As a seasoned gamer with years of experience navigating virtual worlds, I must say that watching “Artificial Justice” has given me a new perspective on the intersection of technology and justice. Having spent countless hours battling AI opponents in games, I have developed an understanding of their capabilities, yet I still value the human touch when it comes to matters of law and order.
Which would you prefer: being tried in court by a human or an artificial intelligence? This question was a focal point at the Iberseries & Platino Industria conference and market held in Madrid on Wednesday night.
The government plans to introduce AI software as judges in the coming period, promising a streamlined, non-partisan judicial system. Judge Carmen Costa has been asked to evaluate this novel approach. But when the software’s inventor mysteriously dies, she understands that her safety is at stake and must confront the influential forces operating within the upper tiers of government.
The crowd showed clear enthusiasm for the film based on the clapping heard after it was played.
Subsequently, producer Mariela Besuievsky, actor Ammann, Juan Fernandez Tamames (attorney-secretary of the Criminal Compliance Committee at Telefonica), and Spanish Supreme Court judge Antonio del Moral were to field questions and engage in a discussion regarding the film’s impact on the ongoing discourse concerning AI’s role.
Casal began working on the project about five years ago due to his fascination with big data and ChatGPT, as Besuievsky shared with the crowd. He chose to center the film around justice, which was further inspired by the fact that his wife is a judge. This information was translated from Spanish remarks made during the event and delivered through headphones to attendees.
The personal narrative of Carmen’s life as depicted in the movie served as a crucial foundation for delving into the humans versus technology dilemma. As the producer expressed, our intention was to make it more relatable and intimate through Carmen. Amann further emphasized, “Carmen’s story is fundamentally human.
During the production process of the movie, Besuievsky proposed the idea of incorporating AI into the plot to enhance the main theme and conflict. However, the creative team strongly opposed this suggestion, leading to a significant backlash. As she put it, “There was a massive uproar.
As a gamer, I found an intriguing twist in the movie’s plot, where a character hinted that those at the helm of AI development might be receiving special treatment instead of the promised impartial decision-making. In other words, “Are we looking at a VIP pass system for AI?” reflects a potential concern about AI’s future. Frankly speaking, it sends shivers down my spine.
In addressing the ethical dilemma surrounding artificial justice, de Moral expressed his concern to the panel that while technology might offer greater precision, it doesn’t necessarily equate to fairness in a human sense. He stated, “Human justice isn’t flawless.” He continued, “Adopting algorithmic justice could potentially lead us down a path where we… forfeit our humanity.
Tamames made a point that, at times, he was reminded of the movie “Blade Runner”, suggesting that the primary concern for governments and industries should be establishing protective measures and regulations regarding AI usage. Meanwhile, Ammann voiced his worries, pondering if the differences between real life and the film might lie in the public being informed about AI decisions and having a say in them through voting rights.
The actor added a remark about how certain advanced technology concepts depicted in movies might become real life sooner than anticipated. “In the movie 2001: A Space Odyssey, I had my first glimpse of video calls,” Ammann recalled, “and I thought it was never going to happen. But now, we can easily do that on our mobile phones.
Previous discussions held on the second day of the Iberseries’ fourth installment showcased representatives from Anonymous Content and Fremantle, who shared insights about their television strategies as well as the expansion of their movie ventures.
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2024-10-03 00:25