Admirers of Breaking Bad and devotees of The Sopranos often engage in debates about which series is superior, and both sides have valid points. Notably, The Sopranos garnered an impressive 21 Emmy awards, marking a significant milestone. It’s also widely recognized as the catalyst for television’s Second Golden Age and a pioneer in featuring antiheroes as main characters. On the other hand, Breaking Bad took home 16 Emmys and earned the title of the most critically acclaimed TV show in the Guinness World Records in 2013.
During an interview with The Hollywood Reporter following James Gandolfini’s death, Breaking Bad creator Vince Gilligan acknowledged that “if Tony Soprano hadn’t existed, there would be no Walter White.” In this same conversation, Gilligan further elaborated that the complex duality of Walter White’s characters was inspired by his encounter with the actor who portrayed Tony Soprano. Impressed by the stark contrast between the intimidating mob boss character and the amiable man behind it, Gilligan drew inspiration for the methamphetamine cook’s conflicting personalities.
Paying close attention to Gilligan’s series reveals numerous nods to David Chase’s production, with these references sometimes presented in reverse order to create a distinct narrative.
10
Juan Bolsa’s Name and Role
In the gripping show “Breaking Bad,” I’m one of the senior figures within the Juárez Cartel, known as Juan Bolsa. I often serve as a go-between for Gus Fring and the Salamanca family, as tensions between them can run high. My role is limited to brief appearances throughout the series, but you might also recognize me in the prequel series, “Better Call Saul.
The Power of Diplomacy
Juan is essentially the English name John’s counterpart within the Lupertazzi crime family, specifically reminiscent of Johnny Sack from “The Sopranos.” The moniker “Bolsa” translates to “bag” or “sack” in English. Like his namesake, Bolsa shares similar roles and responsibilities. Although he belongs to the Lupertazzi faction, he maintains amicable relations with Tony Soprano and other DiMeo crime family members. As a result, he frequently assumes a diplomatic stance when conflicts arise between New York and New Jersey’s criminal underworlds.
9
The Prosthetic Leg
In Season 2, Jesse sneaks into the residence of a drug-addled couple to retrieve his stolen cash and narcotics. Inside, he discovers a prosthetic limb and a child who, unexpectedly, hasn’t hindered their unrestricted way of life. Here, you’ll appreciate Jesse as he demonstrates remarkable self-control, even though he’s typically conflicted and contemptuous towards rivals. Remarkably, he refrains from making foolish decisions such as abducting the child as a form of retribution.
Tit for Tat
In crime dramas, a situation often arises where if one character is wronged, they respond by seeking revenge. This pattern can be seen in the HBO mafia series when Janice, a character, steals a prosthetic leg from Tony Soprano’s temporary lover, Svetlana. This act of theft provokes Tony to seek help from the Russian mob. In response, two mobsters visit Janice’s home to retrieve the stolen leg, mirroring how Jesse visits a junkie couple’s apartment in search of his meth and money, but neither party is successful in their quest for retribution.
8
Pizza as a Peace Offering
In Season 3, when Walter White and Carmela part ways, Walt plunges into a brief bout of melancholy, struggling to cope without her. Desperate to reunite, he pays a visit to their home in hope of making amends, but when she continues to show animosity towards him, he responds with the most humorous act of defiance possible. He flings the pizza he had intended for her onto the roof.
No, Thanks!
In a more simplified and conversational manner: Despite Tony Soprano’s deep affection for his wife Carmela, her love isn’t always constant. Even though he earns money she likes, she leaves him when she learns about his infidelities. One time, when he tries to make amends by bringing a pizza, she angrily tosses it aside. Stunned, Tony picks up the pizza and exits.
Both scenarios serve as a gentle reminder that despite their proficiency in their respective fields, these characters also possess vulnerable aspects, particularly when it comes to domestic matters. This makes them appear more authentic and relatable.
7
Julianna Skiff and Jane Margolis
Criticized by certain individuals for transforming addiction into sensational television content, Jesse and Jane’s relationship is, in reality, a heart-wrenchingly beautiful narrative skillfully wrapped up in a series of touching instances, clever humor, and unexpected plot twists. Jane is the daughter of the houseowner that Jesse rents from, making her his landlord initially, but they soon become lovers. However, the peaceful coexistence of these lovebirds is disrupted by the intrusion of Walter White.
Jane is Modeled after Julianna Skiff
In the TV show “The Sopranos,” Christopher becomes involved with Julianna Skiff, who shares interests in real estate and is on the road to recovery from addiction. However, Tony Soprano harbors feelings for Julianna himself, leading him to disapprove of their relationship. Unfortunately, this romantic entanglement leads to a series of drug relapses for both couples.
As a devoted movie enthusiast, I can’t help but point out a chilling parallel in these narratives. In both storylines, there comes a pivotal moment that starkly highlights the ruthless nature of our antiheroes. For instance, when Walter stumbles upon Jane seizing, he chooses not to dial 911 and instead lets her perish. Similarly, Tony stands by as Christopher meets his end in an accident, choosing not to call for help, almost orchestrating his demise instead. Lastly, just a fun fact: the actress who brings Julianna Skiff to life is none other than Julianna Marguiles – it’s just Margolis with an “i” if you’re reading Italian!
6
Throwing a Tantrum Because of Food
During Hank’s recuperation period (after his confrontation with “The Cousins”), the house serves as his source of comfort and joy, while food acts as his respite. Nibbling on snacks aids him in managing pain, so when Marie accidentally buys the incorrect type of chips, he becomes upset and throws a fit. It’s puzzling how she couldn’t tell the difference between Fritos and Cheetos.
Too Much Pulp
Fans of mafia-themed TV series will quickly recognize this as a playful tribute to “The Sopranos,” where the character Tony has a heated argument with Carmela over the wrong type of orange juice. This scene underscores that, despite other iconic productions occasionally being subjected to mockery, Vince Gilligan mainly aimed to pay homage to “The Sopranos.
In these instances, we see distinct character traits being emphasized. They’re quite persistent about their wishes and the outcomes share some resemblance as well. Hank humorously suggests jotting it down so Marie won’t forget in the future, while Carmela says she’ll compose a list for him instead.
5
Georgia O’Keefe!
From an art-loving perspective, I can’t help but be smitten by Georgia O’Keefe, the contemporary master. In our second season, Jesse and I had planned a trip to Santa Fe, eager to explore the Georgia O’Keefe Museum. However, our plans took a sudden detour when Walt called Jesse, demanding they cook meth for four consecutive days instead. Fast forward to Season 3, and after much anticipation, Jesse and I finally managed to pay a visit to the museum – a long-overdue tribute to Georgia O’Keefe’s genius.
Similar Tastes
This moment evokes the time when Tony’s daughter Meadow was on the couch passionately kissing her boyfriend, and she suddenly exclaimed, “Look, it’s Georgia O’Keefe!” It’s quite a coincidence that two significant characters from renowned shows share the same appreciation for Georgia O’Keefe. Moreover, this instance also emphasizes the interruption element.
4
A Brand New Car
Once substantial funds become available, Walt decides to treat his son Walter Jr. with a stylish 2009 Dodge Challenger. However, Skyler expresses her disapproval as anticipated. Following an evening meal, Walter Jr. asks for permission to take the car for a spin around the block. Later on, Walt secretly places the car dealership papers into the gas tank and ignites them, leading to an unfortunate explosion of the vehicle.
More Fire
Tony purchases a yellow Nissan Xterra for AJ, boasting about its advanced safety features, although it nearly hits two individuals. Similar to Skyler and Carmela, AJ’s mother, she voices her disapproval of the purchase, reasoning that he shouldn’t drive it until his grades improve. It is also worth mentioning that, just as AJ has a history of accidents with his car, Walter Jr.’s vehicle suffered similar damage. Sadly, AJ’s Xterra meets a fiery end. While in the woods with his girlfriend, the car suddenly bursts into flames.
In their efforts to win over their children who they have a strained relationship with, both Walt and Tony resort to purchasing expensive cars as a symbol of their longing for affection.
3
Running Away to New Hampshire
It’s no secret that criminals such as Walter White eventually face their downfall, just like the meth empire he built crumbled in Season 5 of “Breaking Bad”. This event forces him into hiding in New Hampshire, living in a cabin for an extended period. The show portrays him as deeply unhappy during this time.
Similar Locations
Vito, a character from The Sopranos, fled to New Hampshire when his mob associates learned he was gay. Interestingly, this storyline shares similarities with that of Walter White. You might wonder where the DiMeo crime family member goes when he needs to hide in the Granite State? That’s right, New Hampshire! Additionally, Vito’s episode is titled “Live Free or Die,” which happens to be New Hampshire’s motto, while Walt’s episode is called “Granite State,” a nickname for the state.
Despite a reversal of circumstances, Vito discovers a utopia distant from his native state, where he resides in the open air and acquires a new gay companion. Contrastingly, Walt encounters despair. He grapples with loneliness and prefers to remain indoors. Regardless of the dangers, both men eventually yearn for their past lives and make the decision to go back.
2
A Ride Into the Less Glamorous Side of Town
Hank feels strongly about his nephew Walter Jr., and when Marie misunderstands Skyler, thinking she’s referring to the young man, believing Walt might be using marijuana, he decides to take a drive with him to the Crossroads Motel, which is known as “The Crystal Palace” due to the many drug addicts who gather there. His intention is to demonstrate the destructive power of drugs on an individual’s life.
‘Fatherly’ Lessons
In a similar vein, Tony also takes AJ to the grittier parts of New Jersey, where folks struggle to get by. The DiMeo crime family head, much like Hank, is trying to guide AJ, pushing him to shake off his laziness or else face a tougher life in another part of town as an adult. Both shows underscore the vital role of good parenting through these scenes.
1
Infidelity as a Tool of Vengeance
Skyler deceives Walt by having an affair with her boss, Ted Beneke, as a form of retaliation against him. Not only does she engage in infidelity, but she also exploits their relationship to help Ted with a tax issue using some of Walt’s funds, which has made her one of the most disliked characters in Breaking Bad.
Going All the Way
In the television series “The Sopranos,” the theme of deceit initially unfolds when the character Carmela begins an extramarital relationship with a man close to her. This person is none other than AJ’s guidance counselor, Dr. Weggler. At some point, she even shares a kiss with a handyman. Furthermore, each episode includes a “cooking” element. While Skyler assists Ted in falsifying his company records, Carmela uses her relationship with Wegglar to manipulate AJ’s grades.
The behavior of both wives leads spectators to no longer empathize with them; instead, their actions may leave you appalled at how they respond to the situations they find themselves in.
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2025-03-29 22:03