As a dedicated Johnny Depp fan, I’ve always been captivated by his enigmatic journey through Hollywood. His latest venture, “Modi: Three Days on the Wing of Madness,” showcases Depp’s versatility as an actor and director. Despite the controversies that have surrounded him over the years, he continues to prove his mettle in the film industry.
Due to Johnny Depp’s flight being delayed, he couldn’t attend the press conference for the Rome Film Festival on Saturday, which was arranged to discuss his new directorial venture, “Modi: Three Days on the Wing of Madness“. Originally, he was supposed to present the film that night, receive an award and depart on Sunday morning.
The actor has faced controversy in Hollywood following a series of legal disputes and a high-profile divorce from his former spouse, Amber Heard, that involved accusations of domestic violence and a sensational defamation trial. However, Depp seems to be undergoing a kind of professional reinvention in Europe, starting with his role in French director Maïwenn’s film “Jeanne du Barry” at last year’s Cannes Film Festival, where he portrayed King Louis XV.
The film titled “Modi,” recently premiered at the San Sebastian Film Festival, narrates a turbulent three-day period in the life of Italian artist Amedeo Modigliani. This story unfolds against the backdrop of war-ravaged Paris in 1916, specifically the Montmartre district that housed numerous bohemians and artists during that era. Johnny Depp spoke with The Hollywood Reporter Roma about his affinity for Modigliani, letting go of past experiences, and humorously likening his reputation to that of O.J. Simpson.
Did Al Pacino propose the idea for a movie about Modigliani to you all the way back in 1997? I’m curious, what took so long to bring this project to life?
Back in the day, Al was considering me to direct and star in a film about Modigliani when we collaborated on “Donnie Brasco”. Years later, he reached out to me, saying something like, “Hey John, I think you should take a shot at directing the Modigliani project.” I asked him why, to which he replied that it was time for me to step up and bring this story to life.
What are your thoughts on taking up directorial duties? You’ve previously directed a movie titled “The Brave” in 1997, and unfortunately, that initial endeavor didn’t turn out as planned.
The television series “The Brave” didn’t fare too well. I vividly recall the harsh reviews of “The Brave”, and they certainly made me see things more clearly. So, what do you do? You learn from the experience.
In a moment, Riccardo Scarmacio, portraying Modigliani in “Modi“, adds enthusiastically, “Did you know that Michelangelo Antonioni praised me with ‘Bravo, bravo’?
Yes, he did, bless his heart. That actually happened.
Were you drawn towards the lifestyle of Modigliani? Known for his rebellious nature, he had a passion for life that extended to relationships, substances, and music. He also found it difficult to handle rebuffs or rejections.
And he is the exact opposite of me. I adore rejection. [Laughs.]
But are there ways you identify with him as a character?
Absolutely. My background isn’t identical to Modigliani’s, but I can grasp the hurdles one must overcome, whether scaling a ladder or climbing a wall, to reach a place where you prove your worth. I empathize with him because he persisted in his unique style, which was considered too raw by many during his time.
Did he spend some time in the wilderness due to his own personal troubles, much like you are now? I hope that’s an accurate representation.
It was a vast wilderness and ultimately that vast wilderness taught me a whole lot
What lessons have you learned?
Oh let’s see. Should this be funny or should it be true? [Laughs.]
Could you be honest with me, please? During our conversation in San Sebastian last month, you mentioned that your life had become like a soap opera. Is that how you’re feeling now?
To be truthful, I can easily recall every criticizing article and the moments when it seemed everyone was against me. However, whether it was a difficult time or a comical one, it’s all part of the past, present, and perhaps future. I’ve learned from each experience, regardless if it was as simple as enjoying a snow cone or walking my dog. Therefore, I harbor no ill feelings towards anyone, for holding grudges necessitates caring. Why burden oneself with such emotional baggage?
You also said that you feel you don’t need Hollywood anymore.
On several occasions, I found myself clashing with Hollywood regarding their conventional approach and the rigid three-act format. Frankly, I couldn’t help but shake things up a tad…
Despite the numerous hurdles you’ve encountered in both your personal life and your professional journey, you consistently deliver remarkable performances. Is there a gut feeling, a sixth sense, or perhaps a specific approach that helps you concentrate on portraying your characters truthfully?
Absolutely, I accept the task at hand. In fact, there are situations where this duty proves particularly beneficial, such as during tumultuous times. It’s peculiar yet advantageous to step into a character, not to impersonate them, but to embody them. After all, every tool in my arsenal can serve as potential inspiration. That’s wonderful, isn’t it? So, yes. The situation has unfolded as expected, and it persists, much like an ever-present entity. It’s somewhat akin to the OJ scenario. But don’t worry, it simply transpired – that’s all there is to it.
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2024-10-26 23:25