As a global art enthusiast with a keen interest in unveiling narratives that resonate deeply with diverse cultures and experiences, I find Zéh Palito’s exhibition, “Cars, Pools & Melanin,” nothing short of profoundly impactful. Having lived on both sides of the Atlantic, I have witnessed firsthand the stark contrasts between the Afro-diasporic experience in Brazil and the United States, and Palito’s work brilliantly encapsulates these complexities.
As a dedicated admirer, I’m thrilled to share the news about Zéh Palito gracing Perrotin with his first solo exhibition titled “Cars, Pools & Melanin“. Born between São Paulo and Maryland, this Brazilian artist masterfully crafts vivid portrait and landscape paintings that offer a captivating peek into the Afro-diasporic journey. His work delves deeper, addressing universal topics of identity, advocating for social justice, and championing environmental conservation.
In a role as a connector between the U.S. and Brazil, Palito’s recent exhibition delves into the socio-political discrimination experienced by Black and Brown citizens in both nations. Reflecting its title, this show structurally revolves around automobiles and swimming pools, common elements of daily existence that, as explained by curator Rodrigo Moura, symbolize a significant aspect of the fight for racial fairness – the entitlement to relaxation time.
In Palito’s latest works, each piece draws inspiration from significant artworks like David Hockney’s “A Bigger Splash” (1967) and Vincent van Gogh’s “The Starry Night” (1889). Rather than recreating these paintings wholesale, Palito crafts miniature replicas as a tribute to his sources. However, the central focus of these miniatures is shifted to Black figures, thereby initiating discussions that bridge past and present issues, ranging from landmark court cases like Brown v. Board of Education (1952-1954) to contemporary debates in Brazil’s cultural landscape.
In Moura’s words, “Palito sees the swimming pool symbolizing validation.” He further explained that this imagery is a poignant echo of the ongoing struggle for desegregation, even in countries where legal measures have been implemented, notably the United States and Brazil, which were shaped by racial discrimination rooted in colonialism. Conversely, areas such as Jardins, noted as one of the most segregated neighborhoods in Brazil, are experiencing the benefits of integration due to artists like Palito who champion African culture and the commonalities that unite all people with each other and nature.
Cars, Pools & Melanin will be on view in New York until October 19, 2024.
Perrotin
130 Orchard St
New York, NY 10002
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2024-09-10 01:55