As a longtime resident of Los Angeles and a daily commuter, I can’t help but chuckle at Eddie Valiant’s quip about the city’s freeway idea being only something a Toon could come up with. I’ve spent countless hours stuck in traffic, wishing for a quicker solution like a well-planned freeway system, even if it seems unnecessary at times.
One of the standout films from the 1980s and a notable success in the blend of live-action and animation, “Who Framed Roger Rabbit?” by director Robert Zemeckis remains a significant achievement in Disney’s catalog. The movie continues to captivate audiences due in part to its memorable dialogue, like these lines that never fail to amuse.
“Marvin Acme. The rabbit cacked him last night.”
When Lieutenant Santino shares the latest development in a murder case with me, Eddie Valiant, I can feel the narrative taking a sudden turn. The initial sense of accomplishment I had for a job well-done quickly fades as the detective in me becomes engrossed in the unfolding mystery. The atmosphere shifts from celebratory to ominous, as the layers of conspiracy begin to unravel before my eyes.
“Didn’t you used to be Eddie Valiant? Or did you change your name to Jack Daniels.”
Eddie’s troubled past causes our protagonist to struggle with alcohol, as subtly hinted through noteworthy dialogue exchanges. One such instance involves Joel Cutrara, the forensic technician, making a witty remark that elicits amusement from his law enforcement colleagues.
“Nose? That don’t rhyme with walls?”
In the captivating Disney film “Who Framed Roger Rabbit,” there’s a clever moment where one of the Toon Patrol’s best detectives, Eddie Valiant, has his rhyming pattern in a song scrutinized by someone. This results in an amusing and somewhat painful revelation that leaves the audience chuckling.
“I’m not bad. I’m just drawn that way.”
Jessica Rabbit, played by Kathleen Turner, continues to captivate audiences around the world. Her charisma and eloquence are major contributors to this enduring fascination. A classic quote of hers from that moment remains one of the most iconic lines for seductive characters, leaving many hearts enchanted and generating new fans of film noir.
“A laugh can be a very powerful thing. Why, sometimes in life, it’s the only weapon we have.”
Many people overlook the fact that Who Framed Roger Rabbit is rich in subtle hints. When Roger hides with Eddie and imparts this wisdom, it effectively arms Eddie with the tools for success. Simultaneously, it tugs at the heartstrings, revealing the depth of Roger’s clownish charm.
“That’s it! That’s the connection!”
Whenever I watch Eddie Valiant unravel the last piece of the puzzle in a film noir, it’s like an electric current runs through me. This pivotal moment sparks the engine for an exhilarating third act, filled with unexpected twists and non-stop action that keeps me on the edge of my seat until the very end.
“Is he always this funny, or only on days when he’s wanted for murder?”
In the bustling city of Roger Rabbit’s L.A., everyone harbors a few quick-witted comebacks. Among this colorful cast, Dolores (played by Joanna Cassidy), stands out as a server at Eddie’s beloved hangout, The Terminal Bar. Her biting sarcasm keeps the atmosphere lively and effectively keeps Eddie in check when necessary.
“His wife’s poison, but he thinks she’s Betty Crocker.”
In simpler terms, “Who Framed Roger Rabbit” is a comedy film that can be watched by the whole family. It contains a murder mystery that could endanger cartoon characters. Alan Tilvern’s character, R.K. Maroon, adds a serious tone to the story. He explains to Eddie Valiant, using a tasty metaphor, why his investigation into an old photograph is crucial.
“Yeah, ain’t I a stinker?”
In one of Mel Blanc’s last performances as Bugs Bunny, he showcased one of his best-known routines in an intriguing scene from “Who Framed Roger Rabbit.” This memorable moment, with Mickey Mouse (voiced by Wayne Allwine) jumping alongside him during a skydiving stunt, is a major reason why this film continues to captivate audiences and shape pop culture history.
“I’m gonna listen to you spin the Cloverleaf scenario. A story of greed, and murder. And the parts that I don’t like…I’m gonna edit out.”
In the film “Who Framed Roger Rabbit,” the danger of physical harm is subtly hinted at through well-chosen dialogue, adding to its film noir essence. Bob Hoskins, renowned for his tough guy roles, skillfully navigates this border between menace and action.
“Oh my god, IT’S DIIIIIIP!”
In the film, Jessica Rabbit remains composed and self-assured, handling various situations with ease for the majority of the time. However, an instant where she lets out a piercing shriek in terror upon encountering Judge Doom’s deadly weapon serves as a reminder of the grave danger at hand.
“Take comfort, son. You’re not the first man whose wife played patty-cake on him.”
It’s ingenious how the filmmakers compare marital infidelity to the simple game of patty cake in “Who Framed Roger Rabbit.” By imbuing this cartoon with a darker, murderous motivation, they add depth and complexity to the story. This layer also reveals that what seemed like a harmless children’s movie at first might not have been suitable for unsupervised young viewers after all.
“Remember me, Eddie? When I killed your brother, I talked…JUST…LIKE…THIS!”
As a dedicated gamer, I can’t help but marvel at how masterfully Judge Doom’s evil plan continues to captivate me, just as it did when I first saw it on the silver screen. His role in Eddie Valiant’s brother Teddy’s demise is still a chilling revelation that sends shivers down my spine. Even now, as an adult, I instinctively recoil every time his voice takes on that eerie squeak at the end of that sentence.
“Look, stars! Ready when you are, Raoul.”
Despite being caught along with his wife in that instant, Roger Rabbit manages to gain new knowledge. In the midst of being overpowered by the Weasels from Toon Patrol, he can at least complete “Something’s Cookin,” allowing him to deliver the needed lines for those stars according to the script.
“No toon can resist the old ‘Shave and a Haircut’ trick”
In the scene at the bar in “Who Framed Roger Rabbit,” the villain’s efforts to identify his target through a performance of “Shave and a Haircut” is as suspenseful as any adult thriller. It’s hard to watch Roger Rabbit recoil in resistance to this unwanted attention, making the situation seem quite uncomfortable.
“C’mon Roger, let’s go home. I’ll bake you a carrot cake.”
Jessica’s promise to Roger seems harmless to some people, especially children. However, as we grow up, we come to understand the deeper meaning and hidden messages behind it, making the ending of the movie even more impactful and worthy of high praise.
“My problem is I’ve got a 50-year-old lust, and a three year old body.”
Herman Baby (Lou Hirsch), portrayed as a complex character, continues to appear as if he’s just a three-year-old. As he shares this predicament with Eddie Valiant while puffing on a cigar, there’s an uncanny sense of empathy towards the grumpy infant-like man.
“I didn’t know where your office was. So I asked the newsboy. He didn’t know. So I asked the fireman, the green grocer, the butcher, the baker, they didn’t know! But the liquor store guy… he knew.”
Roger’s account of locating Eddie involved exploring various potential leads. In keeping with the quirky style of “Who Framed Roger Rabbit,” alcohol ultimately proved to be his undoing.
“Oh Roger, you were magnificent. … Better than Goofy.”
During their exciting journey, both Jessica and Roger Rabbit deeply respect Disney’s Goofy. It seems that Roger is drawn to Goofy’s acting abilities, while Jessica’s fondness for him may hint at a secret admiration or crush.
“Who needs a car in LA? We’ve got the best public transportation system in the world!”
In an apparently innocuous scene, Eddie Valiant joins some children in a Red Car ride, unbeknownst to him that this moment holds one of many intriguing hints. The casual exchange of borrowed cigarettes between Eddie and the kids might have gone overlooked by some viewers, distracted by the seeming insignificance of the interaction.
“Is that a rabbit in your pocket or are you just happy to see me?”
In the scene from “Who Framed Roger Rabbit” where Eddie Valiant requests Dolores to tone down the humor, her sharp responses were actually appreciated as the situation would become more solemn moments later. Given Dolores’ penchant for making light-hearted remarks, it makes one ponder if she has had more encounters with cartoon characters than Eddie in his past experiences.
“I’m looking for a murderer.”
Christopher Lloyd is an actor known for his ability to elicit both fear and comfort, primarily remembered as the wacky Doc Brown from “Back to the Future.” Yet, with a single line in this rollercoaster of a film, he demonstrated why he was perfectly suited for the role of the menacing antagonist – knowing when to provoke laughter and when to elicit shock.
“Hey. I seen a rabbit. … He’s right here in the bar. Well, say hello, Harvey.”
Although Angelo, the regular bar patron and known jerk to Eddie, may come across as untrustworthy to some, his true character proves otherwise. Surprisingly, our detective underestimates him, believing that Angelo would betray Roger without hesitation. However, Angelo’s rough exterior hides a good sense of humor and an unexpected fondness for cartoons.
“No, not at any time, only when it was funny.”
While Roger the cartoon character and Eddie, his human companion, share a significant amount of screen time handcuffed together in “Who Framed Roger Rabbit,” Roger’s casual ability to remove the restraints leaves Eddie feeling annoyed. This aggravation intensifies slightly when Roger presents an endearing but nevertheless bothersome explanation for his actions.
“They’re not kid gloves, Mr. Valiant.”
Robert Zemeckis quickly made Christopher Lloyd’s Judge Doom an object of hatred in the audience’s eyes. From the moment he appeared on screen, he was a harsh and unforgiving character. This was most evident when he callously destroyed an innocent cartoon shoe, leaving a lasting impression of intolerance and chillingly ending a distressing scene.
“Smile, darn ya, smile! You know this whole world is a great world after all!”
At Toontown’s spontaneous sing-along among its inhabitants, it’s almost impossible not to join in and smile. It’s likely why this heartwarming scene is repeated at the end of “Who Framed Roger Rabbit,” as victory is achieved and the audience could use a cheerful finale before leaving the theater.
“That lame-brained freeway idea could only be cooked up by a Toon.”
As a gamer, I can’t help but notice how the fast-paced world around me has made the concept of freeways essential, even if the city of L.A., with all its charm, doesn’t always require one. The hilarious words of Eddie Valiant resonate deeply within me every time I hear them, as anyone who’s ever experienced the agony of being stuck in traffic can attest – the truth is painfully clear.
“Listen, when i say ‘I do,’ it means I do!”
Using the time-tested strategy of reversal from the witty world of Looney Tunes, Eddie Valiant manages to secure Roger Rabbit’s safety. This technique, which he employs to make his companion become aggressively intoxicated, results in Roger consuming some bourbon and succumbing to a frenzy, enabling him to break free from Judge Doom’s grasp.
“My God, it’ll be beautiful.”
Following his lengthy explanation of transforming Toontown into a barren wasteland for the California Freeway, even the most wicked villains like James Bond would feel elated. However, for us rational viewers, the five chilling words paint an unsettling picture, altering our familiar surroundings into a dystopian landscape.
“Here’s to the pencil pushers. May they all get lead poisoning, huh?”
If Eddie Valiant wanted to try a new career, being a toastmaster could be an intriguing alternative. This remark became particularly fitting during a drinking session with friends, as one of them lost his job in Judge Doom’s freeway plan.
“What’s wrong with Toontown? Every Joe loves Toontown.”
In the film “Who Framed Roger Rabbit,” at this stage, the reason for Eddie’s dislike of cartoon characters remains a mystery. R.K. Maroon’s query about Eddie’s animosity towards toons leaves the viewers curious and motivated to uncover more information, despite the storyline not being overly charming.
“I can’t believe they locked me up for driving on the sidewalk. It was just a couple of miles.”
Benny the Cab (Charles Fleischer) demonstrates superior driving abilities compared to Roger Rabbit in this scenario. However, it’s important to note that the traffic violation in this instance causes less chaos than some of Roger’s future mistakes on the road, which clearly showcase his lack of driving prowess.
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2024-07-22 23:07