‘It’ TV Series Trailer Welcomes You Back to Derry

As a cinephile eagerly anticipating the next chapter in the chilling saga of Stephen King’s “It,” I am thrilled to share that the talented creative team behind the gripping two-part adaptation has something truly terrifying brewing for us. This time, they are delving into the past with a prequel set to grace our screens on HBO and HBO Max.

Titled “It: Derry’s Arrival,” the series is set before the novel and film events, helmed by Andy Muschietti. Alongside his regular partner (and sibling) Barbara Muschietti, and Jason Fuchs who worked on “It Chapter Two” and the latest “Argylle,” they co-developed this series. Notably, Andy Muschietti also took charge of directing several episodes within the series.

The complete trailer for the upcoming series has been released, and as anticipated for a prequel TV show based on “It”, it appears to be set in the past and seems quite terrifying. Those with a sensitive disposition may want to give it a pass.

You can watch the It: Welcome to Derry trailer below:

In this show, you’ll find actors like Jovan Adepo, Chris Chalk, Taylour Paige, and James Remar as part of the ensemble. Additionally, Bill Skarsgard will once again take on the chilling role of Pennywise, the menacing demonic clown that haunted the residents of Derry in the It films.

Here is the series’ official synopsis:

As a devoted cinephile immersed in the chilling world of Stephen King, I’m eagerly anticipating IT: WELCOME TO DERRY. This upcoming movie is rooted in King’s “IT” novel, further unfolding the haunting vision masterfully crafted by filmmaker Andy Muschietti in his feature films “IT” and “IT Chapter Two.

As a passionate cinephile, I’m thrilled to share that the highly-anticipated return to Derry will premiere this autumn on what was previously known as HBO Max, but will once again be rebranded as just HBO Max. The upcoming season promises an intriguing narrative unfolding across nine captivating episodes.

The Best Horror Movies of the Last 10 Years (2015-2024)

The Witch (2015)

In simpler terms, the subgenre of horror movies known as “arthouse horror” or “elevated horror” has been around for quite some time. However, Robert Eggers’ film, “The Witch,” marked a significant shift in this genre with its eerie, suspenseful atmosphere and unexpected storyline. The movie stars Anya Taylor-Joy, who was also making her feature debut, and it tells the tale of a New England family that is so strict even their own Puritan community finds them too extreme. Due to their forced isolation and rigid religious beliefs, the eldest daughter becomes fascinated with the occult. “The Witch” doesn’t rely on traditional scares; instead, it subtly unsettles you, making you feel uneasy and as if you’ve accidentally caught a glimpse of something forbidden.

Raw (2016)

French filmmaker Julia Ducournau made an impressive debut with the cannibalistic coming-of-age film titled “Raw“. This movie is bound to make even the hardcore gore enthusiasts queasy. The story revolves around a vegetarian girl in her first year at a veterinary college who, subjected to grueling initiation rituals, develops an insatiable hunger for meat that she can’t seem to fulfill – until she begins tasting her fellow students. This film is a rollercoaster ride of thought-provoking concepts and themes, subtly linking a young woman’s quest for self-defined sexuality with the visceral horror of consuming cherished objects. Moreover, it boasts one of the most compelling final act twists in any horror movie from the past ten years.

Get Out (2017)

Without a doubt, “Get Out” should be included on this list – it deserves a place in any compilation titled “Best Horror Movies”. Jordan Peele’s initial feature is a chilling, intricate tapestry woven from a particularly sinister form of contemporary racial violence. The antagonists in “Get Out” aim not to annihilate their Black victims, but rather to assimilate them by seizing their bodies, appropriating their identities while sending their consciousnesses into the Sunken Place. This profoundly unsettling narrative unfolds within a tense, heart-pounding thriller that keeps viewers on edge until the very end. Peele’s subsequent works – “Us” and “Nope” – are equally intricate and epoch-defining, but “Get Out” arguably stands as his masterpiece.

Mandy (2018)

In the realm of action-horror-fantasy, Panos Cosmatos’ film titled “Mandy” seems to transport us to another dimension. The story unfolds in a chilling Pacific Northwest forest, shrouded in neon-tinted fog. Nicolas Cage portrays Red, a war veteran and lumberjack whose lover Mandy (Andrea Riseborough) is kidnapped and brutally murdered by the head of a cult. Fueled by vengeance, Red embarks on a bloodthirsty rampage, armed with a crossbow and an ethereal silver axe that sparkles like a magical weapon in a fairytale. It’s unlike anything else you’ve ever seen – bizarre, yet captivating, a testament to love and retribution that cannot be imitated.

Hereditary (2018)

Talking about iconic horror films, who can forget the moment they first watched Ari Aster’s debut feature, “Hereditary”? This movie, much like his subsequent work in “Midsommar,” chooses to place its most disturbing scene early on. What sets “Hereditary” apart is that it delivers chills rooted in reality, which makes them even more effective. The film is a testament to the idea that being possessed by a demon isn’t the worst fate if, just a short while ago, you unintentionally caused your sister to suffer an anaphylactic shock and decapitate herself.

Host (2020)

In this film, titled “Host,” we have a unique blend of horror, screenlife genre, and exceptional directing. This movie was produced and shot in London during the Covid-19 lockdown in 2020, with the entire story unfolding on a weekly Zoom call among friends keeping in touch during quarantine. When they decide to participate in a virtual séance, it unwittingly invites a spectral entity into their homes, causing it to terrorize and eliminate them one by one. The director, Rob Savage, masterfully directed all actors remotely, coaching them on setting up lighting, cameras, and special effects within their own homes. He also allowed for significant improvisation in the dialogue, using only a brief film treatment rather than a full script.

The Empty Man (2020)

As a devoted cinephile, I’ve found myself captivated by the enigmatic and contentious film, “The Empty Man.” This horror masterpiece, while not universally acclaimed, is a testament to the genre’s intriguing depth when it comes to oblique storytelling. It’s a supernatural puzzle that only grows more complex and bizarre as you delve deeper into its mysteries.

Initially, this film was quietly released in cinemas during October 2020, following disappointing responses from test audiences and critics. However, upon its home video release, it swiftly garnered a dedicated fanbase that even the Empty Man himself would be proud of.

In this movie, James Badge Dale portrays a former detective who becomes embroiled in an investigation concerning gruesome suicides, cults practicing demonic rituals, and his own haunting past. The film is as daring and singular as big-studio horror productions come.

Titane (2021)

Julia Ducournau made a significant impact with her first film “Raw,” but it was her subsequent work, “Titane,” that truly ignited global interest. This movie features an intriguing premise: a woman engaging in intimate relationships with a car. However, the story delves far beyond this shocking element, offering a Cronenbergian examination of gender and identity, selfhood, and the blurred lines between man and machine in contemporary society. Summarizing the plot succinctly is challenging, but here goes: Alexia, a woman with a titanium plate in her skull due to a childhood car accident, is a serial killer who moonlights as a dancer. She becomes impregnated by a car, flees home and poses as a missing firefighter’s son, gives birth to a half-human, half-machine baby, and ultimately assumes the role of a firefighter herself. This film stands out uniquely in modern horror cinema.

Skinamarink (2022)

As a fervent admirer, I must share my thoughts on Kyle Edward Ball’s analog horror masterpiece, Skinamarink. This film has sparked quite the debate, with some finding it absolutely terrifying while others view it as an unusually tranquil ASMR video. In this movie, two children find themselves confined within a house where an enigmatic entity vanishes doors and windows, and toys and furniture float eerily from the ceiling.

At first glance, such a plot may not seem particularly scary; however, it’s the unparalleled atmosphere that makes Skinamarink a truly chilling experience. Each scene is captured in a single, extended take on a gritty camera, with only the dim glow of a television illuminating the darkness and leaving you to wonder what could be lurking in the shadows. After watching Skinamarink, toy telephones will never seem quite the same again.

I Saw the TV Glow (2024)

In Jane Schoenbrun’s second film, titled “I Saw the TV Glow“, we delve into a horror narrative that stands the test of time. The story revolves around two solitary high school students who find solace in their shared passion for a supernatural young adult television series. However, their bond is disrupted when one of them mysteriously vanishes. Years later, she reappears, revealing a chilling truth: their true selves are the characters from their beloved show, and the world they perceive as real is actually a domain controlled by the show’s antagonist. This film masterfully navigates themes of childhood loneliness, pop culture nostalgia, and gender identity, offering both comfort and unease, making it an unprecedented venture from one of the most promising new directors in cinema today.

2025-05-21 00:55