Outlander Stars Reveal Shocking Finale Secrets: You Won’t Believe What They Discovered!

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[The following narrative reveals significant plot twists from the final episode of season seven, titled “One Hundred Thousand Angels,” of Outlander.]

Over the course of seven series, Outlander’s main characters, Claire (Caitríona Balfe) and Jamie Fraser (Sam Heughan), have faced hardships that could fill several lifetimes. Despite their resilience in finding each other and building a family over centuries, as they reach middle age, the awareness of what they might lose seems to weigh heavily upon them.

Through seven seasons of Outlander, Claire (Caitríona Balfe) and Jamie Fraser (Sam Heughan) have experienced enough turmoil to last for numerous lifetimes. Despite their ability to find one another and construct a family across time periods, the realization of what they could potentially lose becomes increasingly apparent as they enter middle age.

Jamie has a deep understanding of his own mortality and has frequently discussed it throughout the series, referring to his lives as if he’s already had nine. In an interview with The Hollywood Reporter, Heughan stated that Jamie is at the very end of these lives. Jamie didn’t wish to be part of the Revolutionary War, but he feels compelled to participate now in order to safeguard those dear to him. Both Jamie and Claire are conscious of their dependence on each other and would prefer not to exist without one another. So, what does this mean for their future? If either of them were to perish, I’m not sure there would be much hope left for them.

Despite a grim forecast, Claire and Jamie have grounds for optimism as they approach the eighth and final season of their fantasy-historical drama. In the season finale, after recovering from yet another gunshot wound and undergoing a critical operation performed by Denzell (Joey Phillips), Claire and Jamie uncover a surprising truth: their first daughter Faith, who they thought had passed away during childbirth, is alive! It turns out that Faith gave birth to their new ward Fanny Pocock (Florie Wilkinson) and her late sister Jane (Silvia Presente). Unfortunately, Jamie and William (Charles Vandervaart), their biological son, were unable to rescue Jane and the other captives from their tragic fate only a few days prior.

The unexpected twist at the end – one not found in Diana Gabaldon’s Outlander novels – lays the groundwork for the last 10 episodes, which Caitriona Balfe and Sam Heughan have already completed filming. With the show having been a significant part of their lives for 11 years, these actors, who became producers during the fifth season, acknowledge that they are still in the early stages of coping with this loss and finding ways to navigate the empty space it leaves behind.

Balfe mentions she’s currently engrossed in reading, writing, and watching numerous films. These activities were previously hard to squeeze into her schedule. She explains, ‘As an actor, when you’re working, you’re constantly in output mode, and it’s crucial to nourish your spirit too.’ She intends to savor each moment and choose actions that hold significant meaning for her.”

Or, more informally:

“Balfe admits she’s been reading a lot, writing here and there, and watching loads of movies. These are things she didn’t have much time for before, but now she’s making time for them. She explains, ‘As an actor, when you’re working, it’s all about outputting stuff, but I also need to feed my soul.’ So, she wants to take her time and do things that truly matter to her.

In an interview with THR, the actors portraying one of television’s most cherished couples share insights about the development of their on-screen and off-screen relationships, the strategic decisions made during the depiction of crucial moments from the latest installment of Claire and Jamie’s romantic journey, and the genre they are keen to work together on in future projects.

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As someone who’s portrayed Claire and Jamie for more than a decade, I found fresh dimensions to their characters during the seventh season. What intriguing nuances did I uncover while bringing them to life?

SAM HEUGHAN Jamie has transitioned from a fiery, reckless highland warrior with minimal duties to a laird, bearing responsibility not just for his warriors in battle, but for everyone residing on Fraser’s Ridge. Essentially, he’s a landowner or a clan leader. What I find fascinating is that over the last few seasons, and especially this one, Jamie recognizes what he stands to lose. I believe now he understands that he can’t live without Claire; he knows that life isn’t worth living without her. Perhaps it’s his vulnerability that makes him intriguing, which seems to come with age as well. He’s less impulsive, definitely wiser, and wisdom often brings a greater understanding of mortality with it.

CAITRÍONA BALFE Seasons five and six marked a significant transformation in Claire’s character. After the attack and her involvement with the ether, she didn’t turn into two separate individuals, but rather, her identity and coping strategies underwent a major overhaul. In season seven, it was intriguing to see her cautious reconstruction of herself, as until then, there had been a lot of compartmentalization — she would act, but the emotions and consequences were often tucked away and not fully addressed. However, in season seven, Claire exhibited maturity, yet this was accompanied by a newfound vulnerability, particularly at the start of the second half. I believe this added depth to her character, making it more permeable and delicate.

When I’ve been playing characters who are older, I’ve discovered strategies to make their connection feel more real and intimate. How have I done this? By exploring their shared history, their moments of vulnerability, and the subtle nuances in their interactions.

One aspect that Sam and I were eager to delve into and develop further was the distinction in their intimacy. While many discuss the ardor between Claire and Jamie, it can’t just be about the initial excitement. We sought a connection with greater complexity, maturity, and subtlety. Therefore, we aimed to avoid replicating what we had already shown in season one and instead, strive for fresh approaches – which we certainly did.

In the majority of our sex scenes, we discussed them extensively, as well as brainstorming with the writers on how to depict intimate moments during conversations and while resolving marital issues. As the series progressed, it was crucial for us to delve deeper into their relationship, responding to fan requests for more passion while ensuring authenticity in our portrayal.

In my opinion, you’re spot on. Over the course of their shared history, they’ve had to accommodate one another and their flaws, as well as the events that have transpired either jointly or individually. It can’t be like the first season because certain incidents have occurred, so we’re left wondering about this character and this individual standing before us now. However, what has evolved over time through playing these characters is a deeper understanding of each other. I believe this comprehension stems from their experiences of being attacked, lost, and eventually reunited again.

Initially, there was a certain fragility among them due to their unfamiliarity and uncertainty regarding trust. As the story progressed, they seemed to find their footing and displayed a sense of strength. However, in later stages, a fresh and distinct vulnerability emerged. The challenging circumstances they faced introduced a new set of fears and weaknesses that I hadn’t foreseen but gradually developed as the plot unfolded.

Caitríona, expressing grief convincingly is difficult enough, but in episode 10, you had an extra challenge: making viewers believe that Claire truly lost Jamie. How did you plan to portray the various stages of her grief on screen?

It was quite challenging since I had this lingering doubt about whether people truly believed Jamie Fraser was dead, but I knew I had to move forward. My father had recently passed away, and the last thing I wanted was to dive into work and confront those feelings. Those weeks at work were not my favorite. I collaborated closely with the writers to create a narrative, and there was a particular line that resonated with me as well: “I would know [if he died]. I would feel it.” She felt betrayed by herself because she thought it should feel differently. This situation led to feelings of anger and disbelief, as she couldn’t even trust her own emotions.

Moreover, having Lord John Grey portrayed by David Berry certainly brought an unexpected twist. *Chuckles* Working with David in those intimate scenes was a treat since most of my scenes are with Sam. It felt like venturing into uncharted waters as our interactions were different from what I’m used to with Sam. However, what was refreshing was the distinct approach we took compared to how Sam and I work. We have a natural understanding that doesn’t require much planning, while David prefers a more structured approach. I’m grateful for his method because I was unsure about how to pull it off initially, but in the end, I believe it turned out quite well.

In one of the most surprising scenes from the series, Claire was deeply saddened as she spent time with John while both of them were thinking about Jamie. Can you explain how you rationalized Claire’s behavior during this incident in your interpretation?

As a dedicated fan, I crave logical consistency in the narratives I engage with. This obsession often leaves the writers scratching their heads, as I require a clear path to follow along. However, upon rewatch, I noticed that while the final edit may seem fragmented and non-linear compared to our initial playthrough, it was still impressive how David and I managed to trace a linear journey through it. After all, even inebriated characters need a coherent storyline to navigate!

When under the influence of alcohol, reason may not always be present, but at times, questions about practicalities can still arise, such as “how do I go from point A to B?” or “how did these two individuals, who have no romantic attraction towards each other and share no past, transition from being solitary, intoxicated, and in distress to being together?” In this scenario, they found common ground in their shared pain and fury. Initially, Lord John sought comfort in this connection, but it soon evolved into raw emotions – anger and passion. Eventually, these feelings needed an outlet, which is how they ended up together. This is the story of their unlikely encounter.

I believe that the scene the following morning, with its heartwarming narrative about Lord John and the glimpse into his personal life, carries a deeper emotional connection than what preceded it. It’s in this moment of intimacy that we truly witness these characters forging a bond beyond mere friendship – one built on mutual understanding and respect, which I found truly captivating.

In the twelfth episode, it’s evident that Jamie expresses his sentiments regarding Claire and John’s predicament in a prolonged, passionate exchange, during which both Jamie and Claire grapple with their respective feelings instantaneously. Could you share how you both prepared for this intense argument?

BALFE Well, Sam had COVID. Do you remember? (Laughs)

HEUGHAN Oh yes! It was quite a tough experience. In a sense, it felt like acting in a play, but we initially filmed one direction, then I contracted COVID-19. A while later, we completed the rest of the filming, and we divided it into two parts because the storyline moves throughout the house. I guess that part demonstrates why this couple remain together. They manage to navigate through their difficulties by listening to each other, understanding one another, and communicating, despite Jamie’s stubbornness, anger, and jealousy.

BALFE However, neither of them are incorrect in their actions, given the extraordinary and singular nature of this situation. It’s perfectly reasonable for Jamie to be angry and upset, while it’s equally understandable why Claire is defending herself. What’s remarkable about this is that we see a deep-rooted love between these characters, yet they both stubbornly stand their ground. Both Sam and I truly enjoy filming scenes like this. There are days on set where you’re merely exchanging lines over coffee, which might not seem very fulfilling as an actor. However, when we get scenes such as these, it feels like we have to put in a lot of effort, give our all, and make the scene work effectively.

Sam, do you think Jamie could ever bring himself to forgive John?

In simpler terms, you’re asking about whether Jamie’s actions towards John, given the circumstances, can be considered right or wrong. From an outside perspective, it appears unjustified. However, considering Jamie’s feelings, it might have seemed justified to him. Regardless, what he did was truly horrible and significantly damaged their bond. John Grey later tries to justify it, and it seems we hope they can reconcile, but that may be difficult to achieve. Jamie will need to acknowledge his mistakes, which I believe is the hardest thing for him to do. This incident has caused a rift in their relationship, and it’s also strange for Claire and John Grey. (Laughs)

In episode 15, Claire is wounded on the battlefield, and Jamie frantically looks for a means to rescue her. Sam, could you tell us about your approach to depicting Jamie’s emotional struggles during this situation?

In the script, it’s intriguing to observe Jamie losing his composure and becoming aggressive. This is rare, as I recall only one other instance, when he lost Murtaugh during the Battle of Alamance. However, this situation seems even more intense. It feels like you’re asking, “How would you respond when your entire world suddenly collapses?” I didn’t intend to strategize it; instead, I wanted to dive in and see how things unfold. What makes this scene compelling is that Jamie, for a moment, is not himself. He’s overwhelmed, desperate, and even appealing to everyone, including God, as he teeters on the brink of losing everything he holds dear.

What was your response when Jamie chose to pen his resignation letter with Claire’s blood on one of his soldier’s backside instead?

Considering the complexity of the situation, it’s quite challenging to comprehend. We were discussing a scene reminiscent of a book, pondering over how one might inscribe on a character’s back, and we discovered it’s not as straightforward as it seems. Yet, I believe it stems from utter desperation; a moment where the character is utterly perplexed, struggling to convey his message to these individuals. He resorts to the most immediate solution. It’s an intense concept. It’s fascinating that even after seven seasons, these characters continue to surprise us as actors, and there are numerous instances where I find myself questioning, “Would Jamie act this way?” Only to respond, “Let’s see what unfolds.” The result is a truly dramatic moment that leaves us stunned, and it’s moments like these that perhaps keep Outlander engaging.

Caitríona, now let me ask you this, how did it feel for you to portray the events following Claire being shot?

It was quite amusing as they were extremely anxious about me lying down for such a long time, yet I reassured them saying, “I’m going to be lying down. It will be quite comfortable!” Nevertheless, they created a prosthetic for my abdomen for the surgery. By the way, I’ve never been shot in real life. We occasionally joke about it, like, “Is this just me imitating what other actors do in movies?” (Laughs.) However, you must trust the director and the overall flow of the scene and go with the flow. Frankly, I don’t mind portraying sickness or nearing death. (Laughs.) In such roles, you let others do all the hard work while you just lie there and make some distressing sounds. However, the set was fantastic. With everything around us, including Sam’s incredible performance in those scenes, it makes my job much easier.

In the final episode, when they can’t rescue Jane, William has a passionate argument with Jamie about his biological mother. At the end of their discussion, William says, “I will never refer to you as father.” The pain on Jamie’s face is evident, but what thoughts might be swirling in Jamie’s mind during this scene?

Jamie has always yearned to be a father to William, yet found it challenging due to his past circumstances. It’s evident that he’s been successful in raising others – from Fergus to numerous individuals within his extended family. However, with William, the relationship is particularly complex. Both share a strong spirit, and this dynamic unfolds significantly throughout the storyline without revealing any spoilers.

It’s intriguing as well because he bears many similarities to John Grey; they share a bond as father and son in essence. This connection brings an added layer of complexity to the dynamics within that threesome. Jamie grapples with feelings of pride, pain, yearning, and jealousy that could have made him William’s father, but at the same time, he feels grateful for the role John has played in his life. Unquestionably, it will be a challenge for both Jamie and William to conquer their mutual pride and find a resolution to their unique circumstances.

In the last scene, Claire listens as Fanny sings “I Do Like to Be Beside the Seaside,” a tune Claire once sang to her daughter Faith. Upon discovering that Fanny and Jane’s mother shared the same name as their stillborn child, Claire suspects that Faith may not have been stillborn but survived instead, perhaps even having children of her own. What implications does this have for their journey in the final season?

This moment is incredibly significant for them, as they discover their daughter might have survived and now they’ve got a grandchild. It’s an intriguing twist – one I believe both book readers and those new to the story will find surprising. The way the song was incorporated was brilliant. It’s fascinating because even when we filmed Faith’s death way back in season two, we portrayed it as the truth without knowing it ourselves. So, it was just as shocking for us actors as it was for the characters. I think Jamie’s thought process is a mix of disbelief and joy – “How could this be possible?” followed by delight at the prospect, and then, who exactly is this young girl standing before us now?

I absolutely delight in situations where a scene is presented to me and my initial thought is, “Wow, this is excellent.” However, when I actually perform it and my arm hairs stand on end, it’s truly remarkable. Florrie is simply outstanding. Whenever we act together, you’re always left in awe of her exceptional talent. The ending leaves us hanging with so many unanswered questions, which makes for an intriguing cliffhanger that beautifully sets the stage for the next season. For Claire, it feels like her heart experiences all emotions – stopping, breaking, and singing – simultaneously.

Over the past eleven years of collaborating, you’ve both been there for one another through thick and thin. Reflecting on this journey, can you share how your professional bond has developed and what aspects have remained constant throughout?

HEUGHAN (Laughs) That’s a cool question!

BALFE Well, I think our childish sense of humor has stayed the same.

What I meant was our shared sense of humor and playfulness. No matter how difficult things get or how bleak the situation may seem, we’ve always been there for each other. I feel incredibly lucky to have spent so much time with someone as extraordinary as you, and we’ve managed to find laughter even in tough times. But Cait, something feels different now…

Initially, the job was an integral part of our existence, consuming both our time and energy. Our routines were hectic, leaving little room for anything else. However, as we’ve grown older and taken on more responsibilities, our lives have become increasingly complex. With a richer background to draw from, our characters might not demand the same level of attention, but there are certainly other aspects vying for it. So, while our commitment may not be as intense, the show isn’t the sole focus anymore. Does that resonate with you, Sam, or do you see things differently?

HEUGHAN Absolutely. It’s not healthy to be completely engrossed in something for a prolonged period, yet having some distance or other aspects to life may indirectly impact the quality of our work. Over time, we’ve both evolved, and it’s somewhat sad but also fascinating that we’ve had the chance to spend so much time with these characters.

How about this instead: “Could you both collaborate once more? Perhaps in a contemporary tale, devoid of wigs and traditional clothing?

BALFE I’d love to do a comedy with Sam.

HEUGHAN Yeah, that would be a lot of fun. And as you said, yeah, no wig. Well, actually —

BALFE The wigs would be alright. No corset for me.

HEUGHAN I’d wear a corset, so maybe there’s the comedy right there.

BALFE I’ll wear your wig. There you go!

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All seven seasons of Outlander are now streaming on Starz.

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2025-01-18 00:58