Why the Left Can’t Stop Crying Over Colbert’s Cancellation

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It’s mourning in America for the Left.

On Wednesday, as a loyal fan, I expressed my heartfelt goodbyes to “The Late Show” in a somewhat unconventional way by hoping for a shift of fortune, not for the cast or crew, but for their broadcasting network, CBS, and its parent company, Paramount.

She playfully held Stephen Colbert’s hand as if he had suffered a loss, and that’s because, in a sense, he did – he was the host of the show where she appeared.

In a similar fashion, Oh and many progressive Americans feel the same way. This is why protests have been happening outside CBS’s New York City theater, thousands of online petitions are being signed, and some prominent Democrats argue that it’s President Trump who bears responsibility for the show’s cancellation.

Without evidence, of course.

RELATED: COLBERT – FROM CUTTING-EDGE COMIC TO REGIME MOUTHPIECE

As a film enthusiast, I find myself missing the familiar face of Stephen Colbert on his “Late Show,” which sadly won’t be airing until May 2026. The traditional media, joined by the contemporary Left, seems to share this sentiment, as we all struggle to adjust to life without it a full week in. It’s like waking up one morning and realizing your favorite movie theater has closed down – the void left behind is palpable.

What’s the big deal about the prolonged uproar? After all, it’s only a talk show that frequently lags behind “Gutfeld!” in terms of viewership.

It’s not just “The Late Show” that’s facing a downturn; the influence of left-leaning popular culture is waning, and this trend can be seen in various places.

In this historic event dubbed the “Podcast Election,” comedian rebels played a significant role in rallying support for President Donald Trump’s re-election. On the other hand, virtually every prominent figure in the liberal sphere urged votes for Vice President Kamala Harris.

Even Han Solo. The country by and large tuned them out.

The vitality of Late-Night TV isn’t completely gone, but the whispers of its extinction might not be far off the mark. Much like Thanos, it seems unavoidable. And with this transition, comes an endless wave of progressively critical comments, amplified across various legacy media outlets for maximum effect.

Sketches like this didn’t help.

In recent times, two significant media mergers have been about non-conventional, right-inclined podcasts that operate outside the traditional left-wing guidelines – specifically “Ruthless” and “Barstool Sports.

Finally, the much-debated union between Paramount and Skydance has been realized. This union brings with it the expectation of “viewpoint diversity.” One of the factors contributing to the long-running success of the creators of the controversial yet popular show “South Park” is that they recently sealed a $1.5 billion deal. Known for taking aim at all sides, this show is just one example of why it has remained successful for decades.

It appears that the influence of progressive ideologies in Hollywood has significantly diminished over time, as even The New York Times acknowledged last year. Nowadays, large film studios are trimming socially conscious subplots from their productions. Movies that were once considered mainstream, such as “Inside Out 2” and “Bad Boys: Ride or Die”, have left behind any lectures during the editing process.

Modern movies such as “Superman” and “The Fantastic Four: First Steps” either shun politically liberal jabs or champion traditional American values, with Superman returning to Kansas to recalibrate his moral sense in the latest production by James Gunn.

The Marvel’s Fantastic Four characters place strong emphasis on their familial bonds, with an unexpectedly positive stance towards life, which might have been deemed controversial just a few years back.

The end of Stephen Colbert’s “Late Show” symbolizes the widespread accessibility in popular culture, boosted by platforms like Patreon, Substack, YouTube, and podcasting. This embodies the spirit of the late Andrew Breitbart, who advocated for more voices, rather than fewer.

As an ardent follower, I’m thrilled to share that Elon Musk’s acquisition of Twitter has provided a fresh platform for right-leaning voices to express their perspectives on today’s cultural discourse once more.

And boy, are they speaking up.

Most significantly, the artificial voices supported by liberal organizations, including Colbert and hard-Left NPR, are at risk of being discontinued. It’s puzzling as to why CBS would forgo an annual revenue of $40 million to preserve Colbert’s personal endeavor.

Hmmm.

What’s flourishing is: The Free Press by Bari Weiss, a refuge from hard-Left journalism; rogue comedians who aren’t tied to any specific political party, such as Tim Dillon, Andrew Schulz, Joe Rogan, Ryan Long, and Theo Von.

Essentially, stand-up comedy has not only weathered the storm of the cultural uprising but seems to have thrived more than before. The latest ESPY Awards performance by Shane Gillis stirred controversy among the left again, yet it didn’t lead to any significant repercussions.

Even ribald movie comedies could be the next pop culture domino to fall.

It’s clear that there’s strong disapproval from the Left about everything mentioned, which is evident in discussions on platforms like Bluesky, and even Jon Stewart expresses this frustration from his “Daily Show” platform.

The anger also affects journalists. Check out this Gizmodo article discussing a newly established, conservative movie production company aiming to share pro-American narratives with wider audiences.

U.S. conservative groups have long held a desire for influence within the heart of American liberalism’s cultural might – Hollywood, often criticized for its liberal leanings. Known as the “dream factory,” this powerhouse significantly shapes Americans’ self-perception and worldview. It seems that a faction with connections to the U.S.’s military-industrial complex is now devising a strategy to seize control of Tinseltown, intending to reshape it according to their own ideologies.

They’re afraid. And they should be. And the worst may be yet to come.

It’s clear that the Left continues to hold significant influence over mainstream culture, encompassing television, films, music, and theater. For instance, Larry David is teaming up with the Obamas for a groundbreaking comedy series on HBO Max, which is just one example of many such collaborations in the pipeline – including a movie that criticizes mass deportations.

Bank on it.

I’m seeing some significant shifts now. Previously, we were confined outside the walls, but today, the rebels have successfully broken through the barriers. With their advancements in technology and established distribution networks, they can now challenge the status quo more equitably, competing on a level playing field that was once unattainable for us.

Progressives are losing their monopoly on arts and entertainment. And they’re not taking it well.

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2025-07-25 18:03