All 4 Ari Aster Movies Ranked From Worst To Best

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Ari Aster‘s films, such as “Hereditary” from 2018 and the upcoming “Eddington” in 2025, are often seen as key elements in the horror genre produced by A24 Studios. However, it’s important to note that like many renowned directors, his movies have a complexity beyond their popular image. For instance, Aster’s films frequently delve into the turmoil of parent-child relationships. Furthermore, they often explore the risks involved when isolated individuals find companionship in the most dreadful settings imaginable. Notably, horror themes also seep into Aster’s dark comedies such as “Beau is Afraid” and “Eddington,” revealing his unwavering portrayal of Earth as a place teeming with chilling occurrences lurking in every nook and cranny.

Although Ari Aster has directed just four films so far, these movies provide a deep insight into his artistic style and fascinations. It’s also worth noting that not all of Aster’s projects are gold-standard. His more recent works, which venture beyond traditional horror, have faced criticism for being overly bloated and featuring uninspired lead performances. However, the high points in his most celebrated films demonstrate how Ari Aster has made a significant mark in the film industry within less than a decade of directing features. So, gather your flower garlands and dollhouses: to truly understand the recurring themes and artistic touches in Ari Aster’s oeuvre, let’s rank his movies from least favorite to favorite.

4. Eddington

Every acclaimed director has their less successful work. For example, Steven Spielberg produced “The Lost World: Jurassic Park,” while Dee Rees created “The Last Thing He Ever Wanted.” However, Ari Aster’s “Eddington” is a film that seems so off-target and flawed that it raises doubts about his creative abilities. This contemporary Western is set in the summer of 2020, where sheriff Joe Cross (Joaquin Phoenix) clashes with mayor Ted Garcia (Pedro Pascal) in the town of Eddington, New Mexico.

This movie is a satirical critique of American society, highlighting division and violence, yet it falls short of being truly daring or revolutionary. Its portrayal of Black Lives Matter protesters and extremist right-wing individuals would have been particularly pertinent in 2021. However, the film’s treatment of homeless or non-white characters seems predictable, undermining its attempts to shock viewers. It’s challenging for a movie to be seen as “transgressive” when it adheres too closely to conventional cinematic tropes.

Joaquin Phoenix’s performance in “Eddington” falls short compared to other actors who have played similar characters. The director’s visual style, which was once striking, seems to be missing here. The film appears dull and disappointingly tied to reality. While “Beau is Afraid” was full of bold visuals, the cinematography in “Eddington” lacks the same impact. At over two hours long, “Eddington” feels excessively lengthy. Unfortunately, “Eddington” seems to be a letdown compared to Aster’s previous works, as it fails to live up to the ambitions that made those films engaging.

3. Beau is Afraid

Beau is Afraid” is an intense film that doesn’t aim to provide comfort to its viewers. It pushes the boundaries and, in some ways, becomes overly dramatic. Yet, it’s also a unique piece with striking visual effects.

Interestingly, despite Joaquin Phoenix delivering exceptional portrayals of troubled characters in movies like “You Were Never Really Here,” he seems to be the least striking element in this film. Since the plot revolves around Beau (Phoenix), a man dealing with anxiety on his way home for his mother’s funeral, Phoenix is present throughout most of the scenes. However, his acting in this film isn’t particularly unique and at times seems to imitate past performances by Phoenix. This issue is exacerbated by standout supporting roles from Parker Posey and Nathan Lane, which often overshadow Phoenix’s performance.

Despite some uneven acting from Phoenix, the visuals in “Beau is Afraid” are nothing short of breathtaking. Aster and cinematographer Pawel Pogorzelski create a film brimming with vivid, psychologically intense imagery that mirrors the troubled mind of the protagonist. This results in each scene having striking, imperfect touches, while the vibrant color palette and lighting make the ominous aspects stand out even more. Aster also showcases his comedic skills, such as in a well-timed visual joke involving Beau and a computer with a shoe stuck in it. The movie itself is awkward and flawed, but its fearless audacity makes it impossible not to be drawn into its rhythm.

2. Midsommar

In a more conversational style: Florence Pugh’s sobs are unlike any other; it’s evident from the start in “Midsommar.” Her character Dani (played by Florence Pugh) breaks down in Christian’s (Jack Reynor) arms, grieving over the loss of her parents and sister. These intense displays of sorrow make for awkward viewing. As audience members, do we find ourselves questioning whether we should bear witness to such raw emotion?

Ari Aster’s “Midsommar” script explores a theme where audiences catch a glimpse of the seemingly unimaginable. Characters Dani and Christian, along with their companions, find themselves immersed in a midsummer festival set in Sweden’s Hälsingland region. This remote community preserves unusual traditions, some of which involve elderly people leaping from cliffs to tragic ends. Given that this enclave is secluded from the mainstream world, both Dani and viewers are kept guessing about the madness they are about to encounter.

Midsommar” portrays an eerie blend of beauty and madness, set against a backdrop of perpetual sunlight in Sweden. Vibrant colors, such as those seen on Dani’s now famous third act attire, are prevalent, creating a striking contrast with the relentless cruelty and underlying white supremacy within this secluded community. Aster masterfully exposes the grotesque scenes of violence in broad daylight, allowing viewers to witness every detail of the depravity. This visual artistry is not only stunning but also expertly timed, gradually revealing the extent of the community’s instability. Florence Pugh’s performance serves as a compelling anchor for the story, even during her heart-wrenching, unforgettable cries.

1. Hereditary

It’s become quite common now to appreciate the excellence of the film “Hereditary.” From Toni Collette’s memorable monologues to the internet’s widespread use of memes based on its most chilling scenes, it’s undeniable that the movie has made a lasting impact. However, when you delve deeper into its construction, it’s truly astonishing to realize that “Hereditary” is director Ari Aster’s debut work in feature-length filmmaking.

The movie titled “Hereditary” portrays the tumultuous life of Annie Graham (Collette) and her family as they disintegrate under a series of relentless misfortunes and supernatural intrusion, offering an unsettling glimpse into domestic turmoil that sends shivers down your spine due to its skillful cinematic execution. The sound design in this film is particularly noteworthy, crafting a haunting atmosphere where disquieting creaks or sudden noises appear to echo from the furthest, gloomiest recesses of any given space. This ingenious use of sound design effectively creates an omnipresent sense of danger, as potentially frightening forces are not confined solely to the viewer’s field of vision.

Collette’s performance is equally impressive and remarkable. Her raw portrayal powerfully illustrates the recurring cycle of familial abuse, as it seems to be perpetuated from one generation to another. It’s no wonder that this talented actress captivates even in her most subtle appearances. The movie is also filled with haunting visuals that are sure to give you nightmares – think decapitation or insects feasting on a young man’s face. Aster’s script masterfully balances intense horror scenes with more realistic sequences, creating an unsettling adaptation of “A Long Day’s Journey Into Night.” In terms of visuals, acting, and sound, “Hereditary” stands tall as a work of art among all other Ari Aster productions.

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2025-07-15 22:00