Agatha All Along Review | A Slow Start to a Fun & Campy Marvel Series

Agatha All Along Review | A Slow Start to a Fun & Campy Marvel Series

As a lifelong Marvel fan and avid follower of the MCU, let me tell you that “Agatha All Along” has been an absolute delight to watch! I must admit, I was initially skeptical about Agatha Harkness’s character, but Kathryn Hahn’s portrayal is simply captivating. She manages to balance the character’s sinister side with a hint of vulnerability that keeps me guessing whether she will succumb to her darker impulses or prove to be more than her reputation suggests.


The new show Agatha All Along seems incredibly well-timed for the chilling season. This fresh addition to the Marvel Cinematic Universe promises a weekly serving of Halloween ambiance, appealing to fans while remaining understandable for newcomers unacquainted with the intricate workings of the Marvel Universe. An impressive cast and a distinct aesthetic enable Agatha All Along to surmount its initial sluggishness and establish a thrilling journey series that takes viewers on a nostalgic trip through well-loved tales about witches.

As a passionate film enthusiast, I find myself eagerly anticipating the continuation of Agatha All Along, three years after the captivating events of WandaVision. This intriguing series unfolds in the year 2026, as per the official Marvel Cinematic Universe timeline.

They gather together a group of banished witches, comprising fortune-teller Lilia Calderu (Patti LuPone), potion master Jennifer Kale (Sasheer Zamata), Sharon Davis (Debra Jo Rupp, reprising her role from WandaVision), and protector witch Alice Wu-Gulliver (Ali Ahn), the daughter of a renowned rock star. This coven embarks on a journey along the Witches’ Path, encountering their deepest fears and battling diverse supernatural adversaries, including demons, magical hazards, and spectral reminiscences from their past.

Agatha All Along Starts Slow but Becomes Good TV

Initially, “Agatha All Along” seems like a tribute to classic crime shows such as “Mare of Easttown” and “Fargo,” giving the impression that it will be a nostalgic journey reminiscent of “WandaVision,” where prestige dramas replace sitcoms. However, by the end of the first episode, the show sheds its “WandaVision”-like appearance, altering the series’ tone. Consequently, the series may seem to take a while to establish its main plot, as the first two episodes function more like a two-hour movie premiere rather than individual episodes.

As Agatha All Along moves beyond its initial two-episode structure and starts following its natural course, it becomes increasingly entertaining. It seems that Marvel is grappling with the format of television production, but Agatha All Along effectively leverages the strengths of this medium. Given that its creator, Jac Schaeffer, has a background in creating WandaVision – a series designed to resemble traditional television – this isn’t entirely unexpected.

I’m thrilled that episodes three and four found their stride, offering a captivating format for the subsequent chapters. Each of these episodes delves deep into a particular character’s past and showcases their unique abilities in visually striking settings. This not only keeps each episode distinct but also prevents them from blending together. Additionally, these episodes take a moment to step away from the main plot, giving us a glimpse into the characters’ relationships and dynamics. This subtle touch makes Agatha All Along feel more like a well-rounded television series.

Style & Song

Agatha All Along Review | A Slow Start to a Fun & Campy Marvel SeriesAgatha All Along Review | A Slow Start to a Fun & Campy Marvel SeriesAgatha All Along Review | A Slow Start to a Fun & Campy Marvel Series

It’s clear that Agatha All Along sets itself apart with its distinctive flair, not just through the vibrant costume transformations accompanying each witch’s task. This series exudes a bold sense of playfulness, a quality that is frequently overlooked in comic book adaptations striving for realism or grittiness. Unlike many other adaptations, this series isn’t preoccupied with realism; instead, it revels in the fantastical elements that can sometimes get overshadowed when these characters transition from the written page to the screen. Essentially, Agatha All Along relishes its freedom to experiment and shines brightest when the creators are allowed to enjoy themselves by innovating and breaking free from conventional formats.

In this series, music has a substantial impact, and the creative duo Kristen Anderson-Lopez and Robert Lopez, known for penning the song “Agatha All Along” in WandaVision, reappear here to delve into the connection between song lyrics and spells. Their fresh composition “Witches’ Road” is played in multiple ways, ranging from an epic chant to a rock ballad reminiscent of Stevie Nicks, with each rendition tailored to fit the unique style of each episode. Simultaneously, these diverse styles infuse the same lyrics (or spell) with new interpretations, much like their achievement with “Remember Me” from Coco.

The Supernatural Side of Marvel & Where Gothic Camp Fits In

Agatha All Along Review | A Slow Start to a Fun & Campy Marvel SeriesAgatha All Along Review | A Slow Start to a Fun & Campy Marvel SeriesAgatha All Along Review | A Slow Start to a Fun & Campy Marvel Series

Discussing spells, the show Agatha All Along aims to explore and deepen the mystical aspects of the Marvel Cinematic Universe (MCU), setting itself apart from Doctor Strange by shedding light on the differences between witchcraft and sorcery in this universe. The realm we’re talking about here is filled with spells, potions, and curses. Unlike the trippy visuals of magic in Doctor Strange, Agatha All Along chooses a gothic, whimsical aesthetic. One fascinating aspect of the series is its production design, particularly the Witches’ Road, which looks like it could be a set and contributes to an otherworldly feel. The style of the show is a mix of Hocus Pocus, Into the Woods, and a touch of Beetlejuice.

If WandaVision was a tribute to the history of sitcoms, Agatha All Along seems to delve into the portrayal of witches in media. The series is rich with references, nods, and modern interpretations of traditional witch motifs from works like Macbeth and Hansel and Gretel. Consequently, it continues the trend of MCU’s Multiverse Saga stories that directly honor The Wizard of Oz, as evidenced by their reinterpretation of the yellow brick road as the Witches’ Path and each member of the coven searching for something they lack, much like Dorothy’s companions.

Furthermore, Marvel can leverage the broader Disney conglomerate synergy by incorporating characters like the Witch from Snow White and the Seven Dwarves, as well as Lisa Simpson dressed as a witch in the series’ closing credits.

Mystery Box Storytelling Comes at the Expense of Characters

Agatha All Along Review | A Slow Start to a Fun & Campy Marvel SeriesAgatha All Along Review | A Slow Start to a Fun & Campy Marvel SeriesAgatha All Along Review | A Slow Start to a Fun & Campy Marvel Series

Agatha All Along continues to present challenges in Marvel’s TV production, with the most noticeable issue being its endeavor to maintain a season-long enigma. While WandaVision garnered popularity for stirring fan discussions and theories throughout its run, some viewers were left unsatisfied when their theories about Mephisto or the Mister Fantastic being an aerospace engineer didn’t materialize. However, it was not the mystery that made WandaVision successful; instead, it was the development of central relationships between characters, particularly Wanda Maximoff and Vision, and Marvel’s decision to delve into their relationship that truly resonated with audiences.

It appears that the series Agatha All Along attempts to create a mystery, predominantly concerning the character’s identity known as “Teen.” However, this mystery becomes predictable for those with Marvel Comics knowledge, making the series’ focus on maintaining this secret rather frustrating. Instead of spending so much time concealing the truth, it seems more engaging to start the show by revealing Agatha’s true identity in the first two episodes and exploring how that revelation affects her character development. Similar to the Kingpin reveal at the end of Hawkeye‘s second-to-last episode, Marvel appears to be prioritizing creating a buzz on social media about character reveals over maintaining a cohesive narrative.

“The Gayest” Marvel Series? Disney’s Preventing That From Happening

In a somewhat irritating twist, the show keeps dancing around Rio Vidal’s (Aubrey Plaza) relationship and history with Agatha. Despite Plaza’s captivating performance that brightens every scene she graces, the series’ evasive approach to their past and connection becomes tiresome. Rio seems to be both a wronged ex and an unreliable ally towards Agatha, harboring feelings of betrayal while simultaneously attempting to help and potentially harm her. The show subtly suggests a romantic past between them without explicitly stating it. It’s evident that Rio and Agatha were once lovers, but the series refuses to confirm this. This is even more frustrating considering Disney’s decision to tone down any hint of romantic chemistry in ‘Inside Out 2’, fearing that the underperformance of ‘Lightyear’ was due to a same-sex kiss.

A significant portion of the buzz surrounding “Agatha All Along” revolves around it being labeled as Marvel’s most “overtly gay” series. This may stir controversy among some fans who perceive this as an overly political move, but the fact that Agatha and Rio were once in a relationship should not be an issue. However, if the series continues to rely on subtle hints and suggestive teases without delivering on these elements, Disney could face accusations of queer-baiting – a situation where they appear to cater to LGBTQ+ audiences while not fully committing to meaningful representation. Despite these potential issues, “Agatha All Along” is an enjoyable watch primarily due to its compelling cast of characters, which stands as its main strength.

Agatha’s Cast of Characters Are Fun to Follow

Agatha All Along Review | A Slow Start to a Fun & Campy Marvel SeriesAgatha All Along Review | A Slow Start to a Fun & Campy Marvel SeriesAgatha All Along Review | A Slow Start to a Fun & Campy Marvel Series

Initially, some fans may have been skeptical about an Agatha Harkness series due to her lack of solo comic books prior to this point. However, Marvel Studios saw potential in the character, as portrayed by Kathryn Hahn, and even adapted the comics’ version of Harkness based on Hahn’s performance. Hahn brings a captivating charm to the role, skillfully balancing Agatha’s sinister side with hints of deeper emotions. Unlike Loki in his early series episodes, Agatha is given more opportunity to explore her villainous traits, leaving viewers wondering if she can surpass her reputation or succumb to her darker instincts.

Although Joe Locke’s character, “The Teen,” is occasionally portrayed as a puzzle rather than a fully-fleshed out character, he is an exciting and fresh addition to the series. His youthful exuberance creates hilarious comedic tension against the more pessimistic characters, adding a delightful element to the narrative. The chemistry between him and Hahn is superb, and the show cleverly weaves a new dynamic into the “young hero meets their mentor” trope, similar to what was seen in “Hawkeye” and “The Marvels.” By juxtaposing The Teen’s heroism and optimism with Agatha’s ominous demeanor, the series raises intrigue as to whether she will betray him or if her darkness can be counteracted by his kindness.

Agatha’s Coven, reminiscent of Agatha All Alongside as a somewhat loose interpretation of Marvel’s 2004 four-issue limited series titled Witches, boasts an array of captivating characters, acting as the series’ hidden strength. Patti LuPone, in her role as Lilia, is clearly enjoying herself immensely, and it continues to feel unreal that this three-time Tony Award winner and two-time Grammy winner has made her way into the Marvel Cinematic Universe, a feat that Marvel should never allow us to forget. Alice, portrayed by Ali Ahn, presents an intriguing paradox: she seems the most stoic member of the group and yearns for solitude, yet she seizes every opportunity to aid others.

In the series, Debra Jo Rupp’s character Sharon Davis stands out as a source of humor, delivering some of the funniest moments. Unfortunately, it appears that production had to accommodate her busy schedule filming “That ’90s Show,” leaving fans wishing they could have seen more of her, as the show seems to have found a way to work around her presence when it could have benefited from more of her input.

A No-Fuss Halloween Treat for Families and Fans

While Agatha All Along may not stand out as a groundbreaking Marvel series in terms of innovation, it seems to aim at creating a delightful Halloween tradition, similar to how Hawkeye endeavors to provide a special Christmas broadcast that can be cherished annually. Much like families gather around to watch and decorate their homes during the holiday season, it’s expected that many will enjoy Agatha All Along together during the Halloween season.

The show seems to embody the spirit of “Spirit Halloween Animated Series” in an enjoyable manner. It’s both eerie and welcoming, with creatively stunning visuals that make it a delight to revisit. Unlike attempting to broaden the Marvel Cinematic Universe’s overarching storyline, it functions more like a captivating comic book miniseries, deepening beloved characters while exploring an intriguing niche of the universe. Furthermore, it accomplishes what any great television series should: it leaves you eagerly anticipating the next thrilling escapades of the characters you’ve grown fond of. Unquestionably, this surpasses the expectations set by “Secret Invasion.

As a passionate movie enthusiast, I’m thrilled to share that starting September 18, ‘Agatha All Along’ will grace our screens with two captivating episodes. Every week thereafter, we can look forward to fresh episodes until we reach the season finale, a two-episode spectacle set for October 30, 2024, exclusively on Disney+. Don’t miss out! Follow this link to start your cinematic journey: [Link]

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2024-09-19 04:33