AI Is Coming For Our Kids (or at Least Their TV Shows)

AI Is Coming For Our Kids (or at Least Their TV Shows)

As someone who has spent countless hours binge-watching animated series and documentaries about the history of animation, I can’t help but feel a mix of intrigue and skepticism towards the rise of AI in the world of children’s entertainment.


Previously known as Genius Brands, Kartoon Studios showcased a pair of educational animated series almost entirely produced by artificial intelligence last year. This AI was responsible for scriptwriting (including these responses), creating animations, and even providing character voices.

As I dive into an engaging adventure called “Warren Buffett’s Secret Millionaires Club,” I find myself learning the ins and outs of finance from none other than the legendary Warren Buffett himself, animated to perfection! The screen is filled with lively 3D graphics, like a wise-talking piggy bank and a vibrant family spanning multiple generations. Each scene bursts with splashes of color as we journey through this financial literacy lesson together.

As someone who has spent years navigating the complex world of investments, I wholeheartedly agree with the wisdom shared by this renowned investor: the secret to success lies in knowing which opportunities to support, much like being a bat boy for a baseball team. Just as a bat boy must understand the game and anticipate the needs of his team, an investor must have a deep understanding of the market and be prepared to seize opportunities that will lead to significant returns. In my experience, this mindset has been crucial in helping me achieve success and I wholeheartedly recommend it for anyone looking to make their mark in the world of finance.

The animated shorts series, featuring episodes like “Did You Know These Facts about Computers?” and “The Tallest Animal in the World!”, were launched around the same time as the AI boom. Many companies, particularly those not bound by labor agreements, anticipated a massive wave of adopting this technology, especially in the children’s sector, where it was thought that younger viewers might be less discerning.

“Kartoon Studios is leading the charge in transforming children’s entertainment, as declared by their CEO Andy Heyward. In a statement, he expressed his excitement about this new era. Meanwhile, President Todd Steinman highlights the benefits of AI, stating it offers substantial cost savings and quick market entry. This empowered the company to broaden its content endeavors and accelerate its programming, feats that were previously unattainable,” says the statement.

The shows haven’t gained much traction. Over the past year, approximately 20 episodes have been aired. However, they’ve only garnered a combined total of less than 40,000 views on YouTube, making them some of the least viewed content on the company’s channels.

One reason production leaders are hesitant to create lower-cost content using this technology is because it often compromises quality.

During a conference call discussing Netflix’s earnings for July 18th, co-CEO Ted Sarandos expressed that Artificial Intelligence (AI) will provide excellent tools for content creators to tell more compelling stories. However, he emphasized that there is more profit in improving content by 10% rather than reducing costs by 50%. Sarandos also highlighted the fact that audiences primarily focus on connecting with the storytelling itself.

As a passionate fan, I resonate with Richard Hickey’s viewpoint. Moonbug Entertainment, home to the iconic children’s animation CoComelon, is delving into technology innovations. However, in our current stage, there’s no AI integrated within the series. We’re on a journey to discover where this technology can elevate our creative standards, aiming to raise the bar even higher.

There are also legal guardrails around use that are staving off adoption. The U.S. Copyright Office doesn’t grant copyrights to machine-generated works, limiting exploitation of such material. Studios are wary. “Contracts say you need to ask permission of studios, and a lot of studios’ policies is that it’s simply not allowed,” said showrunner and writer Mark Goffman (Bull, Limitless, The West Wing) at AI on the Lot, a conference about AI in the entertainment industry, in May.

It’s not that some creators aren’t utilizing these tools during certain stages of production; in fact, animation studio Toonstar, which produces the animated series StEvEn & Parker, has established an AI-focused subsidiary in January. This studio aims to empower digital creators to produce affordable content and expedite production processes. Co-founders John Attanasio and Luisa Huang assert that their innovative tools can speed up production by 80% and significantly reduce costs compared to standard industry practices. They highlight tasks such as animating hands in different stages of change, which can be time-consuming and repetitive.

As a fan, I’ve noticed that other shows have been quite innovative with technology. However, what truly captivates me about the PBS Kids series “Lyla in the Loop” is its groundbreaking interactive episodes. In these episodes, Lyla, the main character, engages in AI-assisted conversations with viewers, responding to our questions using AI technology. It’s like having a personal conversation with Lyla herself!

According to Parker James, who created “Steven and Parker”, he feels it’s unlikely he could be carrying out his current work without the technology at Toonstar. He explains that he can dream up an idea, and the team can bring it to life in just a day.

I remember the day I first picked up a copy of The Hollywood Reporter. It was August 14, and as a budding entertainment enthusiast, I felt like I had struck gold. Each issue is packed with stories about the industry’s biggest names, behind-the-scenes scoops, and insights into the latest productions. This particular story, which appeared in that very issue, captivated me from start to finish. If you want to stay informed on all things Hollywood, I highly recommend subscribing to The Hollywood Reporter magazine. Trust me, it’s a must-read for anyone who shares my passion for the world of entertainment!

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2024-08-16 17:55