As a seasoned movie enthusiast who has spent countless hours in dimly lit theaters, I can confidently say that Robert Eggers‘ latest offering, Nosferatu, is shaping up to be a cinematic gem. Having had the pleasure of witnessing the mesmerizing visuals of The Lighthouse and The Northman, shot on 35mm film, I am thrilled to see Eggers continuing his love affair with this classic medium.
This year for Christmas, renowned Gothic horror director Robert Eggers is bestowing a unique gift to movie enthusiasts. Not only is his adaptation of the timeless 1922 German horror film set to premiere on Christmas day, but fortunate audiences in select cities will have the opportunity to witness this cinematic masterpiece in its full 35mm grandeur. According to Bloody Disgusting, Eggers’ remake of “Nosferatu” will be screened in a restricted number of theaters across cities such as New York, Chicago, and Los Angeles.
For the director, filming isn’t a novelty. His movie starring Robert Pattinson and Willem Dafoe, titled The Lighthouse, was filmed using black and white 35MM Double-X film, a type that hasn’t been altered since the 1950s. Another of his films, The Northman, was also shot on 35mm, making the use of this classic medium a distinctive trait for the contemporary master of horror. The director’s favorite cinematographer, Jarin Blaschke, filmed Nosferatu, another of Eggers’ works, in 35mm and color, creating images with reduced saturation that evoke the romanticism of the 19th century for viewers.
This chilling vampire movie featuring Bill Skarsgård as Count Orlok, Lily-Rose Depp as Ellen Hutter, and Nicholas Hoult as her husband is guaranteed to captivate viewers during its Christmas screenings. Tickets for both the traditional 35mm and digital showings are now available, so don’t miss out – grab them while you can! Here’s a list of theaters screening Nosferatu in 35mm from December 25 onwards:
- Alamo Brooklyn – New York, NY
- Chinese Theater – Los Angeles, CA
- New Beverly – Los Angeles, CA
- Music Box – Chicago, IL
- Alamo New Mission – San Francisco, CA
- Coolidge Corner – Boston, MA
- Alamo South Lamar – Austin, TX
- The Belcourt – Nashville, TN
- Hollywood Theatre – Portland, OR
Eggers Continues to Impress By Calling Back to Films of the Past
Though we haven’t had a comprehensive view of Count Orlock by Eggers yet, as per the director’s preference, the glimpses from trailers are truly captivating. This is partially because of the wise choice to film in 35mm, lending a classic cinematic vibe and aesthetic that echoes films of yore. As reported by World of Reel, Eggers and Blaschke have crafted a unique filter specifically for this movie, boasting an aspect ratio of 1.33:1.
Eggers requested assistance from a glass manufacturing company to create a distinctive filter for his movie. His goal was to achieve a visual effect where the film appeared in black and white, but certain colors like the persistent blues and yellows seen in various scenes would stand out, giving it a desaturated, washed-out look.
A film by one of today’s leading horror directors, who is known for his mastery of the genre, adds a splash of color to a story usually portrayed in shades of grey. Given Eggers’ style, this innovative take promises a perfect blend with the symbolism and motifs of the original classic tale. Mark your calendars for the December 25 premiere of the vividly reimagined Nosferatu.
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2024-11-26 02:01