As a writer myself, I find myself deeply resonating with Ellison’s character, not just because we share a passion for storytelling, but also due to our shared experiences as minority authors. Like Ellison, I too have been faced with expectations to write “issues books,” stories that somehow reflect my race or ethnicity. However, unlike Ellison, I strive to write about the things I love, whether it’s superheroes, video games, or kaiju, because that’s where my heart lies.
As a teacher, I adore my profession, but if you’re curious about what truly captivates me, it’s writing – specifically, crafting fiction tales. I’m fortunate to have an outstanding agent who tirelessly strives to share my stories worldwide. However, as a Black author, navigating the publishing industry isn’t always straightforward.
It appears that progress is being made for authors of color, but I strongly resonated with Jeffrey Wright’s character in the Academy Award-nominated film, “American Fiction” on several levels (it wasn’t too long ago when discussions centered around the lack of diversity in the publishing world). However, I must admit that there were certain aspects where I didn’t feel a strong connection. Here’s why:
Why I Relate: It Really Does Feel Like The Book Industry Is Constantly Chasing Trends
Despite being published as a novel titled “Erasure” back in 2001, its themes remain remarkably contemporary. Alternatively, one could argue that the publishing world has consistently sought to follow popular trends.
Nevertheless, Erasure feels particularly prescient since it kind of foretold the growing pains that the industry would go through when publishers were seemingly seeking out novels from BIPOC authors. This was following several events of police brutality, which made frequent headlines.
Previously, before I secured my present agent (whom I greatly appreciate), some agents I contacted had suggested modifying certain aspects of one story to make the police hostile towards my main character. However, it’s important to note that the focus of this book isn’t about cops acting unethically in their profession. While there are officers who may not strictly adhere to the rules, this book is not intended to portray that image.
There are numerous remarkable books on this subject penned by Black authors, including “The Hate U Give” by Angie Thomas (a critically acclaimed film) and “Dear Martin” by Nic Stone, however, my book isn’t similar to those. Instead, it’s a superhero tale, believe it or not, and it doesn’t delve into police matters at all. However, two different agents suggested making the initial conflict my protagonist being attacked by a cop, which I wasn’t comfortable with, and I made sure to communicate that clearly to them.
In American literature, we find a parallel with Jeffrey Wright’s character, Thelonious “Monk” Ellison, who pens intellectual and thought-provoking books. However, these works are not typically categorized as “Black literature,” as they do not conform to stereotypical Black themes. Yet, in his perspective, he believes he is writing “Black literature” simply because he is a Black author (and he has a point).
When another Black author pubishes a novel called “We Lives in Da Ghetto” which he feels caters to White people’s stereotypes about Blacks, he playfully decides to write his own book called “My Pafology,” filled with Black stereotypes instead. Not surprisingly, it became incredibly popular.
In a similar vein to Ellison, I’d find myself simultaneously disgusted by this success and elated to receive the long-deserved recognition I believed I was entitled to. Consequently, I can understand why he reluctantly embraced his success, despite his profound skepticism about it.
Why I Don’t Relate: That Said, I Don’t Chase Trends Like Jeffrey Wright’s Character
Having experienced financial hardships myself when a family member needed urgent medical attention, I can empathize with Ellison’s decision to sell “My Pafology” for money. In these situations, personal needs often take precedence over professional pride or long-term plans. If Ellison didn’t have the resources to help his family, he may not have had a choice but to go through with the process. It’s easy to judge from the outside looking in, but I understand the desperation that can drive someone to make such a decision for the sake of loved ones.
Initially hesitant, he didn’t reject the financial rewards and hidden acclaim that accompanied his decision. Instead, he increased his riskiness by proposing a highly contentious title for his book containing four letters – a move he fully anticipated would cause publishers to dismiss him. Remarkably, it was eventually approved and placed on store shelves.
In this manner, Ellison followed a popular trend, whether he acknowledged it or not, but I personally won’t, which might be to my disadvantage. When I penned my superhero story, I didn’t do it because superheroes were fashionable then. Instead, I wrote it out of my deep admiration for them.
As a lifelong gamer, I find myself drawn to the vibrant world of video games like a moth to a flame. My latest book, however, isn’t just about the latest releases or the newest trends; it delves deeper into the rich tapestry of video game history and the movies that have tried (and often failed) to capture their essence. I wrote this book not because video games are currently popular, but because I am passionate about understanding the stories they tell and the emotions they evoke in us, the players, and the creators alike.
Currently, those two books are out in the world, patiently awaiting an editor who might find them appealing. In the interim, I’m focusing on writing a book about kaiju creatures. It’s not due to the popularity of Godzilla that inspires me, but because (let’s say it together!) I have a deep affection for kaiju and films like “Godzilla Minus One“. Whether any of these books get chosen is beyond my control, but I won’t follow trends or write with them in mind. Frankly, I don’t believe I possess the ability to do so.
Why I Relate: It Does Seem Like Minorities Are Often Expected To Write Issues Books
A concern I’ve noticed is the tendency for authors from minority groups to be expected to write stories focusing on racial issues. Essentially, it appears that a significant number of books written by minorities (those that are typically published) carry an underlying racial theme.
While it’s not common for books written outside the U.S. to focus on race, I’ve found that authors of diverse backgrounds often weave racial themes into their works when writing within the American context. However, in many books by people of color, race seems to play a significant role as a thematic element.
As a cinephile who has been captivated by the thought-provoking films of Jordan Peele, I can confidently say that this narrative appears to be the story the author intended to share, much in the same vein as Peele’s groundbreaking movies. It’s refreshing and exciting to encounter such a captivating piece, and it only strengthens my admiration for Jordan Peele’s artistic talent. I’ve always been impressed by his unique ability to tackle complex social issues while creating engaging and memorable stories, and this tale seems to fit that mold perfectly. Kudos to the author for crafting such an intriguing work of art!
In my experience as a reader who enjoys books across various racial backgrounds, I rarely come across works written by white authors exploring the white experience. Now, this isn’t to say I’d be interested in such stories, but it strikes me that white writers seem exempt from addressing race-related issues, while authors of color often find themselves writing about their own racial experiences.
Why I Don’t Relate: I Don’t Live In An Ivory Tower
In general, I find Ellison’s character quite appealing, yet there are aspects that leave me somewhat frustrated. It’s important to note that I don’t entirely blame him for this. His upbringing has played a significant role in shaping him. However, it can’t be denied that he tends to look down upon others, including those within his own family.
In many aspects, Ellison’s dismissive attitude towards a Black female author for penning “We Lives in Da Ghetto” suggested that he hadn’t actually read the book when he decided to write his own “Black” narrative. This action clearly shows a lack of knowledge. He based his entire opinion on a brief encounter with the author and a cursory reading, which is simply preposterous.
In this manner, I always respect fellow writers and their readers, regardless of the books I might not favor personally. Everyone has different tastes, and I never judge or look down upon them, especially not my own audience. May good fortune be with all my readers.
Why I Relate: I Do Find Myself Incredibly Lonely Sometimes, Especially As A Black Author
To conclude, Ellison appears to be a profoundly solitary individual, struggling to connect with others, including his caring girlfriend, who is earnestly seeking a deeper bond with him.
I can certainly identify with this. It’s not too far-fetched to suggest that all novelists harbor a touch of solitude within them. After all, we often find ourselves in isolation as we immerse ourselves in our own worlds, conversing through the characters we bring to life.
As a Black author, I often find myself feeling isolated due to the constant barrage of stereotypes and expectations from the media. For instance, when white agents suggested that I should portray police as villains in my work, I hesitated and questioned if it was appropriate. While I comprehend the significance of stories about social justice, I sometimes wonder if it’s within my scope to tackle such topics. Given that I primarily write for children, these doubts are even more pronounced.
As a gamer, immersing myself in virtual worlds, I can relate when a game’s narrative makes me feel lonely or disconnected, just like Ellison’s character does for me. It resonates deeply within me.
Have you watched American Fiction yet? If you haven’t, and you’re a Black author, you definitely should. You likely won’t be disappointed.
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2024-08-12 12:07