The independent section of the Cannes Film Festival, known as the Directors‘ Fortnight, has revealed its program for the year 2025, showcasing innovative and director-driven films.
The French drama “Enzo,” directed by Laurent Cantet and Robin Campillo, is set to open the festival on May 14th. On the other hand, Eva Victor’s critically acclaimed film “Sorry, Baby” will conclude the event on May 24th.
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The French drama “Enzo,” directed by Laurent Cantet and Robin Campillo, is opening the festival on May 14th. In contrast, Eva Victor’s Sundance hit “Sorry, Baby” will be the closing film of the festival on May 24th.
Renowned German filmmaker Christian Petzold, known for movies like ‘Yella’, ‘Barbara’, and ‘Afire’, is set to make his Cannes Film Festival debut this year with ‘Miroirs No. 3’. In this film, Paula Beer, a familiar face in Petzold’s work, portrays an ambitious pianist whose life takes an unexpected turn after she miraculously emerges from a car accident and is welcomed into the home of strangers who vow to care for her. Last year, Metrograph Pictures acquired the North American rights for this intriguing film.
Other notable highlights during this period feature: “Peak Everything,” a heartwarming bilingual romantic comedy directed by Anne Émond, which revolves around a kennel owner who falls in love with a customer service representative over the phone and embarks on a journey to meet her; “Kokuho,” a three-hour epic film from Lee Sang-il, set within the realm of Kabuki theater in Japan; the fantasy drama, “The President’s Cake,” directed by Hasan Hadi and set in Iraq; and the chilling shark-themed serial killer movie, “Dangerous Animals,” helmed by Sean Byrne.
The Directors’ Fortnight, initiated by the French Directors’ Guild in 1969 following the student and labor demonstrations that disrupted and eventually halted the 1968 Cannes Film Festival, operates as an autonomous event that coincides with the main festival in Cannes.
Previously known for being a non-competitive event, Directors’ Fortnight recently introduced the Chantal Akerman Audience Award last year. This prize is named after the renowned Belgian filmmaker who directed “Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles.” The award is decided by both industry professionals and attendees, as well as regular moviegoers. Last year’s first recipient was “Universal Language,” a surrealist dramedy directed by Matthew Rankin from Canada.
This year, Directors’ Fortnight will honor American filmmaker Todd Haynes by presenting him with the Carrosse d’Or award, a lifetime achievement recognition from the French Film Directors’ Guild. The ceremony will take place during the section’s opening event on May 14.
The 2025 Directors’ Fortnight runs May 14-24. Below is its full lineup.
FEATURE FILMS
Enzo, Dirs. Laurent Cantet, Robin Campillo (Opening Film)
Brand New Landscape, Dir. Yuiga Danzuka
Death Does Not Exist, Dir. Félix Dufour-Laperrière
Dangerous Animals, Dir. Sean Byrne
The Foxes Round, Dir. Valery Carnoy
The Girl in the Snow, Dir. Louise Hémon
Girl on Edge, Dir. Jinghao Zhao
The Girls We Want, Dir., Prïncia Car
Indomptables, Dir. Thomas Ngijol
Kokuho, Dir. Lee Sang-il
Lucky Lu, Dir. Lloyd Lee Choi
Militantropos, Dirs. Maksym Nakonechnyi,. Simon Mozgovyi. Alina Gorlova
Miroirs No. 3, Dir. Christian Petzold
Middle Class, Dir. Anthony Cordier
Peak Everything, Dir. Anne Émond
The President’s Cake, Dir. Hasan Hadi
Que Ma Volonté Soit Faite, Dir. Julia Kowalski
Sorry, Baby, Dir. Eva Victor (Closing Film)
SHORT FILMS
+10 k, Dir. Gala Hernadnez Lopez
Before the Sea Forgets, Dir. Ngoc Duy Le
The Body, Dir. Louris van de Geer
Bread Will Walk, Dir. Alex Boya
Blue Heart, Dir. Damuel Suffren
Death of a Fish, Eva Lusbaronian
Karmash, Dir. Aleem Bukhari
Loynes, Dir. Dorian Jespers
Nervous Energy, Dir. Eve Liu
When the Geese Flew, Dir. Arthur Gay
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2025-04-15 12:54