Babygirl Movie Review: Eroticism Meets Empowerment In This Steamy Corporate Affair [VENICE 2024]

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Babygirl Movie Review: Eroticism Meets Empowerment In This Steamy Corporate Affair [VENICE 2024]

As someone who has spent countless hours immersed in the cinematic world, I must say that “Babygirl” is a breath of fresh air. This film dares to explore the complexities and nuances of sexuality in a way that is both erotic and empowering, making it a unique addition to the often stale conversation about the role of sex in movies.

Approximately once every five days someone starts an insipid online conversation about the role of sex in movies. How much is too much, is it exploitative to the actors, should it be there if it doesn’t move the plot forward, et cetera, ad infinitum. “Babygirl,” if there’s any justice in the world, should put an end to this argument. Its horniness is not a bug — it’s a feature. And despite its faults, it showcases how much sex scenes can be used to explore character beyond their mere ability to titillate (but don’t worry, there’s plenty of that as well). With ballsy performances from Nicole Kidman and Harris Dickinson, the much-anticipated “Babygirl” blends eroticism with sexual empowerment in a way that might not be for everyone, but will certainly find an audience that appreciates it.

Romy (played by Nicole Kidman) is essentially the epitome of a powerful businesswoman, serving as CEO of a thriving shipping company. She’s blessed with two caring daughters and a devoted husband, Antonio Banderas, who adores her. While her romantic life could use some enhancement, one can’t expect perfection in all aspects. However, when a confident young intern named Samuel (Harris Dickinson) arrives, he seems to sense that Romy craves to relinquish control in her personal relationships. Despite her attempts to maintain professionalism and suppress her feelings, she becomes entangled in a passionate romance that could potentially disrupt everything valuable in her life, yet it also provides her with the most intense sexual satisfaction she’s ever experienced.

More erotic, less thriller

Babygirl Movie Review: Eroticism Meets Empowerment In This Steamy Corporate Affair [VENICE 2024]

The film “Babygirl” is marketed as an erotic thriller, but it delves deeper into other themes. While it does incorporate elements of suspense, such as Samuel’s potential manipulation of their relationship for power and Romy’s desperate attempts to conceal her secrets, these aspects are somewhat underdeveloped. Instead, director Halina Reijn focuses on Romy’s personal journey towards self-discovery and sexual expression.

In this film, Nicole Kidman delves deeply into her character, Romy, exposing herself completely and providing genuine emotional depth to the role. This makes Romy relatable and well-rounded. On the other hand, Samuel, portrayed by Harris Dickinson, is less complex. He’s charismatic and assertive in his performance, suggesting that he’s creating their relationship as they go along. However, it becomes apparent that “Babygirl” primarily focuses on Romy’s personal growth, leaving Samuel feeling underdeveloped and somewhat one-dimensional. His motivations, whether from their relationship or his own life, are not explored fully. Instead, it seems his role is to facilitate Romy’s sexual awakening, which is the only aspect of the film that feels well-realized. Other storylines, such as Samuel’s connection with Esme (Sophie Wilde), Romy’s ambitious assistant, or the consequences of Romy’s HR scandal, are largely ignored.

Kidman and Dickinson’s electric chemistry

Babygirl Movie Review: Eroticism Meets Empowerment In This Steamy Corporate Affair [VENICE 2024]

Despite its cost, their genuine affair is captivating due to a passionate yet slightly awkward chemistry between them, as they both explore the complexities of BDSM together. The uncertainty in their relationship lends it an unanticipated charm and even a touch of innocence, keeping it distinct from the more mature themes often found in films like “Fifty Shades of Grey,” which is quite impressive given its explicit subject matter.

Harris Dickinson plays an intriguing romantic interest, while Antonio Banderas is endearingly portrayed as a crumbled, emasculated husband. However, it’s important to note that “Babygirl” is Nicole Kidman’s project from beginning to end. This production demands unwavering trust, and she delivers it wholeheartedly. “Babygirl” may not be flawless, but it promises an entertaining journey, making it a unique viewing experience suitable for both those who appreciate steamy stories (with respect) and those who do not. Rarely do we encounter sex-positive narratives featuring powerful women in their 50s, making this film worth watching for its rarity alone.

“Babygirl” hits theaters on December 25, 2024.

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2024-08-31 18:00