As a die-hard fan of Yellowstone, I must say that the behind-the-scenes stories and insights shared by the cast and crew only add to the allure of this phenomenal series. The set without Kevin Costner? Well, it felt like the ranch without its patriarch, John Dutton. It was a different vibe, but the magic of Taylor Sheridan’s writing ensured that the essence of Yellowstone remained untouched.
What’s the conclusion for Yellowstone? Will John Dutton be escorted to the train depot? And, is this truly the final chapter?
Ever since Paramount Network declared that the second half of season five would mark the end of Taylor Sheridan’s blockbuster Western series, Yellowstone, I’ve found myself pondering a myriad of questions. These queries intensified when the show’s leading man, Kevin Costner (portraying the Dutton family patriarch, John Dutton), disclosed his decision to depart from the show. Notably, “the train station” refers to the secret location where they inter their enemies.
Prior to the upcoming premiere of season 5B on Nov. 10, “The Hollywood Reporter” interviewed director Christina Voros for insights. Voros, a seasoned professional in the “Yellowstone” universe, has directed episodes for spinoff “1883” and is now set to direct “The Madison.” She directed four out of the six upcoming episodes of “Yellowstone” and took on the role of script guardian once writer/co-creator Sheridan shared his plans with her. Voros describes these plans as “unexpected and riveting.” In our interview below, Voros shares behind-the-scenes details about the Montana-set series, revealing the intricate production methods employed to keep the new season a mystery for viewers. She reveals that half of the cast doesn’t know what happens, reflecting their secretive approach. Additionally, she addresses questions surrounding Costner’s departure and whether “Yellowstone” truly plans to call it quits in the end.
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In a recent interview with the cast, you discussed the unique approach to secrecy during this season’s filming, mentioning that scripts were heavily redacted and some actors didn’t know entire scenes. This method sometimes led to genuine reactions happening on set in real-time. Have you ever worked under such conditions before?
For everyone involved, this was uncharted waters. Some members of our team had experience within the Marvel universe, and they found our work to be quite unconventional.
Wow. Yellowstone impressed the MCU.
(Chuckles) Essentially, it was all about safeguarding what Taylor and this team of creators had developed throughout the years, given the high level of excitement surrounding these scripts. The atmosphere was less about secrecy and more about preserving it for the viewers. We went to considerable effort, even assuming the role of script coordinator and redacting the scripts for each cast member myself. In fact, many members of the cast only received their respective scenes, meaning that a significant number of them, including some of our seven-year veterans, won’t discover what happens until the series premieres.
What method or criteria did you use when deciding which information to conceal from whom while carrying out your duties?
In an unusual comparison, we likened it to following COVID safety guidelines. Just as not being exposed to the virus doesn’t make one knowledgeable about it, having limited access to certain information is essential for understanding and portraying characters accurately in a production. This process was challenging because we couldn’t simply provide actors with their lines; they might need to know things their character learned in previous scenes. The creative aspect came into play when deciding what information each cast member needed to effectively embody their roles while keeping sensitive materials secure from those who didn’t require it. It wasn’t about safeguarding the story from family members; rather, we aimed to shield the cast and crew from unnecessary knowledge to prevent any accidental disclosure. In other words, we wanted to protect them from even knowing information that they might inadvertently reveal.
As a gamer diving into this project, I’ve noticed that the redaction process has significantly complicated things, not just for me, but for everyone involved. Normally, each department receives the scripts, which are then dispersed among team members ranging from those handling clearances to those deciding on color schemes. However, this time around, the scope of sharing wasn’t limited to actors’ scripts; it extended to ensuring that crucial crew and staff had access to necessary information without being burdened by confidentiality. Kudos to our creative team for shouldering the additional layers of work and strategic communication across every department!
Were individuals approaching you to seek additional details whenever necessary, like a ruler surrounded by his subjects in Westeros’ Iron Throne room? That’s the image I have.
Indeed, in a sense, I functioned as the gatekeeper initially. Initially, my first assistant director, Kether Abeles, and I were the only ones with access to the complete scripts, while the producers did not. There was an additional level of preparation that went into preparing what materials others needed to prepare.
How many of these season 5B episodes did you direct?
I took charge of the first four out of a total of six episodes. Michael Friedman was in charge of episode 513, while Taylor Sheridan handled the final episode.
As for me, I was one of the few who knew the inside scoop, alongside Michael and our resident scriptwriter, Taylor. Wondering how many more members are part of this secretive gaming circle now?
The department heads form an exclusive group, similar to the Dutton family themselves. For the most part, individuals were aware of which scenes they featured in. Therefore, if a scene required secrecy due to some event needing protection, they were privy to it. However, for those not involved in such scenes, approximately half of the cast remains unaware of this season’s developments, excluding their own roles.
Were there any responses from the actors that required a re-shoot, as they were still arriving on set and caught off guard?
Indeed, it turned out to be quite amusing… During the production of the season, we implemented various tactics. We even used secret phrases for certain things. In some instances where there were numerous extras, we filmed alternative versions of the scene. It’s incredible how many talented background artists contributed to our show, bringing the world to life for us. However, it’s best not to have 150 people in an arena boasting about their day’s work to their families. In certain situations, the cast learned different versions of their lines to safeguard and mislead about what was actually taking place on set.
On our production, we maintained extremely limited access to our filming areas. We approached each scene as though it were a secret set, adhering to strict protocols similar to those used when filming nudity. Only essential crew members were allowed near the monitors. During blocking rehearsals, the cast would run through their movements without delivering lines, instead focusing on landing at designated marks. The dialogue was not spoken during these rehearsals, and only those within the confined set had the opportunity to view the scenes. As a result, our work environment took on an air of mystery and intrigue.
The project required additional effort from every department, as each department head took on the role of guardian for their respective teams. Initially, making it enjoyable was quite a hurdle, but we eventually found enjoyment in it towards the end. We even joked about recording the rehearsals for blocking, as the cast became enthusiastic and there were plenty of chuckles. However, all this fun was ultimately to ensure the story remained engaging for our audience.
Is it possible that Taylor Sheridan’s usual secrecy about his scripts was intensified due to several factors, such as Kevin Costner leaving the show, the final episodes of Yellowstone being produced, or the series becoming the top-rated TV show, which increased the importance and sensitivity of the scripts?
Absolutely, everything you mentioned is accurate. In essence, we experienced an extraordinary confluence of events. There was immense build-up, with Kevin’s character being a hot topic in the media. Given the devoted fanbase of the series, everyone had their own expectations for its conclusion. I believe that Taylor has crafted something exquisite, thought-provoking, and unforeseen. After seven years of filming this show, the cast has truly immersed themselves in their roles, resulting in performances that are remarkably profound. These actors not only understand their characters as well as the creator does, but they have also invested a lifetime’s worth of effort into shaping these roles. This year, their performances have been nothing short of extraordinary.
Was Season 5B originally intended to be the finale for the popular show “Yellowstone,” but now it seems a sixth season might be under discussion, involving actors Kelly Reilly and Cole Hauser. While working on it, did it feel like the end of Yellowstone for you?
It seems clear that there was an air of confidentiality surrounding the situation, suggesting we were guarding some outcome. As for predicting the future, I’m genuinely unsure. I can’t say for certain.
Are you of the opinion that the show’s conclusion leaves room for more story, or are you content with how things were wrapped up at its end?
When crafting memorable characters such as these, it’s natural for each one to have an ongoing tale. This is often the case with successful TV series, and that’s why in recent times we’ve witnessed a surge of spin-offs. A character captures our attention, and we wonder, “Even though this character isn’t present anymore, wouldn’t it be fascinating to explore what happens next?” If you effectively create characters that are complex, layered, and engrossing with a sense of vitality, then each character could potentially support their own storylines.
So, spinoffs for all the Duttons! Though, we’ll see who survives… The midseason finale off preparing for an all-out Dutton family battle with dad John Dutton (Costner) and sister Beth Dutton (Reilly) on one side, and brother Jamie Dutton (Wes Bentley) on the other. The season trailer put other brother Kayce Dutton (Luke Grimes) on the outskirts of that. How does Kayce fit into this Dutton civil war?
Interestingly enough, Kayce embodies the warrior spirit – it’s in his blood, making him a natural fit for standing up for causes. I believe Kayce has been fighting for something since day one. One of the captivating aspects of this season is how the stories of each character are intricately connected. From the outset, the struggle has revolved around the land. Various opponents have emerged and vanished over time, but ultimately, it’s about the Dutton family uniting to protect their land, to preserve their name.
In the mid-season finale, John Dutton played a significant role. Subsequently, events unfolded involving Kevin Costner’s contract negotiations and his decision to leave the show. The trailer hinted strongly at John’s continued involvement. So, how could we put it? John’s influence was palpable in these episodes.
His presence is vital, and elaborating further might undermine the efforts put into editing the scripts. But I suspect the curiosity about “is he here or there?” arises due to him being the matriarchal figure, and his presence is a crucial element in the narrative. John Dutton remains the pivotal character. (Chuckles)
In our 2023 Taylor Sheridan feature article, even as Costner’s departure from the show was yet to be finalized, Sheridan revealed that he had always envisioned an ending for John. However, Costner’s exit apparently accelerated this conclusion. How did you respond when you first read how Sheridan approached it in these scripts?
As a devoted admirer, it was an incredibly fortunate experience for me to helm this project. Taylor’s intuition for where a story is headed is nothing short of remarkable, and witnessing him navigate the journey is pure delight. To put it simply, when I first read the scripts, I felt immensely grateful to contribute to the unfolding of this narrative chapter.
One enjoyable aspect of viewing Yellowstone lies in the unpredictability of each episode. As audiences eagerly anticipate each new installment, I’m curious about the emotions and thoughts it will stir within them.
From time immemorial, there are particular tales that remain captivating regardless of how often they’re retold. Take Shakespeare as an example. Regardless of everyone knowing the plot of Hamlet, it continues to be revisited for centuries. A good conclusion should be both unforeseen and inescapable. In my opinion, Taylor succeeded marvelously in adapting the narrative he crafted and the family dynamic, while still managing to include plenty of unexpected twists.
Where are you in production now?
We’re currently in the final stages of production, with edits being fed into the system at a rapid pace. I’ve recently completed color correction on the initial three episodes, and there’s an overwhelming sense of anticipation among us all. After dedicating so much time to this project, not just this season but from the very start, we feel deeply connected to it. The Dutton family is like our own, and Yellowstone has become a part of us as well. Therefore, there’s immense pride and excitement in sharing this culmination of seven years of our lives, during which we’ve woven these tales together.
What was the vibe like on set when people would wrap their final scenes?
The atmosphere was deeply moving and filled with a sense of reminiscence. That ranch holds countless personal recollections for many. My 40th birthday marked my debut on the first season of this show, where I served as a camera operator, unacquainted with any of my colleagues. Perched high above in the rafters of the Great Room, I captured a scene featuring Wes [Bentley] and Kevin [Costner], marveling at their exchange, “Wow, this is amazing.” At that point, none of us could foresee the phenomenon it would ultimately become. It was an incredibly gifted collective, most of whom were new to television, given the chance to narrate this grand, sweeping tale. From the onset, there was a palpable sense of gratitude for being a part of this show. Over time, it has transformed. I can still recall the stark contrast between seasons one and two. In season one, we could all dine together in Park City. However, by season two, the cast began to attract attention. By season three, we found ourselves socializing in each other’s homes because Kelly [Reilly], Cole [Hauser], and Luke [Grimes] couldn’t venture outside without being trailed by fans.
Just as any family does, ours has experienced change over time. We’ve celebrated weddings, welcomed new babies, and attended funerals. It’s been a full circle of life for our cast and crew, and due to the nature of the show, we’ve had some exceptional guest stars join us from season to season, often portraying adversaries of the Dutton family, but the core family has remained consistent. In much the same way that their characters have faced triumphs, losses, happiness, and sorrow, every member of our cast and crew has journeyed through similar ups and downs together. There are countless memories, shared experiences; challenging days, wonderful days, inclement weather, and “I can’t believe we managed to capture that scene before the sunset.” Behind the scenes, there’s a whole story unfolding.
How was the set different without Kevin Costner?
I don’t know if we were without him. I don’t know!
Does the current season of Yellowstone begin post-US presidential election? This series has addressed pressing issues relevant to voters in 2021, such as land ownership, Native American representation, and reproductive rights. Will it continue to touch upon these subjects, or is it focusing more on a self-contained family narrative?
At the core of this series lies the theme of family. Taylor’s writing often explores these themes subtly. His ability to seamlessly integrate these topics into character-driven stories without overwhelming the reader is one of his strengths. In many ways, this season feels like a return to where it all started – the family that was the foundation.
In your previous roles, you’ve overseen productions within the Yellowstone universe. Next up, it seems you’ll be working on a new show titled “The Madison,” featuring Michelle Pfeiffer. Could you tell me when you finished work on Yellowstone?
It feels like it was yesterday. I think the end of August.
So you get to go from Yellowstone into this next continuation series. What can you tease about The Madison?
We seamlessly transition from one production to another, with many of the original crew members joining us along the way. The journey is much like a train ride, merely changing tracks and continuing its course. The Taylor train doesn’t stop at stations to let you off gently; instead, it demands that you hold on tight for the ride. If you’re fortunate enough to secure a seat, you’re embarking on a continuous voyage. In essence, The Madison is a fresh show, but many familiar faces from our creative team are still aboard. We’re exploring the same environment, but through an entirely new lens.
So to wrap it up, you would say that you want to leave viewers riding off thinking… what?
To ensure a lasting impression, your conclusion ought to strike a balance between satisfaction and longing. It shouldn’t leave viewers feeling detached from Beth, Rip, or Kayce. The cast of this series has garnered immense acclaim for breathing life into their captivating characters, which is precisely what has won the hearts of viewers. Yes, the action scenes, explosions, and gunfights are thrilling, but it’s the heart of the story – these characters – that truly resonate. Aim to evoke in your audience a sense of curiosity about where Beth is now, making them yearn for more of their shared journey together.
Each series finale carries a significant burden, as you hope the audience shares your passion for it. However, with millions deeply invested in the show, pleasing everyone is an impossible task since everyone has their unique vision of how things should unfold. That’s what makes the end of the season so intriguing – Taylor’s conclusion to the show subtly leaves room for speculation about what might happen next.
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Yellowstone’s fifth season returns on the Paramount Network this coming Sunday, November 10th, airing at 8 PM. A repeat of the premiere will also be shown on CBS, exactly two hours afterwards.
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2024-11-05 22:25