, this year has undeniably nudged my belief closer to what I perceive as her true nature. I’m more of an instinctive performer; I rarely plot too far ahead, especially when it comes to Lottie. We share a strong intuitive connection, but there are moments when she takes a different path and I find myself thinking, “You know, this actually fits and contradicts my initial thoughts.” Despite our differences, we remain similar in many ways. Yet, whenever I can’t provide the answers they seek, it seems to frustrate people.

As a game enthusiast who enjoys the thrill of unsolved mysteries, I’m content with leaving things unclear. However, I understand and share the enthusiasm of most fellow gamers who yearn for those elusive answers.

It’s more enjoyable for me to create my own responses or perspectives. When something is confined within boundaries, it loses its flexibility and potential for growth. That’s why I prefer keeping my thoughts private. Additionally, I avoid fully committing to one viewpoint because then I miss out on the wonder of exploring the limitless possibilities.

As we move into season three, Lottie is no longer holding a leadership position; she relinquished it at the conclusion of season two. Instead, she seems to be operating behind the scenes as some form of advisor or talent scout. Would that accurately describe Lottie’s initial role this time around?

Indeed, Lottie grappled significantly with wielding power, although it might not have appeared that way at first glance. Her overarching desire for the well-being of others is so profound that she doubts her own abilities and trustworthiness. If she can’t find her bearings, how could others rely on her? That’s her perspective, and as we move into season three, she deliberately distances herself from the group. This isn’t a harmful isolation but rather a decision born out of understanding the complexities of her past actions. She seems to believe that it might be best for others to decide their own destinies in her absence.

How did you react when you found out that the climax of the third episode of Season 3, in true Yellowjackets style, turned out to be absolutely wild?

Everyone was thrilled since our co-showrunner, Jonathan Lisco, was set to direct that episode, as he promised it would be quite extraordinary. Indeed, it lived up to expectations, leaving me eager for more. During the preparation phase for this episode, I had a conversation with Jonathan where he shared some sneak peeks of what was yet to unfold. Typically, we don’t receive such information. We either figure things out as we go or wait until we get the script, but I couldn’t contain my excitement.

Since Simone Kessell portrayed Adult Lottie in season two, it’s possible that she observed your acting. Did you notice any particular aspects of your portrayal of the character that she might have incorporated into her performance?

In the pilot, I had limited involvement in deciding the costumes. However, establishing Lottie as wealthy laid the foundation for Simone to develop this trait in her older character. Essentially, Lottie appears to revert to her younger self.

It’s challenging because on the show Yellowjackets, many characters discuss various topics other than their relationships with their “elders.” Instead, they have meals, catch up, and share drinks. The casting is exceptional as each actor’s connection is evident when viewing them in different timelines, with Simone adding a unique touch to the character Lottie. This seems to be the only feasible approach.

“Did any of the funeral gatherings for the late cast members particularly touch your heart deeply?”

This season’s storyline is particularly emotional for many of us. Although I won’t name names, Sophie Nélisse and I have both shed tears over it. It’s never simple to deal with such intense emotions. We try to lighten the mood by using a mix of party and funeral-themed decorations, and even make it morbid by asking everyone to dress in black. However, when a character leaves Yellowjackets, you can really feel it. It’s as if we were lost in the wilderness and missing our teammate. In truth, whenever we’re all together, there’s a strong sense of camaraderie. After Jane’s [Widdop] character [Laura Lee] passed away, we all felt her absence on set and missed the unique dynamic she brought to us. To be honest, there are some characters this year who have really affected me deeply.

Are there any members of the cast who resort to drastic measures such as fasting and self-deprivation of water to accurately depict their characters in difficult situations? Is anyone in the group known to do this?

Initially, Bart and Ashley, as well as ourselves, discussed the extent we should push the series. If viewers are focusing on this aspect, it suggests we might not be fulfilling our responsibilities adequately. However, I must acknowledge that Steven Krueger was deeply dedicated to his unkempt appearance in this season. He grew a beard, lost weight significantly, and these changes greatly contributed to the vulnerability portrayed by Coach Scott. Each actor has their unique strategies for getting into character, but none on our set fully embrace the “method acting” approach. Frankly, I’m not sure how one could do that with Yellowjackets. (Chuckles)

Moving on, I’m a fan of films and series that delve into the production process of well-known movies, and it seems inevitable that the backstage story of Mad Max: Fury Road will be dramatized one day. Do you believe this will make its way to our screens at some point in the future?

As a gamer, I’ve always been captivated by the stories behind iconic games, and Mad Max: Fury Road is no exception. If given the chance, I would jump at the opportunity to delve deeper into the mind of George Miller, the mastermind who brought us such diverse films as Happy Feet and Mad Max. He’s not just a director; he’s a big teddy bear with a heart as kind and sweet as his characters.

The idea of understanding how Mad Max: Fury Road came to life is intriguing, especially considering the challenges they faced when production was moved from Broken Hill, Australia, to Namibia due to flooding. With so much chaos and complexity surrounding its creation, it would be fascinating to explore that journey. (Laughs)

If a backstage movie or series was being made today, who do you think would best portray me or Cheedo the Fragile in the cast? (As a fan)

Oh my god … [Eaton ponders].

In an interview with THR, Riley Keough expressed her desire for Odessa Young to portray her in a biopic. Consequently, it seems plausible that she would also endorse Young for the role of Keough or a similarly capable character in a film based on the world of Mad Max: Fury Road.

Oh, I could see that! [Eaton continues to ponder]

Since you were a teen during that period, your recollections might differ from what actually happened. However, let’s engage in a playful thought experiment for amusement. Here’s how it could be:

“Given your adolescent age at the time, your memory might not perfectly match the events. But let’s entertain ourselves with an imaginary scenario for fun.

It’s really hard. Who played Joan Baez [in A Complete Unknown]?

Monica Barbaro.

I’ll take her! 

As you pointed out, the turmoil behind the scenes on that production has been extensively covered, and given that it was your debut film, I imagine it served as a baptism by fire. Did you ever find yourself wondering, “Are all film sets like this?” and seeking advice from one of your more seasoned co-stars?

(Chuckles) Here’s an interesting fact: I believe my past experiences played a role in this, as it seemed almost destined that I should be there, despite the acting aspect being entirely new to me. I was instructed to stand on my mark, which left me clueless about the technicalities of any film set. However, I was incredibly fortunate to have companions like Riley and Abbey [Lee]. They showed me the ropes, and I eagerly absorbed everything they taught me.

It struck me as understandable why some individuals might annoy others, or how the depicted narrative seemed to seep into viewers as well. However, I didn’t automatically assume the character was truly like that. Instead, I found it intriguing.

Last year when you watched Furiosa, did any extremely vivid memories resurface each time a scene occurred within the war rig?

Initially, I wasn’t planning to watch Furiosa, as a voice inside me suggested that it might not be the right time. However, constant messages from friends saying “You’re almost there” made me reconsider. Reluctantly, I decided to give it a try. [Writer’s Note: The characters of Immortan Joe’s wives, including Cheedo, portrayed by stand-ins in silhouette; the closing credits show clips from Fury Road.]

To be truthful, I did encounter some vivid memories from the past, but looking back now, I wouldn’t trade those moments for anything in the world. I’m incredibly proud of that journey and would gladly relive it with George. In fact, if given the chance, I’d willingly step into that whirlwind again, as it was so fascinating.

As a gamer, I’ve got to admit, Anya Taylor-Joy did an outstanding job in that role, but Charlize Theron’s words about the recasting situation still tug at my heartstrings. It’s rare to see such a legendary character not being portrayed by the original actress again, especially after she poured her soul into its creation.

It’s clear that Charlize Theron embodies the character of Furiosa exceptionally well. I must admit, Anya Taylor-Joy played her role brilliantly too, but I can’t help but imagine how mesmerizing Charlize’s portrayal might have been. Truly, I believe it would have been remarkable.

Did you also happen to know most of the story of Furiosa, as Nick Hoult mentioned he did while they were working on Mad Max: Fury Road?

I can’t confirm that I had any script with me when I left for filming. To be honest, I was completely unaware of the Mad Max universe; in fact, I initially thought I was part of the Mad Men series! (Laughs) My father had to enlighten me by explaining, “No, no, no. This is a renowned Australian classic. You should know what you’re getting into if you’re going to be a part of this.” Consequently, I went into the filming with minimal knowledge about the Mad Max world, both in terms of the story and the broader context.

At what point into production did you confess your Skins fandom to Nick?

(Laughs heartily) I’m absolutely smitten with the show, Skins. I’d consider myself a dedicated fan, though I can’t recall explicitly expressing my feelings about it. In Australia, it’s quite a popular series, much like Euphoria nowadays. Given my age, around 15 or 16, and my shy nature, he likely sensed my affection for the show. Nick is such a kind soul, and his humble demeanor made him seem incredibly down-to-earth and relaxed. So I decided it would be awkward to bring up my fandom, opting instead for a casual, “Hey, would you like to be friends?

I caught Brittany Snow’s movie “Parachute” last night, and to my surprise, your track “Growing Pains” was playing during the end credits. I found the lyrics particularly witty.

Thanks, I forgot I did that [song]. (Laughs)

Do you have any more music on the horizon? 

This is quite a challenging situation. I’ve already completed an entire Extended Play (EP) filled with music. Music has always been my passion since I was young, serving as a powerful means of self-expression for me. However, the songs on this EP are incredibly candid and raw – even I’m taken aback by how honest I’ve been in them. It’s surprising that I chose to release “Growing Pains”, a song I’ve held onto since I was 18 or 19 years old. I can feel the vulnerability I’ll expose if I put out the EP, but perhaps I should just push past that hesitation and go ahead with it. I haven’t made up my mind yet about what to do.

Was your character, Riley, difficult to rinse off at the end of each day? 

Riley was quite a challenging character, and it’s interesting you mentioned her as she’s been on my mind lately. She was the creation of both Brittany and me, serving as a significant learning experience for me. I often find that I can recognize traces of her in myself. I might think to myself, “I’ve learned from that,” or, “I haven’t learned from this, and I’m experiencing a Riley-like moment.” However, I never thought I would muster the courage to take on such a project while maintaining my health. Consequently, I am very proud of the film we made about Riley, which revolves around a young woman grappling with her everyday life after receiving treatment for a complex eating disorder.

After seeing it, I felt a bit hesitant to inquire about the Yellowjackets‘ method question. Maybe discussions surrounding eating disorders should be handled with more sensitivity and care.

Of course, you’re alright. What makes Bart and Ashley special is their assurance that they won’t push you beyond your comfort zone or cause any distress. They strike a balance between acknowledging the importance of what they’re discussing, while also keeping things lighthearted.

As a devoted Yellowjackets fan, I’m thrilled to share that we’ll be diving back into the wilderness starting February 14th! The first two episodes of season three will be available on Paramount+. If you don’t have access to Paramount+, don’t worry, because it’ll air on Showtime two days later on February 16th. After that, we can look forward to a weekly release, so mark your calendars and get ready for more gripping Yellowjackets action!

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2025-02-13 20:59