Love stories filled with scandalous relationships, potentially deadly incidents, and an abundance of sensuality make up the standard plotline for erotic thrillers – a type of movie not usually suitable for family viewing. However, these elements typically remain consistent within the genre. The 2020 Polish film “365 Days,” though, deviated from this pattern. In this tale of a woman’s abduction leading to a complex romance with a crime boss, the film received widespread criticism and sparked significant controversy upon its release, even being labeled one of the worst movies ever produced.
Based on the novel with the same title, “365 Days” – despite its mixed critical reception – has become one of the most successful erotic thrillers in recent times following its release on Netflix. While there might not be many that can rival its audacity, we’ve searched through the more unconventional corners of cinema to bring you a selection of the wildest and steamiest films to help set the mood. So go ahead, get comfortable, secure your privacy, and grab some tissues because this is a list of 15 movies to watch if you enjoyed “365 Days.
Fifty Shades of Grey
Originating from the mind of British author E.L. James, the 2015 novel “Fifty Shades of Grey” started life as erotic fan fiction within the “Twilight” universe. Subsequently transformed into an independent narrative, it became a significant cultural impact, causing a stir with its tale of a dominant man who woos an inexperienced young lady and exposes her to the realm of BDSM. Notably, Hollywood soon took notice, leading to its adaptation into a major film production in 2015, featuring Dakota Johnson and Jamie Dornan.
The movie, similar to the book, follows young journalist Anastasia Steele (Johnson) as she interviews powerful CEO Christian Grey (Dornan). Their connection ignites immediately, leading to an unusual love story immersed in unconventional sexual explorations. The film also delves into the intricate power struggles within their relationship amidst nearly explicit love scenes. However, opinions vary on whether it handles these sensitive topics with finesse or lacks subtlety. Nevertheless, the film’s success and that of its two sequels at the box office remains undisputed.
365 Days: This Day
In terms of similarity, it’s challenging to find films more alike than the direct sequel to “365 Days,” titled “365 Days: This Day.” The narrative continues right where the first film ended, with its dramatic cliffhanger conclusion. In “365 Days: This Day,” tensions arise in the relationship between Laura (played by Anna-Maria Sieklucka) and Massimo (Michele Morrone). A spark ignites when Laura considers a new romantic interest, abandoning her husband in suspense, all while unwittingly stoking the flames of intrigue within the criminal underworld where she now resides.
Revising the more debatable aspects from the initial movie slightly, “365 Days: This Day” introduces some intriguing twists to the narrative of this unconventional partnership, making it a unique story compared to what we’ve witnessed before. To be honest, the romantic drama on screen may not be as intense as one might anticipate. However, there’s an abundance of steamy and passionate love scenes that could potentially leave your windows steamed up by the time you reach the end credits, setting the stage for a sequel, “The Next 365 Days.
Poison Ivy
1992’s “Poison Ivy” is a provocative thriller that shares similarities with “Lolita.” Unlike the Batman villainess, this film revolves around an older man and a teenage girl. Drew Barrymore portrayed the character, using a body double for more explicit scenes to maintain decency. The story unfolds as the less-than-innocent girl attempts to seduce an uninterested older gentleman (Tom Skerritt). Despite having minimal nudity, the film’s scandalous romance was considered racy and controversial for its time due to its mature themes.
The movie “Poison Ivy” appears to be an effort by Barrymore to move away from her past as a child actor, where she portrays the character Ivy, a seductive newcomer who befriends high school student Sylvie (Sara Gilbert). However, when Ivy develops feelings for Sylvie’s father Darryl (Skerritt) and her advances are spurned, Ivy reveals her true, malicious nature.
Similar to “365 Days”, “Poison Ivy” isn’t celebrated for its acting, storyline, or technical aspects. Rather, it gained notoriety due to its provocative themes and sensual atmosphere, earning it the status of a cult favorite.
Showgirls
As a devotee, it appears that erotic thrillers serve as a transformative platform for actors aiming to leave their squeaky-clean personas behind. In an attempt to distance herself from her beloved role in the family-friendly sitcom “Saved By the Bell,” Elizabeth Berkley starred in “Showgirls.” Unfortunately, this move, which involved baring it all and showcasing her natural talents, seemed to have a counterproductive effect on her career. In the film, she portrays Nomi, an ambitious woman who yearns to shine as a star on the glitzy Las Vegas strip.
Upon her arrival in town with only minimal possessions, including scant clothing, Nomi swiftly catches the eye of Cristal, a prominent stripper at Stardust – one of the city’s grittier nightclubs. A rapid friendship forms between them, which blossoms into something deeper as they grow closer. Meanwhile, Nomi is also entangled in Las Vegas’s sinister side, where illicit activities such as sex, drugs, and violence are prevalent.
1995’s “Showgirls” can be categorized as a mix of suspenseful thriller, adult-oriented content, and unintentionally humorous scenes. Similar to “365 Days,” it’s frequently listed among the worst films ever produced. However, its poor reputation doesn’t diminish the enjoyment many find in watching it – but that enjoyment is typically best experienced when viewing alone.
Boxing Helena
1993’s “Boxing Helena” is known for being one of the most disturbing erotic thrillers in its genre, frequently criticized for its bizarre plotline, unsettling imagery, and questionable acting. Yet, despite lacking refinement and artistic merit, it compensates with an unmatched level of madness, as it portrays a surgeon who develops an obsessive love for a woman, leading him to kidnap her and subject her to inhumane treatments that are far from the pleasurable kind.
In the movie, directed by Jennifer Chambers Lynch, Julian Sands plays Dr. Nick Cavanaugh who saves his attractive neighbor, Helena (Sherilyn Fenn), from a car crash. Instead of taking her to a hospital for treatment, the doctor chooses to imprison her and perform amputations on her limbs, claiming it’s for her survival. However, it becomes clear that he’s not motivated by altruism but rather an obsession with keeping Helena solely for himself.
Similar to the motifs found in “365 Days,” “Boxing Helena” offers a much more unsettling experience. Despite its storyline possibly being hard to follow and contributing to its box office failure, this ambiguity is precisely what adds an element of intrigue and enjoyment to it.
Bound
In a revolutionary turn for its time, “Bound” is essentially a typical crime thriller with a woman entangled in a love triangle including a mobster. However, what sets it apart – as it did back in 1996 – is that this love affair unfolds between two women. Additionally, it marked the first significant film production by the Wachowski siblings, who would later create “The Matrix” three years down the line.
In the gaming world, stepping into “Bound” is like diving headfirst into a gripping tale. As I navigate through this narrative, I find myself encountering Violet, a stiff-lipped, submissive character voiced by Jennifer Tilly. But things take a thrilling turn when I meet Corky, a rugged, tough-talking gal with an edge, played by Gina Gershon. The spark between us is immediate and intense, and Corky manages to ignite the hidden badass within Violet.
However, our blossoming romance isn’t without its complications. Caesar, Violet’s abusive boyfriend, a loud-mouthed gangster portrayed by Joe Pantoliano, looms large in the picture. To rid ourselves of this obstacle, Corky and I hatch an intricate plan to pilfer millions from the mob’s stash and frame Caesar for the crime. It’s a dangerous game, but it might just be our ticket to true love and freedom.
As a gamer, I’d put it this way: “While ‘Bound’ may not have been the finest film in its category, it was arguably the most crucial, delving into LGBTQ+ themes when such narratives were scarcely found. Interestingly enough, it also made it onto our list of the best suspense movies ever made.
The Crush
In her first major film role prior to “Clueless,” Alicia Silverstone appeared in the psychological thriller “The Crush.” Unlike some films in its genre, this one focused more on suspense than eroticism. It falls under the subcategory of stories about “innocent young girls who pursue older men.” In this case, however, the central character is particularly young: Silverstone portrays Adrian, a 14-year-old girl, who develops an intense obsession with Nick (played by Cary Elwes), a 28-year-old man who rents a room from her parents after securing a job at a fashion magazine.
Initially, what appears as a typical adolescent infatuation between Nick and Adrian takes an unexpected turn for the worse. Though Nick tries to reject her advances, even though he is drawn to her, his rejections fail to dampen Adrian’s ardor. On the contrary, it fuels Adrian’s hostility, leading her to wreck havoc in Nick’s life. She targets the women he admires and destroys his belongings. When this approach fails, she resorts to spreading false accusations against him in an attempt to subdue him.
From the very start, Adrian’s fixation in “The Crush” comes across as excessively dramatic, bearing a resemblance to the over-the-top nature of “365 Days.
Simple Passion
In the storyline of “365 Days” and “Simple Passion” from 2020, we see two individuals, leading distinct lives, attempting to navigate their romantic entanglement. In the former, “Simple Passion,” Laetitia Dosch portrays Hélène, a divorced mother residing in Paris, who is a university professor and has a teenage son. At a social gathering, she encounters the mysterious Alexandre (Sergei Polunin), a young Russian diplomat with an alluring charm. Their relationship quickly escalates into a passionate, steamy romance, complete with numerous intimate scenes.
Despite the thrill, Helene finds herself unsatisfied and discontented with Alexandre’s distant demeanor and the knowledge that he has a spouse and family awaiting him at home. His frequent disappearances for long stretches further fuel her desire. Gradually, Helene grows increasingly enamored and smitten by the enigmatic Russian, yearning to transform their passionate liaison into a genuine romance. This intriguing and sensual drama may have received mixed critiques, but it likely provided entertainment and stimulation for many who found themselves isolated during the pandemic.
Pleasure or Pain
The movie “Pleasure or Pain” explores obsession even more intensely than “365 Days,” delving deeply into the realm of unconventional sexual practices. Despite being made on what seems like a minimal budget, this film may challenge “365 Days” when it comes to moments that make viewers uncomfortable.
In the story, Malena Morgan portrays Victoria, a budding Los Angeles jewelry designer who falls for a charming yet wealthy playboy named Jack (Christos Vasilopoulos). As their relationship blossoms — in a manner reminiscent of biblical tales — Jack introduces Victoria to uncharted realms of sensation and sexual experiences she had never encountered before. However, this newfound sexual exploration carries its share of dangers, and as their bond deepens, Victoria starts questioning if the risks are truly justified.
The last movie directed by eccentric filmmaker Zalman King, known for his sensual films such as Mickey Rourke’s suspenseful “Wild Orchid” and “Pleasure or Pain”, is the epitome of a film that’s so poorly made it becomes enjoyable.
Below Her Mouth
One intriguing aspect of the movie ‘Below Her Mouth’ is its production, which sets it apart with nearly all key roles filled by women – from camera operators and editors to the writer, director, and cinematographer. This film, released in 2016, delves into the complexities of lesbian love stories, focusing on fashion designer Jasmine (Natalie Krill), who is engaged to her boyfriend Rile (Sebastian Pigott). However, a chance encounter at a lesbian bar stirs doubts within Jasmine about her true desires.
In the bar is where Jasmine encounters Dallas (Erika Linder), a lesbian who’s openly proud but has recently left an unfulfilling relationship. Prior to this encounter, Jasmine had noticed Dallas working as a roofer on another occasion. An immediate physical pull develops between them, igniting a fiery romance that Jasmine finds herself unable to resist. Dallas grows increasingly determined to divert Jasmine from her relationship with Rile and towards her own captivating self — from her kissable lips all the way down.
As a fellow admirer, let me share my thoughts on the film “Below Her Mouth” – a production that, while not particularly rich in dramatic depth or character development, certainly delivers on the sensual front, much like “365 Days.” If you’re seeking an erotic experience, rest assured, you’ll find it here to your full satisfaction.
Killing Me Softly
In “365 Days” and “Killing Me Softly”, the stories revolve around women falling for men who harbor hidden lives, one as a mobster and the other as a secretive figure. In “Killing Me Softly”, released in 2002, Heather Graham plays Alice, an American living in London, who finds herself attracted to a man named Adam (played by Joseph Fiennes), while she is already involved with a dedicated boyfriend.
Following a brief romantic interlude that leaves her spellbound, Alice attempts to recapture the same level of passion with her boyfriend, but fails. Consequently, she decides to move on with Adam, embarking on an emotional journey filled with romance and desire. However, this relationship leads her towards a perilous path. The more Alice uncovers about Adam’s background, the more she questions whether he is truly who she believed him to be. Mounting evidence suggests that Adam may be more menacing than people realize. Yet, can Alice escape before her infatuation propels her too deep into danger?
Sanctuary
Erotic movies occasionally blend aspects from different genres, and the 2022 psychological thriller “Sanctuary” is an example, incorporating dark humor into its narrative. Similar to the early scenes of “365 Days,” a significant part of the movie takes place in a single location where a man and woman are bound by sexual attraction. However, the question of who holds the power in this complex relationship arises throughout.
In this rephrased version: Margaret Qualley portrays Rebecca, a professional dominatrix, while Christopher Abbott takes on the role of one of her frequent clients, a hotelier who has recently inherited his father’s business. Rebecca often puts Christopher through sexually charged humiliation. However, with his recent promotion as CEO of a hotel empire, he aims to cut ties with Rebecca.
When Rebecca tries to extort him by hinting at revealing their questionable actions, Christopher struggles to decide if she’s genuinely serious or just bluffing. However, as the situation intensifies, it’s evident that both of them stand much to lose. It seems they might need to go to extraordinary measures to emerge victorious in this predicament.
L’Amant double (Double Lover)
In the same vein as “365 Days,” the erotic thriller “Double Lover” originates from France, titled “L’Amant double” in its home country. The title fits well, considering it revolves around a doppelganger that lies at the heart of a disquieting sexual enigma. The movie is adapted from a novel by renowned author Joyce Carol Oates, originally published as “Lives of the Twins,” offering a hint about the narrative’s direction.
In the 2017 film adaptation, Marine Vacth portrays Chloe, a young woman who encounters inexplicable health issues that perplex her medical professionals. Desperate for answers, she seeks help from a psychiatrist but eventually finds solace and love with a therapist named Paul, played by Jérémie Renier.
They embark on a fervent relationship, marked by raw passion and animalistic desire, yet as Chloe delves deeper into Paul’s enigmatic existence, the scenario grows increasingly troubling. One day, she encounters a chilling duplicate of Paul who bears a striking resemblance to him. However, this disquieting discovery doesn’t deter her from being magnetically attracted to both individuals, as she remains uncertain about their true identities and whether or not she is truly secure with them.
Private Obsession
If the intense storyline of a young woman held captive by a lecherous man in “365 Days” piqued your interest, then you might enjoy “Private Obsession” for your next viewing pleasure. Similar to an erotic rendition of the Wesley Snipes movie “The Fan”, this film revolves around a celebrity being pursued by a crazed admirer. However, unlike the original story where he was infatuated with her, in this case, his obsession is driven by a desire to control and possess her – both sexually and otherwise.
Acclaimed model Emanuelle Griffith (Shannon Whirry) has a massive following of admirers worldwide. However, one of these fans crosses the line by abducting Griffith and holding her captive in his home. His intention isn’t merely to win her affection, but to transform her entirely. He desires to mold her into someone resembling the idealized version he had imagined for so long, rather than embracing the authentic person he has come to know. He is determined to manipulate and indoctrinate her, and it remains uncertain if Griffith can withstand his attempts.
A mediocre thriller titled “Private Obsession” is essentially a straight-to-video movie filled with explicit content and tantalizing scenes intended to hold your attention throughout the film.
The Boy Next Door
In “The Boy Next Door,” we’ve explored a scenario different from previous films. Instead of a young girl and an older man, it’s the roles that are reversed. Similar to “365 Days,” this 2015 thriller delves into the complex relationship between a man, Noah Sandborn (portrayed by Ryan Guzman, known for his role in “9-1-1”), who develops an intense fixation on a woman, Claire Peterson (played by Jennifer Lopez). This high school teacher finds herself pursued by Noah.
When a secretive young fellow settles next to Claire, looking after his unwell uncle, he decides to attend her school and swiftly forms a bond with her adolescent child. Following a hasty, questionable romantic encounter between them, Claire struggles to disengage from this ongoing physical relationship. Despite her best attempts, Noah’s persistence intensifies, and when he manages to infiltrate her class, Claire becomes aware that she might be facing something much more dangerous than a harmless teen infatuation. If she continues to reject his advances, the predicament could escalate into something life-threatening.
As a passionate admirer, I’d say that while it may not reach the heights of excellence in the erotic-stalker category, “The Boy Next Door” finds itself in a league somewhat comparable to “365 Days.” It’s not the most refined, but it certainly delivers an engaging blend of cheap thrills and steamy sensuality that leaves you more than satisfied.
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2025-07-26 04:32