12 Best Movies Like Leave The World Behind

Around the end of 2023, “Leave the World Behind” premiered first in cinemas for a short time before moving to Netflix. The movie shares its name with the vacation rental listing that Julia Roberts’ character, Amanda Sandford, chooses as a weekend escape for her family – herself, husband Clay (Ethan Hawke), and their children. However, the concept of leaving the world behind takes on a darker connotation as the weekend unfolds, as an unexpected global catastrophe ensues, isolating them from their urban abode. As the days pass, the rental’s owner, G.H. Scott (Mahershala Ali), and his daughter, Ruth (Myha’la), arrive at the house seeking shelter amidst the turmoil, but Amanda, wary of their intentions, does not warm up to them easily.

The film, titled “Leave the World Behind,” is a captivating production directed by Sam Esmail, renowned for his work on “Mr. Robot.” It’s an adaptation from Rumaan Alam’s novel of the same name. The plot oscillates between the impending apocalypse and the complex relationships within the Sandford and Scott families, particularly focusing on Amanda’s character as she experiences shifts from frosty to affectionate and back.

The movie offers a distinctive perspective on our world, with visually striking scenes of chaos and conflict. It also boasts intriguing musical elements and a distinctive mood. However, it falls under the growing category of end-of-the-world films and shares similar themes with several other movies. For those who enjoyed “Leave the World Behind,” we’ve put together a list of a dozen other films you might find interesting.

Don’t Look Up (2021)

Don’t Look Up” is another Netflix production that revolves around an impending global catastrophe. In this case, two scientists, Kate Dibiasky (Jennifer Lawrence), a Ph.D. candidate, and her professor Dr. Randall Mindy (Leonardo DiCaprio), have identified a comet on a collision course with Earth, due to strike in six months, effectively wiping out civilization as we understand it. Despite their efforts to engage the public and raise awareness, people seem indifferent. Even the president (Meryl Streep) appears more concerned about matters of lesser importance, such as pushing her boyfriend’s appointment as a Supreme Court judge, than addressing the imminent threat.

As a fervent admirer, I’d say that “Don’t Look Up,” directed by Adam McKay, offers a witty, satirical portrayal of an impending apocalypse. The stellar cast, featuring Cate Blanchett, Tyler Perry, Mark Rylance, Jonah Hill, along with DiCaprio, Lawrence, and Streep, delivers biting commentary on the ineptitude of authorities and society’s general lack of wisdom. While it may not have been as universally acclaimed as some other films, “Don’t Look Up” seems to resonate deeply, striking a chord with viewers who can’t help but wonder how humanity would react to an imminent threat like a massive comet hurtling towards Earth – much like the audience of “Leave the World Behind” might appreciate.

The Road (2009)

One compelling interpretation of John Hillcoat’s film “The Road” is that it ranks among the finest post-apocalyptic productions ever made. This movie adaptation originates from Cormac McCarthy’s novel by the same name and tells the story of an unnamed man, portrayed by Viggo Mortensen, and his young son, Kodi Smit-McPhee, as they navigate a desolate world left in the wake of civilization’s collapse. Few humans remain at this stage, and those that do have often degenerated into dangerous cannibals. To survive, the man and boy must keep their distance from others, moving stealthily towards the coast while foraging for essential supplies throughout their journey.

In different stages of the apocalypse, the stories “Leave the World Behind” and “The Road” share a common universe. Similarly to “Leave the World Behind,” family ties are a significant theme in “The Road.” Both narratives exhibit a blend of parental love and neglect; the father attempts to provide his child with security and comfort, yet fails to comprehend his son’s tender nature, much like the boy struggles to understand his father’s growing coldness. Despite the grim setting, there are instances of happiness in “The Road,” such as when the father and son stumble upon an underground shelter filled with food during a time of scarcity, or helping an elderly, disheveled man (played by Robert Duvall).

How It Ends (2018)

Similar to “Leave the World Behind,” “How It Ends” is a film that unfolds within an apocalyptic setting, but with a unique focus on the relationship between a father and his future son-in-law. Despite receiving less than favorable reviews, scoring 17% on Rotten Tomatoes, it still offers plenty of appeal for fans of “Leave the World Behind.” The intrigue lies in pondering how one would react in such a catastrophic situation, and this movie excels at that, making it an engaging choice for those who enjoy speculating.

The story revolves around Will (Theo James) and his girlfriend Samantha (Kat Graham), who are elated about their upcoming parenthood. However, during a business trip in Chicago, where Samantha’s parents reside, Will has a disagreement with her father, Tom (Forest Whitaker), rather than seeking his blessing for marriage. The two men fail to find common ground, so when an unfortunate incident occurs while Will is speaking with Samantha the following day, Tom takes it upon himself to fetch her from Seattle.

As a devoted fan, I can’t help but join Will on this journey, even though his bond with Tom is strained. The complex interplay between these two men is what makes “How It Ends” an unmissable spectacle. Whitaker delivers a powerful performance as Samantha’s military father, and together with James, they strike the perfect chord in portraying their relationship. Traveling across half the country amidst apocalyptic chaos only adds to the intensity of their journey.

Melancholia (2011)

Initially, Lars Von Trier’s “Melancholia” appears distinct from “Leave the World Behind,” but upon closer examination, these films by Von Trier and Sam Esmail share a common thread: both portray families grappling with impending existential crises. In “Melancholia,” this theme is explored through the perspectives of two sisters, Justine (Kirsten Dunst) and Claire (Charlotte Gainsbourg), who view the oncoming apocalypse in stark contrast. Their disagreements serve as a backdrop to their actions amidst the possible end of all life.

At Justine’s unique wedding, held at Claire and her husband’s estate, events take a strange turn, making it one of the most enigmatic weddings ever portrayed in cinema. The day doesn’t go as planned, leaving Justine battling severe depression that leaves her barely able to move. The apocalypse serves as both a metaphor for Justine’s inner turmoil and a real-world event, triggered by an errant planet named Melancholia colliding with Earth. Kirsten Dunst delivers a remarkable performance in this role, displaying raw emotion, intricate complexity, and elusiveness as her personal struggles clash with the impending end of days. If you’re seeking a film similar to “Leave the World Behind” but with an artistic flair, “Melancholia” is an ideal choice.

Bird Box (2018)

In a post-apocalyptic world depicted by director Susanne Bier in her film “Bird Box”, Sandra Bullock’s character Malorie struggles to survive alongside her two children amidst a catastrophe where anyone who views a mysterious force is driven to suicide. To avoid this force, survivors like Malorie blindfold themselves and fear strangers due to their uncertainty of what others may have witnessed. Although the audience never sees the terrifying entity, its presence is palpable through the characters’ intense apprehension towards unknown individuals.

Similar to “Leave the World Behind,” the suspenseful film “Bird Box” portrays the early stages of a global catastrophe. The narrative revolves around Malorie’s experiences, which are interwoven with flashbacks that reveal how the apocalypse unfolded and led to the loss of most of her acquaintances. Released in 2018, this Netflix production was highly successful, thanks to its compelling performances and pulse-pounding action. While it may not be Sandra Bullock’s finest performance overall, it certainly appeals to fans of “Leave the World Behind.

Silent Night (2021)

2021’s “Silent Night,” not to be confused with the 2023 action movie of the same name, features a Christmas party at Nell (Keira Knightley) and Simon’s (Matthew Goode) countryside home. Their friends attend to celebrate the season, but as the holiday cheer dissipates, it becomes evident that there’s more beneath the surface. A sense of melancholy, particularly felt by Nell, Simon, and their oldest son Art (Roman Griffin Davis), begins to permeate the group as they try to unravel the mysteries unfolding around them.

The movies “Leave the World Behind” and this one share many similarities, most notably their settings: tranquil locations remote from urban areas where a global catastrophe unfolds. While the characters in “Leave the World Behind” were taken by surprise by the apparent apocalypse, those in “Silent Night” are already prepared for the impending disaster. An ominous ecological crisis is spreading across the planet, but nothing can fully prepare you for the tragic denouement that’s approaching.

Knowing (2009)

The plot revolves around John Koestler, a MIT professor who is grieving the loss of his wife and adjusting to life with his son Caleb. One day, Caleb receives a page of numbers from a time capsule buried at his school for half a century. Upon analyzing these numbers, John realizes they correspond to global disasters over the past fifty years, with three remaining, including one impending worldwide catastrophe. In search of more information about these mysterious numbers, John locates Lucinda, their author, only to find out she has passed away. However, her daughter and granddaughter step in to assist him in his quest for answers.

In “Knowing,” directed by Alex Proyas, a father’s relentless determination for his son is central to the storyline. This theme echoes the parental efforts of Amanda and Clay in “Leave the World Behind.” Unlike their situation, the protagonist of “Knowing” learns about an impending apocalypse a few days before it happens, which allows him at least one crucial step towards safety for his son. Although its ending may not be groundbreaking, “Knowing” offers captivating visual spectacles and presents intriguing concepts.

Take Shelter (2011)

In the film “Take Shelter,” helmed by Jeff Nichols, Michael Shannon portrays Curtis LaForche, a common resident of a tranquil Ohio town. He experiences unsettling visions predicting an impending disaster, which his wife (Jessica Chastain) and hearing-impaired daughter (Tova Stewart) fail to comprehend. Rather than revealing his fears, Curtis embarks on renovating the storm shelter in their yard, even securing a loan for improvements.

If you appreciated the psychological aspects of “Leave the World Behind,” then “Take Shelter” could be an excellent choice for you. This film leaves you questioning whether Curtis has some insider knowledge that others don’t or if he might be experiencing symptoms similar to schizophrenia, much like his mother did when she was around his age. However, even Curtis isn’t certain if what he sees are delusions. Instead, he persistently constructs a shelter, treating it as if they’re premonitions. Shannon delivers an intriguing portrayal of Curtis, a man whose actions convey more than his words. The film concludes in a satisfying manner.

Z for Zachariah (2015)

In the post-apocalyptic setting of “Z for Zachariah,” only three individuals are present – Ann Burden (Margot Robbie), a lone survivor of a nuclear catastrophe, John Loomis (Chiwetel Ejiofor), and later, Caleb (Chris Pine). Ann resides in a secluded valley where she takes care of the remnants of her family’s livestock. One day, she encounters John who has been exposed to radioactive waters. She nurses him back to health, but instead of departing when he recovers, he stays and their relationship develops. However, the arrival of another survivor named Caleb creates a tense dynamic as Ann finds herself caught between the two men.

Those who found the examination of character trust intriguing in “Leave the World Behind” are likely to appreciate a similar theme in “Z for Zachariah.” However, unlike in “Leave the World Behind,” where trust might suffice, it may not be enough to ensure survival in “Z for Zachariah.” This relatively unknown film featuring Margot Robbie is sure to appeal to those who enjoyed the previous title.

A Quiet Place (2018)

2018 saw the release of “A Quiet Place,” a movie that left critics in awe, boasting an impressive 96% score on Rotten Tomatoes. This film ignited a franchise that’s still thriving today. I found myself immersed in this story as John Krasinski, not just as the director and co-writer, but as the head of the Abbott family. The plot revolves around these terrifying aliens who have invaded Earth, with a chilling ability to hunt down any sound they hear. These beasts will ruthlessly tear apart anyone they can detect, making silence a precious commodity for survival. The Abbotts, like everyone else, strive to adapt to this harsh reality without uttering a single word, but it’s no walk in the park.

In contrast to “Leave the World Behind,” the film “A Quiet Place” centers around a family navigating an apocalyptic world, yet they are already well-immersed in this new reality. The protagonists, Lee (John Krasinski) and Evelyn (Emily Blunt), exhibit unwavering dedication towards their children. “A Quiet Place” redefined the horror genre by offering a profound exploration of the lengths these parents will go to protect their family, as well as the challenges that come with maintaining silence at all times.

Knock at the Cabin (2023)

Both “Knock at the Cabin” and “Leave the World Behind” explore themes where families find themselves in seemingly peaceful, isolated locations, but these idyllic settings soon transform into nightmares upon the arrival of unexpected individuals. It’s not necessarily the fault of these newcomers that the family’s perfect image is shattered. In “Knock at the Cabin,” this unsettling realization comes when an unusual quartet intrudes upon Eric (Jonathan Groff) and Andrew’s (Ben Aldridge) secluded woodland cabin, capturing them and their daughter Wen (Kristen Cui). The leader of this group informs them that they alone can avert the impending apocalypse by sacrificing one of the three.

In “The Cabin at the End of the World” by Paul Tremblay, as a captivated reader, I find myself drawn into a gripping tale where an ordinary family, my beloved Erics and Andrews, are faced with an impossible decision under the most extraordinary circumstances. This cinematic adaptation promises to delve into the very core of their fear, exploring not only their struggle but also the enigmatic motivations of the four mysterious visitors who have entered their lives.

Seeking a Friend for the End of the World (2012)

As a captivated viewer, I find myself immersed in the narrative of “Seeking a Friend for the End of the World.” In this story, Steve Carell’s character, Dodge, and his wife are driving when they learn that an attempt to avert an asteroid headed towards Earth has failed. Heartbreakingly, his wife decides to leave him immediately. This sets the stage for our tale as humanity faces extinction in just three weeks due to this cosmic collision.

Initially, Dodge’s daily life remains unchanged, but then one fateful day, Penny (played by Keira Knightley), his neighbor, is discovered weeping outside his apartment. Compassionately, he invites her in. At first, their relationship is based on a mutual need: If she can guide him to the house of his lost love, he will help her secure a ride to reunite with her family in England. However, as time ticks away and we witness the myriad ways people are coping with impending doom, Dodge and Penny develop a profound bond. Together, they navigate these final days, exploring the depths of human resilience and connection.

Seeking a Friend for the End of the World” can be seen as a precursor to the events unfolding in “Leave the World Behind”, where characters have foreknowledge of an impending apocalypse. Unlike “Leave the World Behind,” there’s no chance of escape in “Seeking a Friend for the End of the World.” Dodge and Penny, instead, attempt to find joy and make the most out of their remaining time as the end draws near, adding moments of levity to an otherwise grim situation.

2025-02-16 22:31